Circular jingasa with a gradual domed top. The composition is of bamboo, paper, layers of lacquer work with intricate shell inlay. The jingasa is decorated to the edge of three gilt lacquer circular crests (mon) The interior is finished in red with its original cotton gear straps and cushion. Mounted for presentation on steel plates.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood...

Japanese circular jingasa with a gradual domed top, rough textured to simulate leather. The composition is of bamboo, paper, layers of Urushi lacquer work with green lacquer, the edges decorated with two gilt mon of the Mori Clan. The interior is finished in green textured lacquer with red lacquer accent. Mounted on steel plates for presentation.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron,...

Chinese small ceramic water coupe, the interior and outer body with thick grey crackle glaze, the dark brown clay body exposed where the glaze drips end. The short, rounded form has a ribbed body and slightly flared, wide mouth. Possible Guan Ware c15th century.

Dimensions: 3 1/2" x 2" H

Chinese large porcelain vase with light blue jun ware underglaze. The body is pear shaped and slightly lobed, with dramatically fluted neck and rim, and short foot.

The Jun glaze is a complex blue glaze which was developed in Henan province during the the Northern Song and Jin dynasties, occasionally with red streaks. Jun wares have their name after Jun zhou from where it originated. The old kiln site is located in the present Yuzhou City (Yu county) of the Henan province, which was ...

Chinese small meiping form porcelain vase with a lovely bright apple green crackle underglaze. Dark brown rim edge. Inside the vase, just below the rim, is done in beige crackle glaze as well as the underside of the recessed foot. Perfect condition.

early 20th century

Dimensions: 3" x 5" H

Chinese calligraphy brush pot, all hand-carved from bamboo. The low relief carvings depict a group of scholars riding in a boat through a rocky landscape scene with hanging pine branches. The rendering is similar to ink painting. Has subtle silver inlay in the river.

19th century Dimensions: 5 1/2" x 7" H

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base.

Age: Burma, Early Mandalay Period, Early 19th Century
Measurement: Height 36.4 C.M. / Width 18.5 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A pair of wood sculpture of Ebisu and Daikoku which are two of seven gods. Ebis is for good business and Daikoku is for luck with money. They are put on the ouse shrine. In good condition but some parts are missed in Ebis (left). Late 19th to early 20th century. Base:15cm x 5cm, Height:12cm

Early ming bowl. Paintings with floral spays and phonix birds. Outstanding paint quality. The body in porcelain (light weight porcelain). The body has som manufacturing defects, but no damage or cracks. Measurement: diameter 13.3 cm = 5.23 inch

Please note! Customer satisfaction is our top priority. We guarantee 100% accuracy and correct information for each object listed on our website. We are happy to offer a one-time exchange only policy on the return of any object within 30 da...

Japanese tachi-kake or samurai's sword stand, black lacquered and rich intricate shell inlay work, with a reishi mushroom shaped finial.

Late Edo period (1603-1868)

Dimensions: 10 1/4" x 8 1/4" x 25" H

Chinese jade boulder, carved with al old scholar and child in front of a viewing pavilion under a pine tree, the central openwork carvings a pale jade green with a deep russet exterior color.

Provenance: from a Beverly Hills, CA estate

Dates c1920 Dimensions: 6" x 5 1/2" x 2 3/4"

Chinese jadeite carved wide toothed hair comb with bright apple green coloration areas. The back of the comb is carved with openwork scrolls.

20th century Dimensions: 1 1/2" x 5"

An unusual Japanese circular wooden stand with black and red lacquer finish, the edges of the stand are inlaid with shell, standing on slight cabriole tripod feet.

Early 19th century Edo Period

Dimensions: 19" W x 5" H

Chinese eggshell thin porcelain qingbai dish. The well is incised with swirling motifs of floral scrolls and score marks, while the underside is formed as a lotus blossom with many petals.

Dates from Song Dynasty c1100AD Dimensions: 8 1/4" x 2 1/2"

Chinese Celadon Qingbai dish, with foliate edges and petal form walls framing the well. The center well is incised with a blossoming flower motif. The foot is slightly recessed and left unglazed in the center.

Southern Song dynasty (1127-1279) Dimensions: 5.5" x 1 1/8"

Japanese porcelain vase of a tapered cylindrical form, with flatted top, and small fluted mouth. The piece depicts three herons in white against a navy blue enamel ground. The foot is signed by Nishiura Enji with two character signature in cobalt blue. Nishiura's studio was famous for it's 'spraying technique' which was unique at the time.

Meiji period (1868-1912)

Dimensions: 3 1/2" w x 7 1/2" h

Japanese iron tsuba, or hand guard for a samurai's sword, with openwork motifs of peonies and scrolling leaves, with silver and gilt inlay pollen, detailed on the reverse, with signature.

Edo period (1603-1868)

Dimensions: 2 3/4" x 3"

Japanese iron tsuba, or hand guard for a samurai's sword, with cast motifs of waves inlaid with gold and silver, the patina indicates age and wear from use.

Edo period (1603-1868)

Dimensions: 2 3/4" x 3"