Chinese Tang dynasty (618-907 A.D.) brown glazed wine jar with cup decorated around the rim with two stylized opposing dragons. The cup rests upside down over the circular opening on top. The jar measures about 8 1/4" high to the top of the dragons. The cup is nearly 3” diameter. Very good overall condition with wear and glaze degradation consistent with its age and use. Significant burial dirt is adhering. There is a small old triangular-shaped repair to the edge of the cup. This jar i...

Accents formed using iron pigment stand out across a backdrop of blue-green glaze. The base and a portion of the inside of this ceremonial tea bowl are unglazed displaying rich clay. Created by Shibayama Toshiya, this is an example of contemporary Japanese ceramics at its finest.

A native of Nagoya Shibayama (b. 1959) is exceptionally versatile, working in styles such as Seto, Shino, Karatsu, and Shigaraki among others. A practitioner of tea himself, Shibayama is known for crafting ...

Created by Living National Treasure Isezaki Jun, Bizen pieces like the one seen here originated in Okayama (south-western Japan) and have a long history that is closely intertwined with that of tea culture. Known for employing a natural-ash glazing techniques that require extremely long firing times (7-14 days) at very high temperatures, constant attention is required to ensure good results. Here Isezaki can be seen pushing the bounds of tradition Bizen orthodoxies in interesting and creative wa...

A heavily encrusted glossy sake flask by Tanimoto Kei compliments a Guinomi displaying a rustic matte finish by his son Tanimoto Takeshi enclosed in the original signed wooden boxes titled Iga Tokkuri and Iga Guinomi respectively. Bīdoro glaze (a type of natural wood ash glaze formed by firing, named from vidro, the Portuguese word for glass) coalesces into a yellow crystal rivulet on one side of the Tokkuri, opposite is a shadow of gray ash. The Cup on the other hand, bears heavy scorch mar...

This is hemp Umakake used in Iwate for meiji period.A cover for horses at weddings and festivals. As for this, hemp is spun by hand and is thick. This item is dyed twice from the front and back. It needs to be dyed so that both sides do not shift, and it is dyed with a very advanced technique. An impressive, vibrant and beautiful item of pine, peony and waves. Recommended for room displays and collections of ntique textiles. There are slight stains and damage, but overall it is in very good ...

In Japan Muromachi period 15th century, tea master Juko Murata had been putting forward "wabi-cha" that has become the mainstream of tea ceremony afterwards. And then he had the idea that wabi-cha should have noble mood hidden inside though it seemed coarse at glimpse. He had changed the tea ceremony in Chinese style to Japanese-like style. He picked up a coarse celadon tea cup made in Song dynasty. He thought it was suitable for wabi-cha. The tea cup like this has been called "Juko-seiji" in ...

Minute restoration on the nose's tip, otherwise is in good condition.

Height with Stand:43cm.

Height without Stand :27cm.

It was from an old collection.

VOTIVE HAND

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx. 16 x 9.5cm (6.29 x 3.74in)


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VOTIVE RUNNING DOG

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx. 16.5 x 10cm (6.49 x 3.93in)


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VOTIVE GOOD LUCK SACRED HORSE

Worshipper's wooden tablet dedicated to the shrine called 'Ema' (lit. 'Horse picture'). Heisei period, 20th century, Japan. approx. 24.5 x 15.5 x 2cm (9.64 x 6.10 x 0.78in)


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Set of 9 Mongolian buddhist paintings. 19th century. Pigments on cotton. Each approx 20x15cm In custom made frame. Can be viewed in central London by appointment. And shipped worldwide.

Living in Kyoto it is not uncommon to come across beautiful antique tea bowls, however, finding pieces that are in good condition, aesthetically compelling, and with all of the trappings that let you know they were cared for by a devoted cha-jin can be quite challenging. Here we see all three. The shape of this tea bowl is exquisite and something I have not seen before in a Mino piece. The lacquer box, while not the original was undoubtedly custom made for this tea bowl and looks to be 100 - 200...

This is a rare and large wireless cloisonne vase. It is not signed but because of the Iris flowers and water plants we believe it was made by Gonda. In fact we once had a signed Gonda piece with Koi and almost identical water plants. A beautiful large vase that looks perfect but upon very close inspection, a line deep in the enamel can be seen in bright light. I show it on the last image. This vase 18 1/2 inches tall, heavy and stoutly made.

Furoshiki (wrapping cloth) with sashiko which is made of hand-spun cotton and vegetable indigo dyed. It has the sashiko owner's name. The first half of the 20th century. In excellent condition. 124cm x 124cm

This is a Edo Period Child kimono of Hemp Indigo dyeing Kasuri Echigo-jyofu. Chinese phoenix, butterfly, cherry tree.It is a very beautiful indigo dyed linen. It is in very good condition with no stains or damage. Size:length99cm ( 35.8inch) / Width:99cm (38.9inch)

Kuro-Raku Chawan by the 11th generation Keinyu Kichizaemon (1817-1902) enclosed in its originally signed and sealed wooden box.

This Raku chawan is particularly endowed with a structural power deriving from simple composition of features of a bowl - another reminiscence of the earlier generations of this unique family of artists.

Apart from being expertly formed and bestowed with symbolic imagery, this piece has the added distinction of being created by Raku XI Keinyu, the...

Kawase Hasui
Pagoda in Snow
Date: 1930s.
Size: 6 x 4 inches.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Reference: Hotei #Hp-58
Condition: Excellent.

Ohno Bakufu
Brocade Carp (Higoi)
Series: Familiar Fishes of Japan (Dai Nihon gyorui gashu)
Size: Oban. Approximately 19.25 x 13.5 inches. Visible image: 15.25 x 10.25 inches.
Date: 1938.
Edition: No. 260 (noted on back in pencil).
Publisher: Nishinomiya Shoin/Kyoto Hanga-in.
Artist's signature and seal lower right.
Medium: Japanese woodblock print employing mica highlights.
Condition: Excellent color. Some foxing in the water. Print is sealed inside m...