A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which one of the pair of figures is parodied in mitate style as a proud Rooster and Hen. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinations of painting and poetry during the late Eighteenth century. The second dish...

A pair of Arita dishes moulded in Ko Sometsuke Kraak style decorated with a pair of scholars playing Go, one of the four accomplishments of the Chinese gentleman scholar. In which the first of the pair of figures is parodied in mitate style one of whom has a board on his head and one presumes losing opponent has a miserable expression. A short eight character poem is incorporated in the design, but is probably unrelated to the figures, reflecting the contemporary popularity of haigu combinatio...

Lilac Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The lilac is an ancient symbol of peace and harmony. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1319 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.

Chrysanthemum Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The chrysanthemum's many petals is an ancient symbol of an abundant life or fertility. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.

Peony Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The peony is an ancient symbol of prosperity. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1319, is part of a set of three fan flower paintings by Jeon Yeong Suk.

Japanese early 20th century earthenware vase by SUIGETSU. The vase has 2 crabs done in high relief on the side. This type of ceramics was originated by artist Yoshikawa Tsunekata during the Meiji Period. The vase comes with TOMOBAKO, or original artist signed wooden storage box. The vase measures 6 1/4" tall by 8" in diameter.

A nice well formed etched silver elephant box from Burma. Age: Pre 1900 Size: H.6.6cm. W. 10cm. Condition. No repairs.

Koma Inu Shrine guardians decorate this unusually vivid Ako carpet dating from the early 20th century. The color combination is quite striking, especially when held up to the more standard subdued works typical of Ako. It is 95 x 195 cm (37-1/2 x 77 inches) and is in stunning condition. We found this wrapped in paper in the attic of a Kyoto home which had been sealed off during renovations in the 1950s. With a relatively small quantity produced within the rather short history of Japanese car...

A very unusual architectural shape by Takauchi Shugo covered in winnowing blue salt glaze enclosed in the original signed wooden box titled Shio-yu Mentori Tsubo. This artist does have a surprisingly wide range, and this piece certainly proves that. Adept at Shino, Oribe, Mashiko styles and others, he is a tough one to nail down and even more difficult to acquire, his pieces proving very popular at exhibition. This is a rare opportunity to acquire one of his masterpieces. It is 27 x 26 x 23....

Japanese Late 20th Century cloisonné enamel koro (incense burner). Raised wire design of trees. The koro stands on three small feet. The koro measures 6 1/8" tall by 3 1/4" in diameter. Comes with wooden storage box. There is some slight darkening of the color of the body of the piece, in the lower area, from use.

1800's, excellently hand-carved Japanese mix-materials netsuke depicting Okame performing the Japanese custom of Mamemaki (bean scattering) during Setsubun (the day before the beginning of Spring) to cleanse away all the evil (demons) of the former year, and drive away disease-bringing evil spirits for the year to come. In the scene depicted by the netsuke, Okame is covering her face while grinning when she sees the Oni's (demons) trying to hide from the beans that she is throwing and that are ...

19th century finely hand-carved Japanese boxwood netsuke of Shogun Yoritomo (General Minamoto no Yoritomo 1147-99) sitting in his court; ready to begin audiences with his advisers and subjects. Netsuke measures 1.35 inches (3.4cm) wide, and 1.35 inches (3.4cm) tall. It is in excellent preserved condition, as may be seen in the posted photo Note: A reference to carver Ransen and his signature may be found on page 862 of Lazarnick's Netsuke and Inro Artists and how to Read their Signatures...

19th century finely hand-carved Japanese boxwood netsuke of a blind masseur or Totsuka Beggar crouching and trying to lift a stone, or possibly his hugely distended scrotum. He has the typical bump on his head. He squints as he attempts to lift the large object. He is wearing only a fundoshi. His right eye is inlaid with light colored horn. Excellent detail and patination. Netsuke measures 1.38 inches (3.5cm) wide, and 1.22 inches (3.1cm) tall. It is in excellent preserved condition, as...

19th Century, Japanese nicely hand-carved boxwood Netsuke depicting a character of a Japanese folk tale 'The story of the old man who made withered trees blossom': Hanasaca Jiisan. Here, Hanasaca is shown in one of the scenes of the folk tale where he is chopping down a tree to make a mortar. Hanasaca's dog who appeared to him in a dream is showing him the location of the tree. Netsuke has a chimney himotoshi that starts on the bottom of the irregular platform where both characters stand, and...

This is a finely hand carved, 19th Century Kurokaki Wood Netsuke depicting Tenaga "Long Arms" being carried on the back of Ashinaga "Long Legs". Ashinaga is wearing a mugwort skirt, while Tenaga is wearing a rice straw skirt. According to "Pointers and Clues to the Subjects of Chinese and Japanese Art", by Will Edmunds, "Ashinaga and Tenaga are mythical people supposed to inhabit the islands Ashinaga-jima, and Tenaga-jima, east of the Shakasui or Water-ladle river, all imaginary place...

19th Century, excellently hand-carved boxwood netsuke depicting a seated Tanuki, or Japanese Badger (raccoon dog) raising his right paw in order to beat his belly, or distended scrotum as it if were a drum. Outstanding hair work, a distinguishing characteristic of this netsuke master. Wonderful natural himotoshi that is formed by the bending tail of the Tanuki over its right hind leg. Signed Masanao, Yamada, of Ise province, on a polished oval reserve, on the bottom of the piece. Accordin...

Hiroshi Yoshida
Kamogawa in Kyoto (The Kamo River)
Date: 1933.
Size: Oban. Approximately 16.0 x 10.75 inches.
Signed and sealed in the image. Titled and signed in pencil.
Jizuri seal at upper left margin indicating a first edition self-printed by the artist.
"Made in Japan" stamped on verso.
Medium: Japanese woodblock print.
Reference: Abe catalog #186.
Condition: Light toning and fading. Top margin corners are thin. Two original drying pinholes in to...

This is an excellently and intricately carved boxwood netsuke depicting a Boat full of passengers (11 of them) dressed in various garb, carrying different articles and set in different poses. One of them, in the rear of the boat, seems to be either sunbathing or nurturing an ailment; another is wearing a large Amigasa Kasa hat; there is woman carrying a baby in her arms. It is full of great form and expressions. Unsigned. Netsuke has a rich patina. It measures 0.78 inches (2.0cm) wide, 2....