Wonderful wood-fired Shigaraki ceramic vase. Natural markings and glazes have created a masterpiece. Stamp on bottom but we couldn't read. Ca.1960. 8" tall x 6" diameter. Ask for shipping quote.

Chinese Qing dynasty Yongzheng to Qianlong period deep dish decorated in underglaze blue on a white porcelain ground with a long scaled four-clawed dragon at the center front extending over the rim from the reverse to chase a flaming pearl among clouds. According to Wang Qingzheng in “A Dictionary of Chinese Ceramics,” this style of decoration where the design begins in the interior and wraps “over the wall” to continue onto the exterior (or vice versa) emerged in the Ming dynasty and f...

Small statue of Buddha, in monk's robes, sitting cross-legged on an elevated lotus throne, holding a bowl in his left hand, his right hand in protecting and blessing posture (abhaya mudra). The statue was cast in the style of the Liao dynasty Buddha images. Bronze, with fine age patina. Qing Dynasty, 18th century. Slight abrasion due to age, otherwise very good condition.

Three small amulets cast in the form of deities standing in formal dress. Bronze, with partly encrusted reddish-green patina. China, Han dynasty. Height: 52, 54 and 54 mm. All in good condition.

Burmese wooden seated figure of a man.

Age: Burma, Early 20th Century
Measurement: Height 33.6 C.M. / Width 16.7 C.M. (size excluding stand)
Condition: Nice condition overall. Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

An attractive pair of antique Chinese porcelain plates, each hand painted with a large, leaping blue carp with russet colored cross-hatched scales. The carp was an auspicious fish in China and a symbol of perseverance and success, often applied to success in business enterprises and state examinations. In excellent condition (no cracks, chips or hairlines), this pair of deep-dish plates would have served as large shallow bowls as well. Dating from the Yongzheng to Qianlong Periods (AD 1723 - ...

A good pair of Kenjo Imari dishes decorated with a central auspicious “botan-mon” ringed by a wave border with gobenka. The outer register decorated with an iron red and gilt ground of scrolling vine, aka-e kinrande style, with bud shaped reserves containing a seeded green ground and further stylised Peony motifs, and stylised leaf and scroll reserves in underglaze blue with auspicious precious objects, jewelled cash and rhinoceros horn (the comma like motif very similar in appearance to a ...

Height: 5.9 cm (2.3 in)
Width: 4 cm (1.7 in)
Depth: 1.5 cm (0.7 in)

Fine Chinese lacquer and mother of pearl snuff bottle; mother of pearl tesserae inlaid into the surface of the lacquer to form floral decoration and borders; the sides show an intricate diaper decoration; hardstone stopper and bone spoon; good condition

Width: 15.6 cm (6.3 in)
Height: 2.5 cm (1 in)

Chinese Kangxi Period porcelain moulded low bowl; floral and geometric panel borders to the interior; lotus mark within double rings on the base; frits on the rim; no cracks

A vase with a carved-comb surface of white clay by Sakiyama Takayuki enclosed in the original signed wooden box titled dating circa 1998. It is 9 x 7 x 15 cm (3-1/2 x 3 x 6 inches) and is in excellent condition.
Sakiyama Takayuki (b. 1958) graduated the Osaka Art University in 1981. In 1984 he exhibited for the first time at the Nitten National Exhibition. He established his kiln in Shizuoka in 1987, and was accepted into and prized at the National Ceramics Exhibition (Nihon Togeiten) ...

A pair of tiny shoes for a Han Chinese lady with bound feet, dating to the late Qing dynasty. Made of silk, the lower part embroidered with flowers in satin stitch, the upper part with brocaded silk ribbons. Cotton lining and soles. Condition: fine, only little wear. Dimension: total length: c. 13.5 cm, height: c. 11.8 cm.

A sumptuous wood grain bowl by Tanaka Eiko covered outside in thin black lacquer, the inside clear to best present the exquisite grains of the wood. Her tree of choice is the Horse Chestnut (Jap. Tocchi), which has unparalleled grain patterns, here visible through the black outside as a soft glow about the center of the bowl. Inside black lines like an abstract ink painting decorating the straight grains. She brings the rim up to an extremely thin edge, abrupt, both delicate and challenging. ...

A swirling iron colored ceramic dish by Takatsu Mio enclosed in the original signed wooden box titled Uzumaki no Sara. It is 20 x 18 x 8.5 cm (8 x 7 x 3-1/2 inches) tall and in excellent condition, from the artist this summer. We use one of these at home for cheese and cold cuts, looks great with a wine glass and garners a lot of attention!
Takatsu Mio (b. 1976) was raised in Gifu prefecture among the scattered kilns of Mino. She graduated the Osaka University of Arts Sculpture Departm...

This piece is baked in "Anagama" for 10days, so it is naturally covered by ashes of red pine fire woods and has been firing- denatured on surface in natural. We Japanese call this change "窯変　Yohen", This vase is able to use by two ways, hanging or setting. It is suitable for tea ceremony very well. Movie/YouTube: https://www.youtube.com/watch?v=hSOywHuZPSs Accessary : wooden box with signature of artist Size: 9.2cm (D) 17.5cm (H)

Antique bronze incense burner - censer in the form of Laozi riding a buffalo, 17th-18th century (Qing dynasty), China.

The bronze depicts the philosopher Lao Tzu on his famous journey away from civilization to find simplicity; he sits on the animal's back with his robes flowing around him.

Lao Tzu or Laozi, or Lao-Tze, was an ancient Chinese philosopher and writer. He is the author of Tao Te Ching, the founder of Taoism, and a deity in religious Taoism. According to legend, Laozi left C...

Perhaps because of its proximity (or lack thereof) to central Japan, the beautiful lacquer wares of Akita may be lesser known than other regions. Here is an exquisite sake cup and katakuchi serer of turned wood covered in multiple layers of soft, black lacquer by Sato Fumiyuki of the Kawatsura lacquer tradition. A belt of gilded binding wrapping the body is the only decoration. This lack of distraction, in fact, accentuates the form and allows us to focus on the pure elegance of the lacquer i...

This is a antique boro noragi wonderful shabby Indigo dyed navy blue cotton . All stitching of the sashiko stitch for reinforcement and repair is handmade and beautifully designed. You can enjoy both sides. Size: :Length:78cm (30.7 ")　　Back width :54cm (21.2")

This is han-jyuban in Edo period(1800-1867). Silk tsumugi itajime of the safflower dye is an arabesque motif in the lion. The shoulder surrounding is scenery of the travel (Tokaido) in Edo period. The katazome is very exact and beautiful. The material of katazome is wool. There are a little color variation and a small hole. The state is very good. It is very rare han-jyuban. size:90cm x 85cm (35.4" x 33.5") Size:Length:86cm( 33.8") / Cuff to cuff, across the back: 91cm (35.8")