A six-sided porcelain wine pot warmer painted in Qianjiang style with a scene on one side from a Chinese opera relating to stories from the Three Kingdoms period. On the other side is a poem which we have, as yet, been unable to read. It is signed and dated to 1903. Condition - very good - there are glaze imperfections and there are two chips to the base rim (please view enlargement 2); no further damages and no restoration. 10.7cm (4.2inches) high; 10cm (4inches) across. 稀有的浅绛彩温�...

Japanese abstract colored woodblock print - titled "Round About Midnight no. 5", 4/50 in its series, dated 1977, signed Maruyama Hiroshi (b. 1953-) in pencil.

Dated 1977

Dimensions: 21 1/2" x 31 1/4"

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns in a basket with one fish lantern hanging overhead by a string. Numbered 97/120, titled, signed in pencil. With red chop.

Dated 1980.

Dimensions: 10" x 13" H (artwork 5" x 6 1/4" H)

Japanese print by Hiroto Norikane (b. 1949-), aquatint of puffer fish lanterns, stacked and strung together. Numbered 132/300, titled, signed in pencil.

Dated 1981.

Dimensions: 7 3/4" X 10 1/2" H (artwork 2 3/4" x 5 1/2" H)

A pair of Kinsai Tokkuri on red ground by Eiraku Zengoro from his Kutani kiln dating from the late 19th or early 20th centuries enclosed in the original signed wooden box. Complete with lids, they are 5 inches (13 cm) tall each and in excellent condition.

Chinese heavy Limestone carved Slab with leafy floral design on one side and smooth plain on the other side, 19th century or earliker, 15"wide, 15" high, 11" deep-base. One big piece is off on the bottom.

Description： A beautiful ceramic doll was well presented in a picture of a lady was reading in a garden.
Xi－Wan dolls were done by traditional Chinese craftsmanship and have been very famous in China for hundred of years.
Date：late 19th century.
Height：15cm.
Condition：perfect.

Small Shiva lingam carved on black stone, with four deities heads in relief around the lingam. The object is eroded with age, and encrusted with remnants of ritual substances, but the decoration is still visible. Nepal, 15th century or earlier. Height: 6.5 cm. Length: 8 cm. Good condition.

This type of necklace with a pendant in the shape of a lock was given to Chinese children, so they would be ‘locked’ to life. 1. Large silver pendant decorated in enamel with two hares. The back with good fortune text. 7,5 x 5 cm. ( wear to the enamel) 2. Lock pendant decorated on both sides with flags and good fortune text. 6,5 x 4,5 cm. ( age wear). With mark. 3. Lock pendant with mythical beasts and floral pattern. The back with good fortune text. 5 x 3,5 cm. 4. Small pendant with...

Here is a tea bowl, which represents the wabi sabi philosophy of Japan at its best with expected impressions of roughness, austerity and intimacy. This Karatsu chawan is about 80-90 years old and has wonderful white glaze, rarely seen on Karatsu chawans.

It comes with its original wooden box.

Size: 6,6 cm height x 11,7 cm in diameter.

Free shipping.

Ame-yu graces the rough textured clay of this large Mingei platter from Aizu in the Northern reaches of Japan on the border between Fukushima and Yamagata. Often mistakenly identified as Tamba due to the similarity in the coloring of this particular glaze, the underlying granular white clay gives it away. About the rim is a ring of fire-colored tendrils trapped in a groove, an interesting added feature. It is 31.5 cm (12-1/2 inches) diameter and dates from the later 19th century. There are som...

A Kashmir papier-mache vase with polychrome and gold lacquer decoration in the Mughal style. Showing couple of birds on a mille-fleurs ground or a golden feather pattern, framed by a mihrab border. The sides with two small handles in the shape of tiger heads. Condition: some chips and losses to the lacquer. Dimension: c. 22.8 cm high.

Width: 5.4 cm (2 2 in)
Depth: 1 cm (0.4 in)
Weight: 44 g (1.57 oz)

Excellent antique white jade pendant; jade wheel with internal open helix; very good condition

Enigmatic designs in free flowing black and rigid lines impinge on the yellow square of this raised plate by Kim Hono. It is 24 x 25 x 4 cm (9-1/2 x 10-1/2 x 1-1/2 inches), signed underneath. This piece is from a private collection of modern art and was purchased from the artist. There is no box but one could be had for an additional fee.
Kim Hono was born in Seto City Aichi Prefecture in 1958, and graduated the Prefectural Ceramics School in 1977, then taking up apprenticeship at a lo...

A very nice 19th C, Tongzhi era (1861-1875), porcelain dish showing a Qilin, a fabulous creature which appears in various forms and is associated with the wish for sons. In excellent condition, it measures 6.5 inches in diameter and about 1" high.

A decorative pair of Imari Beaker Vases made for export to the West brightly enamelled with traditional Japanese motifs. The main part of the vase is painted with a Crane symbolising longevity with the three friends of Winter, the shochikubai, the Pine, Bamboo and the Japanese Apricot (Prunus tree). Whilst the upper part of the vase is decorated with a two part frieze, the first a Garden room with tied Curtain, and the second part a stream, ruisuimon, and Maple leaves, momiji, an allusion to a...

An exquisite lidded ginger jar wrapped with a writhing dragon by Ibata Katsue. The artist mark is placed in a raised cartouche, like an old wax seal, on the side, and the dragons seem to reach for it like it was the pearl of Buddhist wisdom. It is roughly 8 inches (19.5 cm) tall and in excellent condition. This piece is from a private collection of modern art and was purchased from the artist. There is no box.
Ibata Katsue was born in Hamamatsu, Shizuoka, in 1958. She graduated the Na...

A fine and large stoneware dish by Sakuma Totaro (1900~1979). Decorated with a flowering plum tree against an oatmeal coloured ground. The back is plain and glazed with a clear transparent ash glaze.

The original wood storage box (tomobako) lid is inscribed in ink "Mashiko decorative dish with plum in iron oxide", the signature of the potter with his red seal.

First son of Sakuma Fukujiro, a mingei potter in Mashiko, Totaro studied ceramics with his father. The potter met Ham...