Antique Japanese small Kiri tansu from the Sakata region, with red lacquer top and sides and black lacquer front. Motifs of bamboo, pine, kiri leaves, and other floral imagery can be seen in the iron plates of each drawer. The bottom right corner houses an ornate lockbox with two small drawers inside. Meiji period (1868-1912)

Size: 33.25" L x 16" W x 21.5" H

Antique Japanese scroll painting of a horse, done in sumi ink, its legs kicked up into the air. Very disciplined calligraphy brush work is used, and may have been executed by a Zen Buddhist monk. This horse painting was possibly cut down from a larger screen and mounted as a scroll.

18th century Edo period (1603-1868)

Size: 17.5" W x 52" H (entire scroll) 14.25" W x 20.75" H

Antique Japanese scroll painting of a small bird, perching on the branch of a tall growth of flowers. Signed with red chop.

Size: 16" W 9 69" H (entire scroll) 10.25" W x 38" H (painting only)

Antique Japanese painting on silk, of a pair of black birds pierced on the branch of a tree. With calligraphy and red chop signature.

Size: 12.5" W x 52" H (entire scroll) 7.75" W x 18.75" H (painting only)

Antique Chinese calligraphy scroll painting, signed Li Xian Gen (1893-1943), a secretary to Sun Zhong Shan, with two red chops.

Size: 14.25" W x 85" H (entire scroll) 9.25" W x 19.75" H (artwork only)

The jet-black glaze of this cha-ire (tea caddy) nicely highlights the Chrysanthemum flowers (Kiku) adorning the upper surface—long considered auspicious symbols of longevity and rejuvenation in Japan. When first introduced to the island nation during the Nara period (710 – 793 AC), the Japanese Royal Family was fascinated with the Chrysanthemum. Over time, it became the Imperial Family Emblem and during certain eras was generally forbidden to be used by the general public.

In f...

Height approximately 43.5 cm. In good condition.

Antique Chinese western style landscape scroll painting, signed Gao Di Sheng with red chop, with auspicious calligraphy inscription above on a pink background with gold flecks, signed with two red chops.

Size: 17.75" W x 79.5" H (entire scroll) 13" W x 31" H (painting only)

Antique Tibetan long, colorful necklace, comprised of many different shapes of beads of amber, turquoise, coral, Dzi beads and silver.

19th century

Size: 23" total length

A relief gilt moulded lacquered ritual pitcher cup & saucer. It is unusual to find this type of lacquer ware in this design. Age: Pre 1920. Size: Pitcher. H. 20cm. W. 16cm. Cup. H. 9.5cm. Saucer. circumference. 13.5 cm. Condition: No repairs.

Antique Tibetan Mala prayer beads, made with beads of conch shell strung on leather cord. Two leather tassels hand from its sides, with beads of white brass, ending with two highly important symbols in Tibetan Buddhism; a Vajra and a bell. Tibetan malas are comprised of 108 beads, used to count the number of times a mantra is recited during meditation. 19th century

Size: 18" total length

This piece features a warm golden crackled glaze with several patches of lighter pigmentation and a number of gold and silver repairs. The inside of the bowl is especially inviting, showing a magnificent patina developed over many decades of use. The outside of the bowl displays Chrysanthemums (Kiku)—long considered an auspicious symbol of longevity and rejuvenation in Japan and used as a family crest for the royal family—and what appear to be Wild Ginger (Aoi hana)—symbolizing protection ...

Ohara Koson (Shoson)
Three Red Carp, water plant above
Size: Yoko o-tanzaku. Approximately 15.25 x 6.75 inches.
Date: ca. 1920s-1930s. "Paris, August 1939" noted in pencil on the verso in French.
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print.
Reference: S39.3 and Watanabe W36-571 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Condition: Excellent.

A pair of Namasu or small serving bowls in revived Kakiemon style decorated with a depiction of the Seven Sages of the Bamboo Grove in low moulded relief; here represented by just two of them. The Sages were synominous with a hedonistic lifestyle of drinking and poetry. The foliate rims of the dishes are painted with a fuchi beni, iron brown glaze. The central roundel in the well of each bowl is decorated with a Namban or Tojin style figure of a European with a two legged long tailed dog like cr...

Antique Tibetan bronze figure of the Buddhist deity Kubera, lord of wealth, protector of the physical world. He lounges with piles of gold around him. In one hand he holds a mongoose, the enemy of the Naga (malevolent snake people and guardians to vast treasure), and a sweet morsel in his other. This form of Kubera is very well hand-cast with natural wear and patina.

19th Century

Size: 2.5" L x 2" W x 3"H

Antique Tibetan bronze double vajra, an important symbol in Vajrayana Buddhism, Hinduism, and Tantra religions. The name vajra means both thunderbolt and diamond, as it is a symbol of brute strength and indestructibility. The double vajra mirrors the outline of a mandala; Its four points represent North, South, East, and West. Its center piece represents the center of the universe with lotus pods blooming outwards to extend the five pronged weapons. The five prongs represent the "Five Poisons" w...

Antique Tibetan bronze "Thokcha" amulet of a conch shell. With small loop to be fastened and worn as jewelry. Natural green patina.

18th Century

Size: 2 1/8" L x 1" W

One of the best ever seen Guandong ( South China ) Shiwan ware dishes. Seventeenth Century. Shiwan pieces like this do try to imitate the famous glazes of the Song Dynasty ( mostly the glazes of Jun or Jizhou pieces ). Diameter : 20,3 cm. Condition : Perfect.