A fetching scene of colored washes very　much in　the Taisho style by important artist Ono (Ohno) Bakufu. Pigment on silk in superb Kinrande mounting. It is roughly 21-1/2 x 79 inches (56 x 200 cm).
Born in Tokyo Ono Bakufu (1888-1976) relocated to central Japan after the great Kanto earthquake of 1923 where he became an honorary member of the Hyogo Prefectural Academy of Fine Arts. Often displayed at the Teiten National Exhibition, he is best known for paintings of fish, w...

Japanese Stoneware hanging Vase with green and purple color drip glaze over dark brown unglazed surface, 4 3/4" high, 3 1/4" x 3 3/4" wide, the condition is good, no damages.

A rare Chinese blackwood day bed low table. This table was designed to be placed in the canopy bed for reading and eating. Date: Middle Qing. Size: L 63 cm,W.43 cm, H.27 cm. Condition: Very good. No repairs

Chinese Qing dynasty Qianlong period bottle vase (tianqiuping) with globular body and tall cylindrical neck covered in a rich translucent sang-de-boeuf (oxblood) glaze with a faint orange peel texture. The glaze is thinner at the neck, revealing white at the mouth rim and a crackled underglaze. Characteristic of 18th century pieces, the glaze thickens at the bulbous body to stop in a carefully controlled manner, leaving a thin white line and an orange line at the unglazed foot (see close up ima...

A katchushi (or armorer's) tsuba, probably Myochin, with pierced decoration of ship's rudders (the significance being a comparison of rudders steering a ship to values guiding a Samurai's life choices.) The strong, homogenous, dense iron plate with only light tekkotsu and smooth to the touch. Dark patina. Momoyama to early Edo. Good condition: Lamination folds with openings evident on the surface of one side. Ex Skip Holbrook collection. 3 3/32" x 3 1/16" x 1/8" (7.8 cm x 7.7 cm x .32 cm)

An armorer's iron tsuba, possibly for a wakizashi as it is somewhat diminuitive in size. Or perhaps more in keeping with its apparent age, an early example of a proportionately small tsuba used with an uchigatana as was first the fashion. Sukashi decoration of a conch (horagai) traditionally used for ritual practices and for signaling on the battlefield. The rare uchikaeshi-hineri rim (mimi) is significantly raised and defined almost as if to suggest a separate piece of iron around the rim (thou...

Beautiful Japanese antique 2-section Keyaki isho tansu (chest on chest for clothing). Wonderfully dramatic kayaki (zelkova) grain on front. Enhanced by the Original finish in translucent lacquer. Black iron hardware including warabite shaped drawer pulls, safe box in lower right hand corner with 2 small interior drawers. Round iron lock plates with mixed metal raised motif of implements of the Lucky Gods. Original condition and finish. Early Meiji Period (1868 - 1912) . Size: 47 1/2" hig...

A silvered and beautifully engraved brass Hookah / Huqqa base. Indian, Moghal period, 18th century. Height "5¼/ 13 cm, diameter"5¾/ 14,7 cm. Condition: wear to the silver and loss of soldering around the foot rim (cf. pics).

Complete footed cast bronze Hu (wine container), terminating curved and bulbous contour flaring on square mouth. Banded edge and lidded square cover. Has a slight apex top with four serpentine shaped mounted on a terminal bends. The ring handles of the hu measures 2 1/2" diameter with loped and mounted on a taotie mask which is molded in low relief. Complex verdigris patina of malachite and earth encrustation with ares showing cupperite transgression of metal oxidation. Purchases in the 199...

An iron, Ko-Tosho (early sword smith's) tsuba. The slightest taper from seppa dai towards rim. Pierced decoration. Purchased from Andy Quirt (ex Skip Holbrook collection) at the February 2016 Tampa show, he thought it depicted gourds. I guess the beholder might see different things. I see Japanese eggplants on leafy vine (two fruit and two leaves) supported by a bamboo trellis. An uncommon and well executed, balanced decoration. The hitsu-ana appears to be original to the tsuba. Late Muromachi. ...

19th Century Chinese Herb Medicine Bat Pendant & Beads

It is 17 inches (43.2 cm) long by 2 inches (5.1 cm) wide. The large pendant is 2 inches (5.1 cm) long by 1 inch (2.5 cm) wide. The small pendant is 1.15 inches (3 cm) long 1.3 inches (3.4 cm) wide. The bead is 6.12 mm-7.28 mm diameter. It is 45.4 gram.

It is in good condition with no repairs, or cracks, except flea bite chips and loss threads (as seen in the photos).

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Japanese 20th - 21st century floral design plate. The floral design starts at the bottom front of the plate and continues over the lip and up the inside of the plate, separated by black slip. Signed by artist on bottom. The plate comes with TOMOBAKO, original artist signed wooden storage box. The plate measures 10 3/4" in diameter and 3 3/16" tall.

Starting with the famous verse by Chinese Scholar YoYu (AD 53-18) ”The written character is a picture of the heart” (Sho kokoro Ga nari) here are written 42 rules of calligraphy spread over 10 narrow panels by the famous calligraphist Ide Gakei dated 1677. The verses appear to have been written in one sitting, the style going from crisp perfect Kaisho characters through Gyosho stylized characters and into the elegantly running Grass script (Sosho). The way the artist allows his hand to flo...

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then acts as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

Typical of Mino pieces of the time, this Oribe chawan is made of coarse, unrefined clay. The brilliant green color is the result of copper...

A fine Tenmoku Glazed pot with Pine needle design by Kimura Moriyasu dating circa 1985 enclosed in the original signed wooden box. It is 8 inches (20 cm) tall and in fine condition. A vase with this same glaze is held in the National Palace Museum, Taiwan.
Kimura Moriyasu (b. 1935) studied pottery initially at the Kyoto Ceramics Research Facility (which turned out such masters as Hamada Shoji and Kawai Kanjiro) and then under his brother Kimura Morikazu. He is well known for his use of c...

Very fine large Meiji Era Japanese porcelain bowl with a delicately painted floral motif accented with gold gilt highlights. The side of the bowl features cranes in various flying poses. There is an old staple and gold repair at the rim. Looking into the bowl it is not visible unless you are seriously looking for it. See last 2 photos. Bowl rings nicely. Signed on the bottom, this is a very large bowl measuring 12.5 inches across by 3.75" high.

A Superb Shigaraki Chawan by Sugimoto Sadamitsu enclosed in the original wooden box signed beneath by the artist and endorsed by Tea Master Tachibana Daiki of Daitokuji Temple. It is 4 x 5 x 3-1/2 inches (10.5 x 13 x 9 cm) and is in fine condition.
Sugimoto Sadamitsu was born in Tokyo in 1935. A strong adherent to the Zen tradition, Sadamitsu established his own kiln at 33, receiving the kiln name from his mentor Daitokuji priest Tachibana Oki. His Zen studies have refined the spiritual s...

A very rare round, domed ceramic chop ink container with paintings of "a hundred boys." The background is off-white with the paintings of the rotund little boys at play in cobalt blue. The surface is heavily crazed. Kangxi seal mark.

Period: Ching Period 1662 - 1722 AD

Size: Height = 5.8 cm (2-1/4 inches, Diameter = 13.8 cm (5-7/16 inches)

Condition: The bottom has chips along the rim, possibly from trying to pry it open at one time. Can be restored. (see photos) The...