An attractive Chinese Jin Yuan dynasty Cizhou black glaze yuhuchun vase with glaze effects. Ht. 16.3cm. Condition: a few glaze busts, no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please inquire before ordering. Duration of shipment may take up to a month due to the pandemic.

This Umakake was used in the Shinshu region during the Edo period, and Umaya-zaru was drawn with Tsutsugaki. Umaya-zaru was believed to be the guardian deity of horses. These days, it is a very rare item that is rarely seen. Cotton cloth is hand-spun and thick. The cleverly designed Umaya-zaru is interesting. There is no stain damage at all. Size:Width 33cm x Length 178cm Box G.

Han Dynasty pottery vase. Authentic and of the period, 221 B.C. to 206 A.D. In the photos, you can see the firing supports that are still intact, as well as the oxidation of the lead glaze, with the silver bleeding through to the surface, all of which lend to its authenticity. It is worth noting that there are several incised bands around the circumference of the jar. Measures approximately 17” (43.2 cm)tall and 10” diameter at widest.

Antique Japanese cotton futon cover, dyed indigo (now faded due to antiquity), and then dyed used a paste resist technique with pastel blues and pinks to create a large Sakura emblem at the very top of the textile, flowering roses, and two rivaling komainu or Japanese lion dogs. Minor damage due to age. Meiji period (1868-1912) Size: (futon only) 62" height, 49" width (entire board) 84" height, 72" width

Antique cotton woven futon cover, dyed indigo and then dyed again with a paste resist technique with the image of the ho-oh or fenghuang, a mythological bird in Asian culture, about to touch down upon a kiri wood branch with budding flowers, representing Japan. Minor damage due to age. Meiji period (1868-1912) Size: (with board) 84" height, 72" length, (futon only) 67.5" height, 50" length

Antique Japanese carved wooden figure of Shoki the Demon Queller, beautifully carved with billowing robe, covered in gold brocade obi fabric, this is an unusually exquisite version of the commonly smaller and plainer Kimekomi-ningyo. The movement of the drapery and intense facial expression with hand-painted eyes tell of the artistic skill used in the making of this doll. This doll is published in "Japanese Dolls by Allan Scott Pate page 97 plate 127".

Taisho Period (1912-1925) ...

The Pixiu is considered to be a very powerful protector to practitioners of Feng Shui. It is also been regarded as a creature with mystical powers capable of drawing wealth from all directions. Pixiu craves the smell of gold and silver. Size: 15cm X 10cm. Condition: Perfect

An antique Japanese two section isho tansu (chest on chest for clothing) made of kiri (paulownia) wood. The top and bottom section has two large drawers. Hardware is made of iron and includes round lock plates and square drawer pulls.

Date: Meiji Period (1868-1912)

Dimensions: 44" tall X 34.5" long X 16.5" wide

The artist who produced this piece, Wataru Motomura, prides himself in living a traditional life in the eastern hills of Kyoto—long known for its rich clay and idyllic pastoral lands. Though the form of this vessel appears innovative and modern, the techniques and materials used to produce it have been around for many hundreds of years. Taking inspiration from the varied pottery traditions of his native Hyogo, Motomura is also known to use clay and methods from the Shigaraki region and many of...

A beautiful example of Shigaraki pottery—the result of techniques perfected over centuries by dedicated artisans residing in the provinces east of Kyoto. This piece, made by master potter Sugimoto Sadamitsu, achieves a kind of asymmetrical balance of both form and color, displaying classic Shigaraki markings of emerald green, red ochre, and pale ash.

Sugimoto (b. 1935) is one of the most important Shigaraki potters alive today and continues to create master works into his old age....

Tsukioka Yoshitoshi (1839-1892)
The Moon on Musashi Plain
No. 91 from the series "One Hundred Aspects of the Moon"
Date: Published April 1892.
Size: Oban. Approximately 14.375 x 9.5 inches.
Signed and sealed by the artist.
Publisher: Akiyama Buemon. Seals in margin.
Carver: Yamamoto.
Medium: Japanese woodblock print.
Condition: Left margin partially trimmed. Backed with paper. Fading.
- "The Musashi Plain west of Edo, now Kanto Plain on which To...

An antique Japanese Isho Tansu (Kimono chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original bronze hardware with Warabite style handles. Upper section includes a pair of sliding doors with 3 side by side drawers below. The bottom two sections each have full width drawers for clothes storage. Made using straight dovetail joinery and hardened wooden nails. Sections can be stacked as shown or used in different rooms of the home.

Age: Meiji/Taisho Period (1910-1920)...

An antique Japanese low Mizuya Tansu (kitchen chest) made of Hinoki (Cypress) and Keyaki (Zelkova) woods. Original hand forged iron hardware with Warabite style handles. 2 Sliding doors behind which a split level shelf allows for abundant storage. Side support slats provide strength and visual design. 4 side by side drawers below provide additional storage.

Age: Meiji Era (1890-1900)

Dimensions: 43 1/2" Wide by 32" High by 15 3/4" Deep

Traditional Japanese art tends to be timeless and inspiring in form, however, occasionally lacking in diversity and innovation. That is why artists who can incorporate centuries of experiential knowledge and technique into producing new and interesting forms are oh so valued. Though this Bizen jar fits into the category of mizusashi, a vessel central to tea ceremony that holds fresh water, it seems to transcend this narrow category and stands as an independent art object all its own....

Antique Chinese pair of ceramic roof tiles in the form of flying horses. Galloping through swirling clouds with back legs kicking. Glazed yellow with black details.

Age: Qing Dynasty

Dimensions: 9 1/2" high x 10 1/2" long x 5" wide

17th Century Japanese Standing Buddha. A rare and fine example from the early Edo Period. Carved of Poloma wood with a rich dark patina. Complete with Stand and Mandala. It has a spiritual presence and a beautiful face to contemplate. 15 inches, 38 cm tall. From a prominent and widely exhibited collection.

A pair of Burmese wooden disciples, with lacquered, gilded gold and inlay of colorful glass pieces on the borders of the robes, one of them sitting in adoration posture with two hands attached to each other indicating respectful manner.

Age: Burma, Mandalay Period, 19th Century
Size: Height 21.3 - 23.1 C.M. / Width 19.2 C.M. / Thickness 19.5 - 20.3 C.M.
Condition: Nice condition overall (some expected degradation due to their age). Please refer to the enlargement photos for mo...

From our Indian Subcontinent Collection, a fine 19th century brass surahi (water flask) paired with a large Kashmiri flashed-silver over lacquered-brass undertray, also 19th century. These two pieces were not originally part of a formal set, but we find that they make for an attractive and logical pairing. The surahi is of traditional form with large bulbous body, splayed foot, and long tapering neck. There are six individual cartouches of animated people and animals crafted into the lower bod...