Box in black lacquered wood inlaid with mother-of-pearl, golden details. The decor is composed of birds among plants and shrubs. The birds are very active, the one in the center tends to what appears to be a stylized egg in a nest? Probably a meaning. The designs are simple but harmonious and very elegant. The inlay work is empirical but the materials used are solide and they have stood the test of time well indeed the lacquer has not peeled off and the mother-of-pearl is still well maintained. ...

A large rosewood, huanghuali brush pot, bitong of simple cylindrical form with thick walls and the base with an inset plug. The wood grain has particularly nice patterns, with a few 'ghost eyes', and a wonderful deep honey-brown patina. H 16 x 16,4 cm Diameter Late Ming/ early Qing Dynasty. Condition: good with a couple of chips at the lower part and thin hairline at the bottom.

An amazing matching pair of a male and a female glazed pottery attendants from the Ming Dynasty, 1368-1644 AD.

This type & size is very rare and were made as tomb figures for wealthy and prominent people during the Ming Dynaasty.

The male attendant with greyish-black robe over a cobolt blue and torquoise glazed dress and a round red hat and with black rim. Many nice details. He is standing a tray and a mug or cup in his hands. Around his waist he carries a special b...

Very attractive Marble Shakyamuni Buddha with beautiful robes and nice gilding, sitting on a double lotus base. Shan State/Burma, 18/19th Century, very good condition, heavy as solid marble. Size: H. 46cm x W. 31cm x D. 16.5cm, excluding stand. This item is nicely mounted on a black stand.

Marble Shan State Shakyamuni Buddha touching the earth, with nice gilding, sitting on lotus base, condition: very good, heavy as solid marble! 18/19th Century, Burma. Size: H. 46cm x W. 29cm x D. 19cm, excluding stand. This item has been nicely mounted on a black stand.

Very fine AVA Bronze Buddha subduing Mara, seated on a double stepped Throne, 15th Century, lovely naturally formed green patina, good condition, size: H. 23 cm x W. 9.5 cm x D. 9 cm. RARE! For additional photographs see item # 1089413

Attractive AVA Bronze Buddha seated in the Lotus position on a double stepped throne subdung Mara. Very nice original smooth verdigris patina. Gentle and serene expression. 15th Century, Burma. Very good condition. Size: H. 23 cm. x W. 9.5 cm. x D. 9 cm. Good condition. RARE!

Antique Japanese todana mizuya (kitchen cabinet) made from a beautiful keyaki burl wood in reddish brown hues, with two sets of sliding panels, 8 drawers in varying size, and one pull-out panel with a ring handle. It has a very interesting and unusual form, with slats running down its sides and back. The inside of the top set of sliding panels has an aged sheet of paper marked with kanji. Edo age, circa 1870 Size: 49.75" height, 39" width, 18" depth

Chinese sandstone carving of Buddha's head, a fragment from a larger statue. This buddha has delicate features and a beautiful expression with high arching brows over half lidded eyes and a slight smile. Hair is a series of continuous sweeping rows over a subtle cranial protuberance. Northern Qi Dynasty (550-577). Size of head: 12 1/2" high. Total size including stand: 18 1/2" high. (custom Black Iron Stand).

A Chinese jade libation cup of pale green hue with a flash of russet, carved in the shape of a peach and standing on a five petal support. The outside has scrolling foliage and the handle is formed as a flower spray with a flat reticulated top surface. An excellent example of 16/17 century lapidary art and in excellent condition. It comes with its own custom made wooden stand. size: 10 cm long

Hiroshi Yoshida (1876-1950)
Grand Canyon (from The United States series).
Date: 1925. First state with jizuri seal, indicating self-printing by the artist.
Size: Oban. Approximately 16.0 x 11.0 inches.
Pencil signed and titled in English. Signed and sealed in Japanese within the image.
Condition: Margin has two numbers noted in pencil and two original drying pinholes.

Circular jingasa with a gradual domed top. The composition is of bamboo, paper, layers of lacquer work with intricate shell inlay. The jingasa is decorated to the edge of three gilt lacquer circular crests (mon) The interior is finished in red with its original cotton gear straps and cushion. Mounted for presentation on steel plates.

The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood...

Leaf images in various seasonal shades decorate the raw earth of these expertly crafted dishes by legendary artist Kitaoji Rosanjin, the set enclosed in a double box, the inner box the original age darkened kiri-wood box signed by Rosanjin, the outer box later covered in black lacquer showing the esteem for which both this dish set and box were afforded. On bottom is the star mark, indicating these were made for use in his restaurant. Each dish is roughly 18.8 cm (7-1/2 inches) diameter and in...

Pair of antique Japanese bronze candlesticks modeled as guardians with cartouche on bottom. Dates from Meiji period.

Provanence East Coast Estate
Meiji Age (1868-1912)
Size H 10 3/4" x W 3 1/2" x D 2 3/4"

A rare Edo era Gyosho Tansu (peddler's chest) made entirely of Kirinoki (Paulownia) wood. All original hand made iron hardware and original dark wiped lacquer technique finish. Unusual features include the front to back swivel carrying handles and three secret compartment boxes. One box hides to the back of either shelf tricking a thief to think that he/she found the precious treasure. Behind each of the two bottom drawers also hides secret boxes where the real treasure is kept.

This ...

Antique hand knotted wool carpet, Joshegan, Persia in navy and reds, tight weave with central medallion and border. Good condition.

Age: circa 1940s

Size: 4.5 x 6.7'

When the founder of the Urasenke style of tea ceremony, Sen-So Soshitsu (1622 -1697) was invited to Kanazawa as the master of tea ceremony for the powerful Kaga lords in 1666, the first Chōzaemon came with him and established Ōhi-yaki in Kanazawa. Chōzaemon had been the chief apprentice to the Raku family in Kyoto and took with him many of the principles and ideas associated with Raku-ware. Since those auspicious beginnings, Ōhi-ware has held a high place in the world of tea cere...

Vivid colors stand out on this fabulous multifaceted structure by Hashimoto Tomonari dating from this years firing. It is hollow, thus not as heavy as it looks, and comes accompanied by a signed wooden placard. The sculpture measures 37 x 36 x 36 cm (13 x 12 x 12 inches) and is in excellent condition, directly from the artist.
Hashimoto Tomonari was born the son of a sculptor and has felt comfortable with the processes of creation since childhood. He graduated with a masters from the Kana...