Made from ferrous rich Bizen clay covered in an ashen feldspar glaze, this non-conventional Shino tea bowl is a variety known as “Beni” or crimson red. Distinctively modern yet emanating a primal vitality, the form harkens back to the very origins of ceramic exploration in Japan. The influence of Momoyama potters and greats such as Koetsu can be seen in the dynamic edges of the clay body.

Though female potters have constituted a small minority throughout the history of Japans p...

Japanese isho tansu, or clothing chest of drawers, constructed with Persimmon wood front drawers and a Sugi (cedar) frame and interior. The tansu holds four long drawers with metal pulls and round keyholes with floral plating. The sides of the piece are built with handles to carry and transport the tansu. Original condition with kanji inscription on backside of chest.

Taisho period (1912-1925)

Dimensions: 33 1/2" x 16 1/2" x 34" H

Japanese isho tansu, or clothing chest of drawers, constructed with Persimmon wood front drawers and a Sugi (cedar) frame and interior. The tansu holds four long drawers with metal pulls and round keyholes with floral plating. The sides of the piece are built with handles to carry and transport the tansu. Original condition with kanji inscription on backside of chest.

Taisho period (1912-1925)

This tall and lovely Hagi chawan rests firmly on a wari kodai or “split foot” pedestal that is unglazed—displaying the coarse rich clay. The crackled milky glaze covers the curves and contours of the bowl, contrasting dramatically between the foot and the clay body. Hagi-ware such as this is part of a tradition stretching back over 400 years and is a high-fired stoneware type of pottery. Hagi-ware is prized for its subdued colors and classical features, especially the glazing, ...

Ohara Koson
Crow on Cherry Branch
Size: O-tanzaku. Approximately 13.5 x 7.25 inches.
Date: 1900-1910s.
Reference: K5.3 and plate 47 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Signed and sealed by the artist.
Publisher: Daikokuya.
Medium: Japanese woodblock print.
Condition: Toned paper edges.
Note: This is the state and seal illustrated in the Koson catalog.

Japanese two section clothing tansu, constructed with natural finish Kiri (paulownia) wood. Original condition. The four drawers with classic design of round iron hand-forged locks and pair of warabite drawer pulls, iron corner hardware and side handles.

Meiji Period (1868-1912)

Dimensions: 36 3/4" L x 16 1/2" D x 40 1/2" H

Japanese pair of finely cast bronze Nio Buddhist temple guardians. Dressed in traditional robes with auspicious motifs. Each figure stands on a four legged base with cartouche impression underneath.

Meiji Period (1868-1912)

Dimensions: 3 1/2" x 2 3/4" x 8" H

A pair of Quan Yi Huanghuali horseshoe back armchairs from the 18th Century. The generously proportioned curving top rail is made in five parts using half-lap pressure peg joints terminating in a curved look beyond the goose-neck side and front corner post. The back splat is carved with a Chimera medallion. The back corner posts continues through the frame of the soft mat seat to form the back legs and front legs enclosing the cusped apron carved in relief with curling tendrils. Reinforced wi...

A symbol of humility and modesty, a bed made for the scholar's hermitage aesthetics. Carved huanghuali wood in a naturalistic root form, constructed and joined together creating the enveloping roots and branches. The seat platform is of block wood fitted to mimic woven mats. These types of furniture are reminiscent of the Song dynasty. Scholars retreated into the mountains and relinquished materialism. The aesthetic is based on nature moving away from the lavish life style.

Dimen...

A traditionally crafted Bizen sake cup shaped in the tradition of Oribe. The rich mineral glaze gives this guinomi an almost a metallic look. The craftsman who made this piece, Takahiro Ishii, was born in Tokyo in 1977, and, after studying ceramics for a number of years, he moved to Bizen to become a ceramics teacher and later opened his own kiln. He takes a philosophic approach to his work as evidenced by the following quote, “As a ceramicist, I feel that the point is not just to produce pie...

Mask with a curved shape showing highly stylized features. Wood, with fine glossy brown patina. Nepal, early 20th century. Height: 28.7 cm. Small and old accidents, otherwise very good condition. A rare type of Himalayan mask.

A Pair of Two Fine Korean Crane Civilian Official Badges (흉배)-19th C.: $2,300. Korea, Joseon dynasty, 19th century. later framed Made for a civilian official of first to third rank, the square showing a a pair of white cranes above foaming stylized wave and rock work below clouds, worked in shades of light and dark blue, white, pink, yellow and brown on a dark blue silk ground. It’s in fine condition with some wrinkles on the red back, otherwise very good condition. Please note: ...

A Chinese rock crystal carving of a mythical beast called a Qilin. Resembling a fu dog, the creature is a chimera mixed with a lion, a deer, a dragon, and sometimes other animals. The Qilin is said to appear with the arrival and the passing of a sage or high ruler.

19th Century

Dimensions: 4" L x 1 3/4" W x 4 1/2" H

Korean round lacquered container with shell inlay motifs of scrolling vines and lotus petals. The lid is topped with a pointed finial, lifting away to the red lacquered interior. The base is black lacquer with inlay sides and delicate inlay along interior rim.

19th Century

Dimensions: 3 1/4" W x 2 1/4" H

The Ming dynasty tradition of mortise and tenon joinery can be seen and experienced in this later Ming form day bed. The Zitan bed platform rests soundly on all four inverted horse hoof legs. Mortise corners frame the woven bamboo rattan seat cover. For added flexibility, roped lacing and carved wooden support structures help reinforce the durability of its function.

The back and side rails form a lattice-like structure called “wheel of life” pattern. The finely polished Zitan...

A fine Japanese hirado porcelain okimono of a recumbent horse. The horse has a whimsical expression. Its eyes are left unglazed with blackened pupils, its unglazed teeth exposed in a wide grin, the corners of the mouth and nostrils pierced through. Touches of cobalt blue underglaze accent the hooves and snout of the horse. The base is impressed with maker's cartouche.

Meiji Period (1868-1912)

Dimensions: 8 1/2" L x 4" W x 6" H

Chinese porcelain figure of a seated Daoist monk. The monk's skin is left unglazed, his draping robes and seat with Sancai "three colors" of yellow, green, and dark purple underglazes. One of the figure's ears is pierced through for gas to escape during kiln firing.

18th/19th century

Dimensions: 5 1/4" x 4 1/4" x 11" H

Height: 34.5 cm (13.8 in)
Width: 19 cm (7.6 in)

Fine Chinese porcelain vase; depicts deer in a garden setting; lappet and peach borders; 19th century or earlier; minor scratches; very good condition; email for more pictures