EBISU AND DAIKOKU

Pair of traditional Japanese wood carving statues of the Gods of Wealth, called Ebisu and Daikoku as the two-top of Shichifukujin (Seven gods of good fortune). Showa period, early 20th century. approx. H 7cm (2.75in)


selected by Jinta




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Japanese Wooden Shrine Pilgrimage Sign or Temple hanging box, Meiji period, 19th century, 27" long, 3 1/2" wide, 2 1/2" deep, Japanese "Kanji" hand script writing in black Ink, the condition is weather worn condition with beautiful old patina.

Chinese Yuan Dynasty Longquan Celadon Jarlet. Good Conditions. 6,3 cm body diameter.

Edo Period Japanese woodblock print by Kunisada, also known as Toyokuni III (1786-1864), depicting actors portraying the Heian period samurai Abe no Muneto and a beauty in a scene from kabuki theater. This is one of a number of double half-length portraits of actors designed by Kunisada in 1852. Published by Iseya Kanekichi. Signed at the left "Toyokuni ga" in a red cartouche with yellow snow. Excellent color and impression quality with fine delineation of the hair and wood grain plainly evide...

SOOTY GOD

Image of 'Hotei' (God with a potbelly who is one of the Seven Gods of Good Luck) enshrined for long years in a kamidana (household Shinto altar), Edo period (1603-1868), Japan. Made of wood but turn to be more solid like a stone due to such mature and aesthetic fumigation as is. approx. H 12 x W 15 x D 5cm (4.72 x 5.90 x 1.96in)


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Urushibara Mokuchu (Yoshijiro) (1888-1953)
Horse (Facing Upward)
Date: ca. 1940s.
Size: Oban. Approximately 14.75 x 10.75 inches.
Signed "Y. Urushibara" in pencil.
Sealed "Mokuchu".
Round watermark at top margin.
Medium: Japanese woodblock print.
Condition: Excellent.
Removed from original folder.

Vietnamese small jar decorated with underglaze iron brown leave motive. 5,7 cm high. good conditions

Matched set of 9 hand painted Indian paintings on mica In original paper mounts. Each 13x8.5 cm. Mid to late 19th century. Can be viewed in central London and shipped worldwide.

Heavy, cream colored stoneware oil plate (aburazara) shaped as a lotus leaf with curled up, irregular edge. Surface on ‘inside’ structured with cloth, decorated with geometric figures in iron brown glaze and covered with feldspar and typical Oribe green glaze.
Impressed maker’s mark in bottom: Jocho? tsukuru.
Japan, Seto region, Oribe, Meiji era, ca. 1900. Diam 7.25 x H 0.8 inches

2 old small chips and some frittings on rim, consistent with age and use

Chinese Tang Dynasty Changsha Bowl from 9th Century Shipwreck (c. AD 826)

This rare decorated glazed bowl was made around AD 826, during the Tang Dynasty (AD 618 - 906) at the Changsha kilns. We can be that precise about the dating because it was excavated from the "Belitung Wreck" in 1998-99, a mile off the coast of Belitung, Indonesia. Another bowl from that wreck is inscribed with a date equivalent to AD 826 and carbon 14 analysis of the wreck also confirms an early 9th century date. Al...

KOREAN PILLOW

Traditional Korean pillow made of wood and embroideries with the idiom of Chinese character which stands for "Peacefulness". Mid 20th century. approx. 23 x 12 x 9cm (9.05 x 4.72 x 3.54in). Fine original vintage condition overall as is, but partially repaired and attached with a white pillow slip in the later years.


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A lovely Chinese Northern Song dynasty Qingbai white glaze bowl. Dia. 15.8cm. Condition: no chip, no restore, in good condition as shown. Shipping from Taipei, Taiwan via EMS at actual cost. Item selling at various platforms, please ask before ordering.

TOOL MADE FROM BRANCHED TREE

Soot-colored folk wooden tool from Tohoku region, Japan (related with straw thing but unidentefied usage) that applies the coincidental practical form created by natural forces to its main body with the minimum human processing. 19th century. approx. H 68cm (26.77in)


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This quality of baby carrier (mawei beider = horse tail carrier) was reserved for festivals, weddings, burials and for special market days.
All hand made, very good condition. Huangping style, Miao, Guizhou, Qing dynasty

A Chinese porcelain brush washer with a flambe ox blood glaze and the splashed colors of red, white and blue. The pot was for the use of a scholar to clean his brush when doing calligraphy. The washer is six sided and measures about 2" tall x 2 1/2" in diameter. This is another example of the ox blood glaze, during the 19th Century, running in the kiln, which made in necessary to break the piece from the kiln. The foot was then ground or shaped to sit level. This washer if in excellent cond...

THE MAN OF ALL MEN

Unique and scarce Japanese folk ceramic toy in kimono with such full of humour, attached with the set of a "pedestal" (lacquerer's spatula) and a celluloid sea bream. Showa period, Pre-1950s. Man: approx. H 9 x W 10 x D 5cm (3.54 x 3.93 x 1.96in), Spatula: approx. L 17cm (6.69in), Sea bream: approx. L 6cm (2.36in)


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These offering stands were used in Korea on a family altar to elevate offering to worship ones ancestors. These stands were owned by poor people and farmers, and they are good examples of Korean folk art. The largest stand is about 6" in diameter, followed by one at 5 1/2" and the other at 4 3/4". All of them show spur marks and grit where they were stacked for firing in a large kiln. They are all in good condition with no damage. The asking price includes shipping within the USA.

Magnificent lacquered basket with domed lid from the Karen ethnic group Northeast Thailand. The walls are constructed of strips of bamboo with rattan bindings and wooden base. The lid has one layer of woven bamboo with a tihck layer of natural lacquer while the lower half has a classic double layered wall with another coating of lacquer inside, which would have made this piece virtually water proof. Minor layers of lacquer loss in the interior, otherwise super fine condition. Circa 50 ye...