A superb image by Hirai Baisen depicting the fire lit on the mountains surrounding Kyoto on the final day of Obon enclosed in the original signed wooden box titled “Okuribi”. It is performed with washes of ink and gold on silk, bordered in a fine frame of patterned brocade. It is 22 x 79 inches (56 x 200 cm). It features large ivory rollers, which will need to be changed if shipped outside Japan. There is a wrinkle in the scroll (not a hard crease) through the line of housing (see photo)...

A large porcelain vase covered in olive green upon which grows a rush of white bamboo and a brief epitaph by Miura Chikusen I enclosed in the original signed wooden box dating to the late Meiji or early Taisho period. It is 15 inches (37.5 cm) tall and in excellent condition. The box has much darkened with age. Works of this size by Chikusen, who largely specialized in the minute world of Sencha ware are quite rare.
Miura Chikusen I (1854-1915) made a name for himself as a strict adhere...

An unusual long inverted pottery cone on a silver plated base by Kiyomizu Rokubei VI enclosed in the original signed wooden box titled Gengama Senmon Kabin. It is 15 inches (38 cm) tall and in excellent condition. Rokubei began experimenting with these fluted froms in the 50s, and what he called “Gengama” glazes around 1960. My guess is that this piece dates circa the early 60s. I have never seen another example like this with a metal base.
The Kiyomizu family potters managed one ...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color. The foot ring is ...

A nice assortment of ancient gold beads each one having a special meaning. Ancient gold beads are made from natural occurring 22k gold which makes it an original old item. Will make a beautiful necklace. Weight:17.5 grams. Size: See last photo.

Ohara Koson
Roaring Tiger
Size: O-tanzaku. Approximately 14.25 x 7.75 inches.
Date: ca. 1900s-1923.
Koson signature and seal at lower right.
Publisher: Daikokuya.
Reference: K41.6 and cat. 134 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: Excellent.
"A tiger roars as it stands on a mountain ridge and looks over the crescent moon far below. The original painting for this...

Chinese Qing dynasty bronze censer decorated with flower carving at the body, Xuande mark. 15,5 cm wide. 11,2 cm mouth rim diameter. 1574 gram weight. No dent, No repair, There is mis manufacture at the lower part ( please check on the pictures).

Neolithic era ceramic amphora, Yangshao Culture, Yellow River area, China. This baluster form vessel is made with a narrow neck and slightly flared rim. High shoulders taper downward to a narrow foot. Two strap handles are attached just below the center of the body. Painted with geometric patterns in red and black mineral pigments.

Age: Yangshao Culture (5000-3000 B.C.)

Dimensions: 13 1/4" high x 11" wide x 9" wide

Not to save the best for last, but this piece by Nagae Shigekazu is simply breathtaking. The pattern of light and dark squares which drives direct lines across the distended quadrilateral form hails images of the Ichimatsu-moyo pattern at the Katsura Rikyu imperial palace. The lyrical curves of the vessel itself are in sharp contrast to the extreme precision of the patterns, creating a unique dialog between viewer and viewed. It comes enclosed in the original signed wooden box titled Chokutai...

Silver streaks the thickly potted blue sides of this large vase by important artist Morino (Hiroaki) Taimei enclosed in the original signed wooden box. The patterns drape over the rim, and rise from the base like seaweed dancing in the current below a wavy line at the shoulder, the blue glaze filled with floating paler bubbles. The vessel is 28 cm (11 inches) tall and in excellent condition.
Morino Taimei was born in Kyoto in 1934, and was first accepted into the Nitten National Exhibit...

An antique Japanese two section display tansu (Kazaridana) made of Kuri (Chestnut) and Hinoki (Cypress) woods. Features 3 adjustable shelves with original bronze hardware and glass. Bottom section has 5 spacious drawers for additional storage.

Age: Late Meiji/Taisho (1900-1920)

Dimensions: 72 3/4" Wide by 53 3/4" High by 18 1/4" Deep

Drawer box (kodansu). The exterior is entirely covered with vegetable fiber basketry surrounding reserves in the shape of fans in silver and gilded copper, chiselled with birds and flowers. The interior is soberly lacquered in black (roiro) and bears powdered Chinese characters. or who must indicate the name of the artist, the date of creation and other marks of appreciation, wishes or wishes? Silver handle and mounts. Japan early 20°, Meiji period or perhaps Taisho. Excellent condition, no r...

Cut iron tsuba. Decor of dragons and sacred pearls. Inside the beads, tiny iron balls are mobile. The style is called Namban. This kind of tsuba is little represented without however being rare. But the model presented here is exceptionally of excellent quality. Indeed the blacksmith has cut out his pattern excessively finely like an iron lace. We do not know of a model with such thin wires cut at the extreme limit of the constraints of the metal. Japan early Edo about 1700. Dimensions: 65x2m...

Superb hanging stand, carved in sandalwood with boxwood details. Decor of 2 dragons presenting a Chinese character, certainly that of longevity "Shou". The stand is carved with the greatest care, a perfect work of cabinetmaking with an excellent finish. In the upper part there remains a hook and a piece of chain in gilded bronze with mercury tecnical. The suspended object, now missing, must have been of exceptional quality, probably imperial. Maybe a jade? but not necessarily. A precious object...

2 Types of Jian small cup, "烏盞　Wuzhan" and 灰被 Haikatsugi Ashes covered" These types of small Jian cup would be used to examine water at "闘茶 Doucha" tea ceremony. Wuzhan is deep beautiful black. Haikatsugi(called in Japan) was covered by ashes in firing, it's has been loved in Japan particularly. YouTube: https://studio.youtube.com/video/-F2HLl_oRXw/edit YouTube: https://studio.youtube.com/video/-TnSQWn6k8k/edit Size: Wuzhan 9.4cm(D) 4.3cm(H) Haikatsugi 9.4cm(D) 4.0cm(H) Acces...

Small Satsuma earthenware incense burner in the shape of a cricket cage. Technically complex openwork work with results that are still uncertain, the fine bars of the cage have survived the test of fire without damage, then that of handling for more than 100 years. Today the object is in excellent condition. Below the mark of the Satsuma and the name Hattori who was one of the best ceramic painters of his time., allowing a precise dating. We can, on request, find out who it is. Height 14cm.

Kawase Hasui (1883-1957)
Snow at the Silver Pavilion (Ginkakuji no yuki)
Date: 1951.
Publisher: Watanabe Shozaburo. Black 6 mm seal at lower left, indicating a first edition (1946-57).
Hasui signature and seal at lower left.
Size: Oban. 15.25 x 11.25 inches.
Reference: Hotei #560.
Medium: Japanese woodblock print.
Condition: Back margins have tape residue. Two small bumps at lower margin edge repaired by conservator. Slight fading.

Inro – A amusing and beautiful model of a black japanese urushi lacquer Inro, open by 4 cases and a lid, showing mice and a rat playing together on shells.  Brown, black, gold and silver lacquers of maki-e. H : 5,7 cm. Japan Edo (1603-1868) 18th century.