Tibetan thangka densely painted in gouache on cloth with a scene featuring the seven-tiered dark blue Mahottara Heruka, the wrathful form of the Buddha and principle wrathful diety of the bardo, depicted standing on a lotus throne with multiple heads, arms, and legs and surrounded by a flaming aureole in consort with Krodheshvari shown lying on a tiger’s skin. Seven herukas, rendered over inverted triangles, and other figures surround the central image. 19th century. Canvas: 35” x 24 1/2"...

A Japanese furniture antique tansu chest in 3 sections made of Kirinoki (Paulownia) and Suginoki (Cryptomeria) woods. All original hardware. Top section features 2 sliding doors behind which is a split level shelf and a small drawer in addition to curved top corners. The center and bottom sections each have 3 drawers for spacious storage. The backs of each section has a unique floating panel design to prevent the wood from splitting.

This chest would make a functional dresser for daily ...

Oliver Impey illustrates a coffee pot of the same form and design in ‘Japanese Export Porcelain, the catalogue of the Collection of the Ashmolean Museum, Oxford.’

Made for the European market during the last quarter of the 17th century and probably copied from a Dutch metal version. These coffee pots have a purpose-made opening in the lower body but taps seem to have been fitted upon arrival in Europe. This example has been fitted with a hinged pewter lid and the taphole has been stop...

A vintage Japanese Isho Tansu (Kimono chest) in 3 section made entirely of Kiri (Paulownia) wood with Kaki (Persimmon) wood accents. All original bronze and other metal hardware. Beautiful lacquer decorative plates adorn the sliding doors with a pair of flying cranes, woven baskets and bamboo trees. Behind the doors lie three small drawers and a split level shelf. The center section and bottom section each have three drawers with spacious storage each. Constructed using straight dovetail joi...

Antique Chinese hardwood bitong (brush pot) container for holding the brushes used by scribes for Chinese calligraphy. Made of dense and dark hardwood. Simple form with thick walls that taper inward slightly in the center. Soft to the touch with original buttery like finish.

Age: early 20th Century

Dimensions: 8 1/4" high x 8 1/8" wide

A rare early form, the crawling Shino glaze covered in rich rust red with autumn grass in white silhouette by Mino pottery legend Suzuki Osamu (Kura) enclosed in the original wooden box signed on the side and titled Shino Hanaike on the lid. It is 26 cm (10-1/4 inches) tall and is in excellent condition.
Suzuki Osamu was born in Gifu prefecture in 1934, and graduated the Tajimi Technical School ceramics division in 1953. (not to be confused with avant garde potter Suzuki Osamu of Kyoto So...

Set of 4 interesting Chinese Yuan dynasty brown glaze dishes with sea wave decorations and unknown scripts, most likely Phags pa script, an alphabet designed by the Tibetan monk and State Preceptor as a unified script for the written languages within the Yuan. The actual use of this script was limited to about a hundred years during the Mongol-led Yuan dynasty, and it fell out of use with the advent of the Ming dynasty.(Wikipedia). The works on these dishes are complicated, each of it applies wr...

A matte-glazed sculptural stoneware form by contemporary female artist Tanaka Yu enclosed in the original signed wooden box titled Tsutusmi-mono 2020. The piece is made to look like a cloth sack. It is an unusual lavender color, quite pleasing and no one can resist touching it. The sculpture is 20 x 12 x 21 cm (Roughly 5 x 8 x 8 inches) and is in excellent condition.
Tanaka Yu was born in 1989, and graduated the Kyoto Saga University of Arts in 2013. Like many other of the younger gen...

This is a wonderful indigo dye cotton boro Noragi used in Aomori Prefecture during the Meiji period. (1868-1911) This item has been reinforced with Sashiko stitches many times over the years. Sasiko yarns change with the times. Boro Art's design was created over time with cotton cloth that was spliced many times. You can also enjoy the back side. Enjoy wearing it. Size:Length:85cm (33.4inch) Cuff to cuff, across the back: 142cm(55.9inch)

Beautifully encapsulating the Japanese aesthetic of wabi sabi, this cast iron tea kettle has an elegance that far outshines more ornate versions of this ceremonial implement. Likely from Meiji, the craftsmanship is excellent, the overall proportions ideal, and the texture of the metal very pleasing. One-of-a-kind, this antique tea kettle is perfect for boiling water to be used in Sencha or for casual Matcha.

In fine antique condition, this piece is 16cm wide, stands 18c...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") with Oxford TL Test - AD 618 - 906

Arguably the most desirable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This figure was made around the mid 8th century and is a particularly elegant example. The lady stands with her hands clasped together under her flowing robe and her head turned a little to the left. Note also the elaborate hairstyle. It is relatively highly-fired and made from a bu...

An exquisite Chinese Hetian Jade (Nephrite) White/Russet-Orange Vessel with carved Peaches. It has a small Handle, Spout for pouring and a Lid. Qing Dynasty or possibly older. Weight: 325 gr. Height 5.5 cm. x Length 10 cm. Good condition.

An antique Japanese Negoro Choba Tansu (merchant chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware and Negoro Urushi lacquer finish. Complete with 8 drawers and 2 sets of sliding doors. The upper doors has a spacious storage area where the merchant stored his business records and books. The lower doors has books and records storage to the left and four small storage drawers to the right. A secret drawer hides behind the center of the lower d...

A large deep bowl decorated in abstract underglaze blue imagery by Shibata Ryozo enclosed in the original signed wooden box titled Sometsuke Hachi and dating circa 1995. It is 35 cm (14 inches) diameter, 25.5 cm (10 inches) deep and in excellent condition.
Shibata Ryozo (b. 1952) completed advanced studies at the Kyoto Municipal University of Arts in 1978 (his work was purchased by the university the previous year for its permanent collection). In 1993 he first exhibited with the Nihon Den...

A light raku chawan displaying a mitsuba-aoi family crest pressed into the side which has been shattered and repaired with black lacquer mellowed slightly brown, then broken again and repaired with gold. An amazing amount of work to save the fragments. The bowl is 12.5 cm (5 inches) diameter6.5 cm (2-1/2 inches) tall and comes enclosed in an old Kiri-wood collectors’ box.
Kintsugi is a traditional Japanese art form of repairing broken pottery or ceramics using lacquer and powdered prec...