A Junyao cup was in Beautiful oval shape and was applied on the surface with a stroke of purple splash.
Similar piece is found in the book Alchemy in Blue,Ancient Jun-Ware from the Yip Collection. Published by University Museum and Art Gallery, The University of Hong Kong.(相關物件請參考香港中文大學出版‘紫艷擬青’)

Date: Song/Jing periods, 11th/12th centuries.

Width:8.7cm,
Height:4.7cm

A custom-made cotton box is included.

An antique Japanese 2 section Buddhist altar called Butsudan with all original wood carving and lacquer work. Makie landscape art on the drawer fronts and sliding doors with Makie Phoenix motif to the interior floors. Two sets of doors open to an ornate interior featuring a dragon, flowers, a Toro and a plinth where Buddha would sit or stand. 3 side by side drawers at the bottom of the inner sanctum where small accessories were kept. Bottom section features a pull out tray, 4 drawers and do...

Japanese woodblock print entitled "Kanetsuke Hall Bell Tower, Okayama" by the artist Kawase Hasui. The bell tower stands high above the other rooftops as the rain falls on the street below. I figure with an umbrella can be seen in the distance walking with an umbrella. The wet street reflects the latticework of a window. With black 6mm seal. Publisher: Watanabe Shozaburo. Produced during the lifetime of the artist.

Age: 1944-1957

Dimensions: Paper size: 15 1/2" high x 10...

White porcelain dish.Decoration in cobalt blue and Kakiémon style colored enamels. Japanese work by master Imaizumi, known as Imaémon X, who died in 1927. The Imaemon family is known for having created the most beautiful porcelain in Japan at Okawachi in the island of Kyushu near Arita from the end of the 17th century. This style of porcelain is better known as Nabeshima because it was made exclusively for the use of the lords of Nabeshima who offered it only to the Shogun. Hence their rarity....

Small cast bronze incense burner. The cast iron is very thick. The object is very heavy. It is treated like Japanese Raku stoneware, leaving a pronounced rustic look. Do not think of an easier job, quite the contrary, the finish with a scraper of the bronze and the polishing are neat. Style very rarely used in ceramics. On the lid a shishi serves as a button. Below an indeciphered mark cast in hollow. Excellent very old bronze patina. Probably Japanese and surely 18° or before. It is not unrea...

A magnificent Kogaratsu Katakuchi Chawan (Ko-Karatsu tea bowl with a pouring spout), fired between the Azushi Momoyama period (1573-1603) and the early stage of the Edo Period (1603-1868).

It is no exaggeration to say that this tea bowl needs to be described as a true museum quality piece of art.

Especially such old Karatsu bowls are rarely available in the version of a Katakuchi bowl. Essentially, it's a bowl with a spout. But not just any bowl: its details are special...

From our family collection of Japanese art from Living National Treasures:

Perfectly shaped Bizen Chawan from legendary Toyo Kaneshige (1896 - 1967). It was made 55 years ago and is in absolutely great condition.

Born into the Kaneshige family, one of the six kilns of Bizen, as the son of wakigama-style potter Kaneshige Baiyo, Toyo was trained by his father from early childhood and became adept at pottery techniques, with handicrafts and engraved ornaments being his partic...

A masterpiece of dark grey covered in thick brushstrokes of slip by Shigemori Yoko enclosed in a signed wooden box titled CUBE. Through the slip and into the surface has been scratched windows of lace and fishnet designs. Inside is rolling waves or fish scales. One side difers, with no decoration on the white slip inside, the surface divided into 4 separate cubes outside. It is 22 cm (9 inches) on all sides, and in excellent condition, enclosed in a wooden box signed by her brother Naoki. <...

Black and white print of Nagasena Ahrat. In the 9th century this portrait of the luohan was painted as well as those of 15 other Ahrats by the painter Guanxiu who was a Buddhist monk. 900 years later, in 1757, Emperor Kienlong during a visit to Shengyin Monastery in the former province of Hang admired the 16 portraits. In order to perpetuate them, he ordered the carving of 16 sculpted stones to produce numerous prints of these works of art, of which here is one of the rare examples. Since then, ...

A Japanese slender cloisonné vase with polychrome enamels in the shape of an amphora with a pyramidal base worked in silver wire decorated with two main reserves depicting a pair of phoenixes symbol of the empress and two dragons symbol of the emperor. On the sides to join the reserves a fantastic animal closed in a circular reserve. Unusual and rare dark background with the addition of aventurine that shines to simulate the starry sky, all the polychrome enamels are held with silver thread ...

A Very Rare Korean Painting (수양공주-壽陽公主/세화도/歲畵圖) by 유영견(劉永堅)-late 19th C. or early 20th C. Korea, Writt.n inscriptions with artist’s name and seals, and dated 丙午年 正月作 (1846/1906), dedicated to (-see a photo). A Parincess-수양공주-壽陽公主/세화도--歲畵圖-): Painted in ink and colorful colors on paper a depicting a full dressed with hairdo, fairy (heavenly) woman (princess) both hands holding two large peaches. It’s...

An abstract sculpture made of fused, oblong and un-glazed porcelain tubes. The piece has been modified by willful hammering to provide it with the desired shape. Signed and dated: Takeuchi Kouzo 2009, a unique piece in the ‘Modern Remains’ series. Takeuchi Kouzo was born in 1977 in Hyogo Prefecture. In 2001 he graduated from Osaka University of Arts ; went on to study at Tajimi Municipal Ceramic Design Institute, Gifu graduating in 2003. Takeuchi has quickly become one of the leading expo...

A natural ash glazed (Shizen-yu) vase by legendary artist Kumano Kurouemon enclosed in the original signed wooden box titled Echizen Hanaire. It is 26 cm (10-1/2 inches) tall, 17 cm (6-1/2 inches) diameter and in excellent condition.
A ceramic madman, oil painter and recluse, Kuroemon is as eccentric as his pottery predicts. Born in Fukui prefecture in 1955 Kuroemon was a painter from youth, he began his studies under Fujita Jurouemon in 1976, and moved to study also under Toda Soshiro...

Antique Japanese scroll painting of a koi jumping up a waterfall. Symbolizing strength, perseverance and aspiration, the large koi moves against the raging water which crashes below in a torrent of waves. Painted in sumi-e ink and white gofun on paper.

Age: Edo Period (1603-1867)

Dimensions: Total size: 72 1/2" high x 24 3/4" wide (26 1/2" wide including rollers). Size of art: 50 1/4" high x 20 3/4" wide.

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

An exquisite dark bronze image of the deity Benzaiten playing a four stringed lute known as a Biwa signed in a cartouche inset into the base and dating from the early 20th century (Later Meiji to taisho period). The figure is 20 x 16 x 18 cm (8 x 6 x 7 inches) and is in excellent condition.
Benzaiten (or Benten) is the Japanese embodiment of Saraswati, the hindu god of the arts. Benzaiten is depicted a number of ways in Japanese art. She is often depicted holding a biwa (a traditional ...

Pair of finely carved wooden panels of the eight Taoist immortals and their attribute. These panels were to be part of a small religious piece of furniture rather than a screen. The wood is left natural, the carving is exceptionally good quality for Chinese woodwork. No traces of pigments, only the edges are lacquered in red as can be seen in a photo. The back of the panels is covered with a red layer of lacquer or oil paint which has cracked and degraded over time. There are some gaps, visible ...

A Japanese boxwood netsuke depicting a Shishi in a defense posture with jaws wide open and carved with an excellent finish and craftsmanship in the smallest details, accompanied by a blond color and an extraordinary patina and luster. Kara-shishi 唐獅子 (Chinese lion) resembling a lion. It is typically placed to the left of the shrine or temple door. Edo period XIX century Sizes: 3,5 x 3,7 x 2,3 cm. Condition report: Good condition