Another stunning item from our private Buddha collection.

Large Chinese Guanyin made of Jade, with changing jade colours from light green to green, yellow, grey and black, the figure is seated in dhyanasana on a double lotus flower, one hand holding a bottle of elixir and the other hand raised in apan mudra.

The artist has put together three pieces of jade, the buddha, the crown and the lotus seat to a spectacular Guanyin statue with very detailed carvings. Absolutely rare an...

Rope and cloth patterns are impressed creating deeply textured shadows on this free form ceramic sculpture awarded the Kyoto Governors prize, and dated on bottom Heisei 10 (1998) by Yasuda Kayo. A pale ash glaze runs in sheets and rivulets over the lined and creased surface, with the top bursting open. This piece is 15 kilograms, 16 inches (40 cm) diameter, 18 inches (45 cm) tall and in fine condition. All the Yasuda family pieces are from the Matsui family collection of Fushimi, an extensive...

This is Tsutsugaki Yogi of the indigo dyeing tea service set of the Edo era. The cotton is spun by hand and is very thick. A color of the cloth is deep green. The green dyeing needs a technique higher than the dyeing only for indigo plants. Therefore it is a color required to the item of the upper class. And this was drawn in a good balance in very powerful Tsutsubiki. As for this, an instrument is expressed three-dimensionally. This bold picture and design were able to be produced only by Tsu...

Ca. 1730s-40s, early 18th century
Early Qianlong period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.3 cm / 8.8 in
From a Belgian private collection

A nice early Qianlong period famille rose export plate in flawless condition, with brightly enameled floral sprays and bouquets. The design is an interesting synthesis of Chinese motifs (such as the typical trellis-diaper borders and the plum blossoms) with European rococo naturalism (the centra...

Ca. 1730s, early 18th century
Yongzheng – early Qianlong Period, Qing Dynasty
Porcelain with overglaze famille rose enamels
H: 45 cm (with lid), 36 cm (without lid)
From a Palm Beach, FL estate

An early 18th century famille rose vase in the square baluster form, with various still-life antiques and decorative arts in molded relief, and paired with an old custom-fitted hardwood lid. Vases such as this were built by slabs rather than formed through the wheel,...

ca.1890-1910s
Late Qing Dynasty - Republic Period
Porcelain with overglaze famille rose enamels
H: 44 cm
From a Boston area estate

A late 19th – early 20th century famille rose vase, enameled profusely in the “hundred treasures” pattern and bordered with ruyi medallions.

Condition report: basically perfect condition, which some origin impurities to the enamels, and just one tiny shallow chip to the foot rim.

Ca. 1720-30s, early 18th century
Yongzheng – early Qianlong period, Qing dynasty
Porcelain with overglaze famille rose enamels
D: 22.4 cm / 8.8 in, H: 4 cm
From an English private collection

A gorgeous early 18th c famille rose soup dish or plate, fantastically decorated with an auspicious deer resting within a flowery realm. The enamels are quite fresh and vibrant.

Condition report: a short 1 cm glazeline to rim (affecting the glaze only, and does n...

19th century
Late Qing dynasty
Porcelain with celadon glaze
D: 29.6 cm / 11.7 in
From a Northern California private collection specializing in Chinese celadons

A 19th century late Qing charger, glazed in light pea-green celadon, and molded / carved with various floral motifs in relief.

Condition report: Basically perfect condition. There is a Chinese character for “two” etched to the front surface, and there are some age scratches to glaze.

19th century
Mid – late Qing dynasty
Porcelain with teadust glaze, underglaze cobalt blue and copper red
H: 34.7 cm / 13.7 in, W: 22.4 cm / 8.8 in (at widest point)
From a Dutch private collection

This gorgeous is quite rare due to its technical sophistication: in manufacturing this vase, Jingdezhen potters would have had to fire it twice; first, to complete the raised appliqué decorations in underglaze blue and copper red (which had to be coated with a transpar...

Ca. 1720s, early 18th century
Late Kangxi – Yongzheng period, Qing dynasty
Porcelain with underglaze cobalt blue
D: 22.7 cm / 8.9 in
From a Northbrook, Illionois estate

A pair of Kangxi-Yongzheng lotus-shaped blue and white dishes, freely painted with floral sprays in nine separate panels encircling a central field. Both dishes have very fine and luminous glaze.

Condition report: Dish 1 is basically perfect with only slight wear to rim edges. Dish 2 ...

Ca. 1890-1810s, late 18th – early 19th century
Qianlong – Jiaqing period, Qing dynasty
Porcelain with overglaze enamels
H: 11.5 cm / 4.5 in, W: 6.5 cm / 2.6 in (Ox head alone)
H: 15 cm / 5.9 in, W: 18.3 cm / 7.2 in (Ox head on display stand)
From a San Francisco private collection, ex-Sotheby’s New York, ex-Bluett London

A rare mid-Qing polychrome enameled rhyton / stirrup cup in the form of an ox head, with curved horns covered with aubergine colored g...

1560s-1620s, late 16th – early 17th century
Wanli period, Ming dynasty
Porcelain with underglae cobalt blue
H: 37.3 cm / 14.7 in (with stand); 35.5 cm / 14 in (without stand)
W: 16 cm / 6.3 in
From a Northern California private collection

An extremely rare, museum-quality late Ming blue and white incense stand or vase, of unusual reticulated form, with a circular cupped rim and neck above a square-sectioned body, the curving walls partially undercut and pain...

Late 15th – 16th century
Mid-Ming dynasty
Porcelaineous stoneware with Longquan celadon glaze
H: 32.8 cm / 13 in (with stand); 29.7 cm / 11.7 in (without stand)
From a Marine County, California private collection

A beautiful and highly elegant Longquan vase, of a typical mid-Ming pear shape, covered with a thick and luxurious celadon glaze, and decorated with hand-carved floral motifs. In many ways, this vase is a “revival” piece: its body is deeply carved i...

A very rare yab-yum bronze from the end of the 19th. century ( Qing Dynasty 1644 - 1912 ), acquired for the van Norten collection in the early 30's of the last century in Sichuan showing the male deity in sexual union with his female consort. Yab-yum means Tibetan literally 'father - mother'.

The statue presents a great amount of detailed wealth. It is a 3,1 kg heavy bronze with a size of 31 cm x 25 x 18.

The symbolism of union and sexual polarity is a central teaching in ...

A kaki (persimmon) is playfully rendered in orange and green on the wide white sides of this green bordered square bottle by Avant-garde Sodeisha Potter Kumakura Junkichi enclosed in the original signed wooden box. It is 15 x 6.5 x 12 cm (6 x 2-1/2 x 5 inches) and in excellent condition.
Junkichi began working in ceramics in the 1940s, his works submitted to innumerable National and International Exhibitions including the Japan Art Festival, New York and the international Arts and Craf...

Wonderful Japanese antique two panel byobu screen painting in ink and mineral colors on silk, Nihonga School, depicting a scene of a group of seven crows and a single magpie near a waterfall and hot springs possibly Onsen Baths, beautifully painted churning water and falls, signed and with hanga of artist Aizu Katsumi: born Fukushima Prefecture.

Exhibited Teiten and Bunten Exhibitions during prewar period.

c. 1900.

Size: 76 3/4" high x 90" wide

Japanese ko-sometsuke porcelain nagazara (tray form dish) with scalloped corners. With creative blue underglaze depiction of pine boughs and cones in and centered within double lined blue rectangle by the cavetto. The sides with decoration of a literati scroll with berried vines. A narrow key fret band adorns along the outside of the foot rim. A six character mark appears inside the rectangular foot rim. This strongly potted and decorated piece exhibits freedom of expression not bridled by repet...

Japanese silver wire cloisonne vase. Green, aubergine, coral, violet, white, yellow, dark blue and black enamel decoration of bird and flowers all on a light blue enamel background. Two faint, tight hairlines (in the blue enamel background) issue each about a half inch from different petals of the topmost peony blossom decoration, otherwise good. Height 7 1/4 inches (18.42 cm)