Antique Tibetan cabinet with 2 large compartments. The entire front of the cabinet is decorated in kyungbur technique (designs and pictures painted in raised lines of a gesso and resin mixture) on a deep red ground. Two large compartments are covered by 8 large panels decorated with phoenixes in medallions of scrolling vines and flowers. The middle four panels open to the compartments. The bottom of the chest has 3 additional stationary panels decorated similarly with flowers. The top was o...

Japanese inro with a large standing bull, frontally positioned with head lowered and looking ahead at the viewer. From the ring in his nose is a rope leading off to the side. The reverse image is a scene, entirely in gold lacquer, of rolling hills and pine saplings in the foreground. The inro opens to reveal a compartment lacquered red on the inside with a small removable inset tray.

Meiji Period (1868-1912)

Dimensions: 2 3/8" high x 3" wide

A Japanese Mokugyo wooden temple bell, carved from kusunoki (camphor) wood in the form of a lifelike human skull. Used to accompany chants (sutras) in Taoist and Buddhist ceremonies. The base of the skull is signed "Bononshi", with matching tomobako.

Dimensions: 5 1/2" x 4 1/4" x 4 1/2" H

A long Buddhist religious painting, the top corners with remnants of the fixtures once used for hanging from the ceiling so both paintings are visible. One side of the cloth is painted with hanging human and animal skulls and skins intertwined. Skeletal faces of the Citipati hang amongst the human heads, their skeletal form serving as a reminder of the impermanence of life and eternal change. Below the hanging heads and skins are lingzhi clouds carrying the bodhisattvas with their heavenly at...

Antique Tibetan thangka painting of Green Tara, one of the manifestations of the bodhisattva of protection. The central figure of Green Tara is flanked by bodhisattvas while the Amitabha Buddha is seated directly above her head. Below Tara are a fierce deity with mortal attendants carrying offerings. Thangka translates to “that which can be rolled up”, as traveling monks could easily carry them from place to place to use as a teaching tool.

18th century

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Japanese bronze incenser in the form of Hotei, one of the Seven Lucky Gods of Fortune. Hotei is clothed with open robes, holding a gunbai fan, seated on top of his large sack. Hotei's name literally means "Cloth Sack", for he can be attributed by the large cloth sack he carries with him during his travels. He is also known as the Laughing Buddha due to his carefree happy nature despite being a wanderer with few material possessions.

Meiji period (1868-1912)

Dimensions:...

A beautiful stand mounted Japanese architectural (corbal) carving of ocean waves. One of this detail and design would have been built into the architecture of a temple. The carving is highly stylized with large openwork areas. The Keyaki (zelkova) woodgrain is visible on the reverse of the carving. Mounted on black iron plates.

Mid Edo Period (1603 - 1868)

Dimensions: 32" L x 3 1/2" D x 17 1/4" H, 13" H carving only

Rare Japanese Yonazawa Keyaki (zelkova) burl front tansu with original golden honey lacquer finish. The round lock plates on each drawer feature the emblem of the Taira clan, whose mon is the swallowtail butterfly or ageha.

The Taira were one of the four important clans that dominated Japanese politics during the Heian period (794–1185) – the others were the Fujiwara clan, the Tachibana clan and the Minamoto clan.

Meiji period (1868-1912)

Dimensions: ...

Japanese porcelain Kakiemon dish, of a lotus form with lobed petals and scalloped edges, with an enamel image of a blue dragon in the center of the well, its body coiled and playing with a ball of fire. The dish stands on a wide, short foot outlined in red enamel.

Meiji Period (1868 - 1912)

Dimensions: 9 1/2" w x 2 1/8" h

A beautiful antique Annamese Vietnamese jar with a clear ivory glaze. On the shoulder are 4 applied rosettes between 2 raised lines. Vertical lines extend from the rosettes to the unglazed base. The jar has a short neck and rolled rim. Some imperfections. Annamese refers to Vietnamese porcelain, since Annam was the name of the southernmost province of China after the Tang dynasty. The name is the Vietnamese form of the Chinese name "the Pacified South". In modern time, Annam was a French protect...

An antique Japanese lacquer Inro with images of persimmons on a gold flecked background. The Inro has five compartments, a boxwood netsuke carved in the shape of a persimmon and a metal ojime incised with floral and geometric designs. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). Exceptional.

Date: early Meiji (1868-1912)

Dimensions: 3.75" X 2.5" wide

An antique Japanese Mizuya (kitchen) Tansu single section made of keyaki wood. The top section has four sliding panels. The mid section has 5 medium sized drawers. The lower section has two large sliding panels. Adjacent to the panels is a small drawer and hinged door with a large compartment.

Date: early Meiji (19th Century)

Dimensions: 67" tall X 76" wide X 21" deep.

Antique Chinese rectangular bronze censer. Flanked on either side by standing figures of men holding rings and themselves functioning as handles. Each figure is cast in such detail as to highlight long curling hair, beards, and jolly expressions. The men wear flowing robes and jewelry in a manner which suggest they may represent foreigners of some sort. The bottom of the censer is cast with a 6 figure Xuande mark (1426-1435) however, bronze is most likely 19th century.

Dimensions:...

Antique Japanese Choba Tansu (Merchant Chest) constructed of Keyaki (Elm), Hinoki (Cypress) and Kirinoki (Paulownia) woods. Horizontal slates on the sliding doors and sides of the chest make up the traditional design of this piece. It features side pull-up handles, Kakute drawer pulls and rectangular locking plates. Originally used by a shop owner, this chest was typically positioned in a prominent location of the store to showcase the success and longevity of the business. The tansu comes fr...

Indian Himalayan Copper Yoni Lingam ceremonial vessel for Holy water, Dates from the 17th - 18th century. Forged from hand hammered copper, a tier-shaped vessel with a navel on the interior. Placed on stand, the vessel has a dramatic sculptural presence with a patina showing its use and age. The Yoni (vulva) is the symbol of the Hindu God Shakti.

Dates 17th-18th Century

Size H 16" x W 8" x D 2.5" without base

An antique Chinese wedding wine table made entirely of Nan-mu wood. Featuring the Ming dynasty style double interlocking rings of marriage surrounding the sides of the table. Supported on the underside by inner humpback stretchers. Clear lacquer finish was used to showcase the beautiful grain of the wood while the legs and sides were carved to look like bamboo.

This is an elegant functional piece that would work well in a contemporary setting as a very nice side table.

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Imagine the vista of iconic Mount Fuji as you enjoy a cup of matcha from this very special tea bowl. Endorsed by the tea master of Urasenke as a master work, it was granted the poetic name “Yamazato,” yama, meaning “mountain” and zato/sato, meaning “small village.” This name carries with it the connotation of an idilic place; therefore, an apt description in English might be ‘an idilic mountain village, untouched by time and unconcerned with modernity.’

The craftsman...

An antique Japanese Choba Tansu (merchant's chest) made of Keyaki Burl (Zelkova) and Suginoki (Cryptomeria) woods. The sides of the chest feature horizontal cross ribs for added strength and durability. Constructed using mortise & tenon, through mortise & tenon, and double through mortise & tenon joinery. Use of hardened wood nails. The sliding doors open to an expansive storage space that was used to keep store records and books.

Age: Late Meiji-Taisho Era (1900-1920)

Dimensi...