Suzuribako - Important model of urushi lacquer writing case from Japan, offering a rich decoration of a Kabuto and a sand on the top of the lid, on a hirameji lacquer background. Gold and silver lacquer with rare finesse of decoration. The interior offers a particularly remarkable scene, of two deer in autumn foliage. Takamaki-e and hiramaki-e. Dimensions: 4.6 cm x 21.3 cm x 23 cm. Japan Edo (1603-1868) early 18th century.

Rare and pretty Inro opening with four compartments and a lid in urushi lacquer with a black background decorated in hiramaki-e with gold lacquer, mitsuda, kirigane and mother-of-pearl inlays, of a traditional cottage above which a bird flies; on the other side, a set of objects including a large basket, branches and a cup. Height: 5.8 cm. Japan Edo (1603-1868) 17th century. Provenance: Maurice Feuillet collection. Label with inscription “Maurice Feuillet collection” and N°138

This is a pottery vessel originating in the Han Dynasty of ancient China (206 BCE to 220 CE). Vessels such as these were often used as wine containers. This piece his beautifully sculpted and has great colors. There is a repair two the foot of the jar. There are also small chips and abrasions throughout and possible areas of professional restoration. It measures 29 cm in heights and 32 cm in width.

Chinese antique pair of porcelain tiles. Painted in enamel with scenes of snowy landscapes. One panel with a pavilion in the snow, a figure on a path, tall mountains covered with snow and a persimmon tree bare of leaves and laden with fruit. The other panel shows a red pavilion in the mountains, snow on pine and red maple trees and two figures climbing a stepped path. Both tiles are framed in dark hardwood.

Dimensions: 24" high x 15 3/4" wide (each)

A refined form covered in a blast of liquid ash by Kojima Kenji enclosed in the original signed wooden box titled Iga Mimitsuki Hanaire. This has a wide flange flaring from the mouth, with two square handles on the square neck which comes off a square pedestal of the bulbous body of the vase. Very unusual design, and quite compelling. It is 31 cm (over 12 inches) tall and in excellent condition.
Kojima Kenji was born in Aichi Prefecture in 1953 and graduated from the Tokoname Ceramic V...

Liquid Green ash seems to overflow the rim of this heavily potted Iga vase by Iga star Kojima Kenji enclosed in the original signed wooden box titled Iga Mimitsuki Hanaire. The term Mimi refers to ears, usually a pair of lug like handles opposing each other on a pot. Here the ears have been elongated, more like lobes of some ancient sage, and become one with the wide flange of the base. Otherwise the mouth is modulating, the body cut and whacked with random symbols and pallet scars. It is 29...

A trumpeting fluted form covered in igneous blasted ash by Iga legend Kojima Kenji enclosed in the original signed wooden box titled Iga Ruiza Hanaire. Ruiza is the name of these small circular studs which decorate the vase between the flutes near the rim. It seems to dance on the table, the form bent as if in a twirl. This vessel, very organic in formation, is 25 cm (10 inches) tall, roughly 15 cm (6 inches) diameter at the top, and is in excellent condition.
Kojima Kenji was born in Aic...

Set of three white vintage, Burmese jadeite “bi” pendants with bails D: 30mm, 6 grams each and a pair of thick greenish jadeite “bi” pendants with beveled edges inside and out, D:27mm and thickness 6mm 9 grams each. All good pieces.

This is a japanese antique tsutsugaki Indigo dye cotton noren textile of taisyo period(1912-1926). There are some light stains but they are not noticeable. There is one repaired part. Size :: Length: 152cm (59.8 inches) / Width :: 98cm / 38.5inch

Two Small Chinese Qingbai Glazed Lotus Petal Dishes. Circa, 14th Century, Dehua Kiln, Fujian, Yuan Dynasty. Found in the Philippines. Featuring two small dishes, one slightly larger than the other, and their exterior decorated with carved upright lotus petals. The two dishes are covered in a green-white ‘Qingbai’ glaze, stopping well above their feet. See two similar bowls with unglazed rims and lotus petals on the exterior that were attributed to the Dehua Kiln, Central Fujian, ...

A quintessential Mimitsuki Mizusashi with loop handles by die hard Takahashi Rakusai enclosed in the original signed wooden box. This is a superb example of the form by master of the tradition. It retains both the original pottery lid and custom made black lacquered wood Kae-buta lid. The vessel is 16.5 cm (6-1/2 inches) diameter, 17.5 cm (7 inches) tall and in excellent condition.
Takahashi Takusai IV was born the eldest son of the 3rd generation Rakusai in Shigaraki in 1925, given name ...

The large vase with silver wire cloisonne on ceramic with "tree bark" textured surface. Decoration of butterflies and peonies, with the blooms depicted in enamel tones of sienna, umber and dark mica, and the stems and leaves in dark green - almost black. The body of the vase covered with a dark, warm brown lacquer on intentionally course texture like tree bark - which it emulates. The Kyoto, crackle glazed greyish porcelain body visible from the foot. Taisho era (1912 - 1926). Good condition. He...

Japanese shin hanga woodblock print titled "Hayase" by Hiroshi Yoshida (1876-1950) dated in the left margin Showa 8 (1933). Post WWII later edition. The artist's black ink stamped signature and red seal is at the lower right. The print is block titled and signed in the lower margin. Illustrated in "The Complete Woodblock Prints of Yoshida Hiroshi," Abe Publications, color plate #188. Paper measures 10 1/2" x 15 3/4" (image size: 9 1/2" x 14 1/2"). Very good clean overall condition with full mar...

A fine, small ginbari cloisonne vase with pale blue, silver background and peonies decoration; one panel with pale purple background and bird, bamboo and flowers decoration; and another panel with blue background and flowers decoration. Impressed artist's mark on the metal base. Meiji period (1868 - 1912). Good condition with tiny, oxidized pinholes in the enamel surface from the firing (not detracting from condition or presentation). Height, 3 1/2 inches (8.9 cm)

Japanese shin hanga woodblock print depicting two beauties walking with umbrellas down a rainy evening street lined with storefronts titled "Evening at Ushigome Kagurazaka" from the series "Sketches of Famous Places in Japan" by Tsuchiya Koitsu (1870-1949) dated in the right margin "8th month of Showa 14" (1939). A prominent lantern holding the name of the publisher Doi hangs at the left. The title is above the date in the right margin. The black ink signature and red seal of the artist are at...

For the tea and cloisonne collector: A signed totai cloisonne on Kyoto ceramic cha-ire (tea jar). Decoration in red, black rose, pink, green, blue and yellow of flowers, butterfly and other motifs on blue background. The jar with both lid and cover. Late Meiji era (1868 - 1912). Good condition. Height, 3 5/8 inches (9.2 cm)

Lifetime edition Japanese shin hanga woodblock print titled "Yumoto Spa, Nikko" by Kawase Hasui (1883-1957) dated in the left margin Showa 12 (1937). The artist's black ink signature and red seal are at the right edge of the image. Post-WWII edition bearing the round 6mm Watanabe publisher's seal at the lower right corner. Paper: 15 1/8" x 10 5/16" (image: 14 1/4" x 9 1/2"). Good overall condition. There is a fade line evident across the top of the image. The back is clean, but the front marg...

Lifetime edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Evening Sky at Suwa Shrine, Nippori" dated Showa 8 (1932). Post-WWII edition bearing the round red 6mm Watanabe publisher's seal at the lower right corner below the artist's black ink signature and red seal. Paper: 15 1/4" x 10 1/4" (image: 14 3/16" x 9 3/8"). The print does not appear to have been previously printed and is in very good overall condition. There is a small tear in the margin at the bott...