Sample book of the Japanese sarasa, whose title is "Kame Jirushi Sarasa Book" It has 56 fragments of silk gauze with katazome (stencil-resist dye) designs. Generally, in good condition. Early 20th century. W:22cm, H:16cm

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

This piece has beautiful color development of glaze and repaired with minute silverwork on the ridge of mouth. YouTube movie/ https://www.youtube.com/watch?v=o4kEByQCGcY Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan. Size: 9.0cm(D)/ 4.2cm(H)

This is a excavated piece with very good condition, it has clear coloring of brown glaze. YouTube movie/ https://www.youtube.com/watch?v=h5ZqYQ7MuCE Size: 12.2cm(width of body) 11.6cm(length) 21.6cm (height) Certification: written by Noriki Shimazu the famous researcher with Asian antiques in Japan.

Rare Joseon Dynasty Small Inlaid Silver Iron Box with Gorgeous Floral Designs, with two compartments. A fine and one-of-a-kind 19th Century Korean collectible. 3.75 x 2.25 x 1.5 inches, 9.5 x 6 x 4 cm.

Scarce Joseon Dynasty Fish Form Silver Inlaid Iron Box Wonderfully Designed. The form and design are sublime and feature an exquisitely arranged silver inlaid face and fish scales. 6.5 x 2.25 x 1.25 inches, 16.5 x 6 x3 cm.

Fine, Rare Joseon Dynasty Silver Inlaid Box with ancient Longevity Symbols of Deer, Cranes, key fret pattern, floral and tortoise shell pattern. Double Happiness symbol on the lid. Beautiful Condition. 5.25 x 3.5 x 3.5 inches, 13.5 x 9 x9 cm.

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A large bronze image, cast in two pieces, showing the Tamil deity Aiyanar riding on his horse. The bejewelled cavalier is holding a curved sword and a round shield, wearing decorated bloomers. The stallion with sumptuous harness. Condition: traces of usage. Dimension: c. 29.8 cm high, c. 24 cm long, c. 8.8 cm wide, weight: 3.4 kg.

Lao or Lanna Thai, gold and silver foil repousséd Buddha, circa 14th-18thCE. No unisha some restoration- please view enlargements. H: 10cm/4in x W: (base) 7cm/2.8in. Provenance: Bonham’s Australia, Dec 7, 2022, lot 136, previously BC Galleries, Melbourne, Nov 18, 2013

Thai gold and silver foil repousséd Buddha, circa 14th-16thCE late Sukhothai or early Ayutthaya. Some restoration- please view enlargements. H: 7cm/2.8in x W: (base) 4.3m/1.6in. Provenance: Bonham’s, Sidney Australia, Dec 7, 2022, lot 136, previously Soo Tze Orientique, Melbourne, Sept. 6, 1991. Free shipping.

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

Enigmatic script rises like fingerprints from the surface of this vertical black monolith by Shigemori Yoko dating from quite early in her career titled Autumn Field. The piece is slab-formed, the slabs pressed over a surface inscribed with mysterious scrawling and texts, one feels it possible to read, but it proves elusive. Like much of her work it is raw, Like garage band music. There is no other decoration, a powerful statement which staggers to one side. It is 14 x 17 x 40 cm (7 x 6 x 16 i...

An organic form of striated growth by Yamaguchi Mio enclosed in the original signed wooden box. It is created by forming hundreds of small petals and slowly building up the form, in the same way that nature would grow barnacles on a rock, one at a time, expanding slowly, over eons. Many of her works are quite large, this is manageable in size at 21 x 17 x 27 cm tall (8 x 7 x 10-3/4 inches) and is in excellent condition, from the artist this year.
Yamaguchi Mio was born in Aichi prefectu...

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


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