An antique Japanese Ranma (transom) that was highly detailed and hand carved out of Akita Suginoki (Cryptomeria from the Akita region) with a Hinoki (Cypress) frame. It features a landscaped Shinto shrine grounds complete with the shrine complex, pine trees, clouds, a Torii gate, a Pagoda, and a beautiful footbridge. The image is carved on both sides to show the front and back of the complex.

The Ranma was used in Japan typically above the Fusuma sliding doors between rooms to provide...

Antique Japanese tsuba (hand guard for samurai katana) decorated with a monkey peeking though the bamboo rails of a cage or gate. Often occurring in Japanese folk tales, the monkey generally symbolizes a trickster. Since tsuba were often a warrior's source of personal expression, it is likely this monkey held specific significance to the blade's owner.

Age: Meiji Period (1868-1912)

Dimensions: 3" high x 2 7/8" wide x 1/8" thick (1/4" thick including monkey).

Chinese antique celadon vase, carved with flowers and scrolling leaves. Lovely traditional celadon color glaze. Later addition of decorative silver overlay around mouth and shoulders and also a silver ring around the foot of the vase.

Age: Republic period (with early 20th century silver work)

Dimensions: 5 1/2" high x 3" wide diameter

1900's Chinese Silver Repousse Center Bowl with Chrysanthemum Marked "Yat Sun Shanghai"

It is 2.36 inches (6 cm) tall by 11.8 inches (30 cm) wide. It is 548 gram.

It is tarnished and has 3 areas that may have missing silver pieces and surface wears and scratches (as seen in the photos).

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Antique bronze hand of Buddha on wooden stand. Hand displays the Abhyaya Mudra, the have-no-fear gesture representing peace, benevolence, and reassurance. Beautiful long tapered fingers. Patina consistent with age.

Age: Ayuthaya Period (17th/18th century)

Dimensions: Hand only: 4" high x 1 1/2" wide x 3" deep. (7" high with stand)

1920's Yoshijirō (Mokuchu) Urushibara Woodblock Print "Messina Life Amongst the Ruins" design by Frank Brangwyn, Pencil Signed

It is 15 inches (38.1 cm) in length by 11.4 inches (29 cm) wide.

It has browning, creases, a tear at a corner's edge, fading, wear, and discoloration (as seen in the photos).

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Antique Japanese ceramic figure of the moon faced Otafuku. Her name was once Uzume and evolved into Okame which means "tortoise", a symbol of longevity. Otafuku or Okame is considered the goddess of mirth, a cheerful woman who's name means "abundant good fortune". A bringer of victory and success, she is good-natured, good-humored, good-hearted, generous, kind, serene, and patient. She is smart, strong-willed and competent as well as powerful enough to easily frighten away evil spirits. ...

A Fine Korean White Slip Inlaid with Chrysanthemums Oil Bottle-13th C.: Korea, Koryo dynasty, 13th century. The flattened globular sharply tapering to a raised ring foot, and sloping to a narrow neck with everted cup-shaped mouth decorated in inlaid with white slip with chrysanthemum floral heads between a double circular ring, applied with a grey celadon glaze overall. It’s in good condition, it measures 7.8cm d. x 4cm h.

Furoshiki (wrapping cloth) made of hand-spun cotton and vegetable indigo dyed. The crest is hand-drawn by tsutsugaki technique. It has sashiko on the four corners. In excellent condition except for a cut (1cm) in the crest. The second half of the 19th century. 135cm x 137cm

Sakiori obi (sash) for casual kimono. Wefts are strips recycled from silk kimono and warps are black cotton. In excellent condition. 20th century. 13.5cm x 2m40cm

18th Century Chinese Kangxi-Yongzheng Period Famille Rose Porcelain Teapot with Relief Lotus Flower

It is 4 inches (10.2 cm) tall by 6.65 inches (17 cm) wide. It is 0.7 Lb.

It has chips at the leaves, stems, and inner rim of teapot, dark spots, firing holes and cracks, and surface wears and scratches (as seen in the photos).

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Finely carving of a charming Pigeon resting on its characteristic true-to-form bird feet, just as shown in the book 'NETSUKE 100 Miniature Masterpieces from Japan', by Noriko Tsuchiya, that displays netsuke pieces from the The British Museum in London. Fine cohesive composition partly stained to enhance its form. Eyes inlaid with dark horn. The signature of MITSUHIRO 光廣 is intricately carved under the pigeon feet, as shown in the book's picture.

This is a finely hand-carved Ebony Netsuke attributed to Jikan Ganbun, depicting a Tree Stump. Nicely detailed rendering of a tree stump with its rough textured exterior contrasting with a smooth top and bottom that are styled in a star shaped manner. The concave stump is slightly hollowed out, with a smaller stump on its side. There is a tiny ant looking figure that has been carved inside the stump. Netsuke is unsigned. It measures 1.25 inches in diameter and 0.50 inch tall. Netsuke is in...

Koichi Okumura (1904 ~ 1974)
Panoramic View of Mt. Higashi. (Higashi Tenbo)
Size: Oban. Approximately 15.75 x 10.75 inches.
Date: 1948. Later edition.
Publisher: Unsodo.
Medium: Japanese woodblock print.
Condition: Excellent.

This 19th Century, finely hand-carved Iwami Ebony Netsuke that shares similar carving and material characteristics as the Tree Stump attibuted to Jikan Ganbun depicts a Toad that also provides a functionality of an Ashtray. This toad is also remarkably similar to the toad that the Gamma Sennin (item 98 of Bonhams Iwami Catalog* – photo # 6) is sitting on. Nicely detailed rendering of the rough textured skin on the back and sides of the toad, which contrasts with the smooth extended throat and...

Late 18th C. Early 19th C. Japanese Iwami Kurogaki Netsuke: Gama Sennin with Toad This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Gama Sennin with a Toad on top of his shoulders, by an unknown artist from the Iwami Province carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region. Observe the Ukibori work on the sennin's toad (photo #3) that resembles the finish of the toad s...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a Lotus Seed Pod, made as a Karakuri or 'trick' Netsuke in that the seeds rattle and peep out of the seed holes. Netsuke was carved by an unknown artist from the Iwami Province sometime during the Early 19th centuries. The carving exhibits similar material and carving characteristics of a netsuke (Photo #6) made by Seiyodo Gansui (1809-1848). Observe the lines of the sides of the lotus pod and how they compare with the...

Vintage Chinese Red Jadeite Carved Disk 14K Gold Earrings Marked "14K"

They are 0.78 inch (2 cm) wide. They are 5.6 gram.

They have inclusions, slightly bent sticks, and surface wears and scratches (as seen in the photos).

Some of the photos were taken under the sun.

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