From our Chinese Monochrome Collection, a beautiful white porcelain Guanyin, Goddess of Compassion and Mercy, executed in the style of early 20th century slip-cast blanc de chine from Dehua, but actually a later vintage-era white porcelain example from Jingdezhen in Jiangxi Province. (Among other things, the difference here rests in the nature of the underlying porcelain paste, which to novice eyes may be difficult to discern, but to our eyes is clearly not true blanc de chine.) Nevertheless, s...

Wonderful chagama, cast-iron hot water pot for Japanese tea ceremony decorated with a heron on each side, late Show period, 1970-1980. Signed Seiko (Sato).

Kama: 8 3/4" high x 8 1/2" diameter (22cm x 21cm)
Box: 9 11/16" x 9 7/8" x 9 1/4" (25.3cm x 25cm x 23.5cm)
opening: 4 1/8" (10.5cm) diameter

From our Indian Subcontinent Collection, a very large teakwood sideboard / buffet from Kerala in Southern India, crafted with old-growth teakwood using carved sunburst motifs for the compartment doors. A very understated yet elegant example featuring large compartments and a large top surface area, making it very functional besides its strong appeal as highly decorative ethnic furniture.

Size and Condition: A large piece at 74 inches wide, 34 inches tall, 23 inches deep. Overall condit...

Fine old zuishin dolls from the Meiji period (1868-1912), approx. 8” (20.3cm) tall. Zuishin dolls are commonly called daijin (minister) dolls; the elder man on the right (facing) is called "left daijin" and the younger man, right daijin or ya (arrows) daijin. They were created as an addition to the emperor and empress Dairi-bina sometime in the mid 18th century by Kyoto doll makers. Armed with a sword, bow and arrows, they were the toneri (zuishin) from the Heian court (794-1185). Th...

Pair of Chinese antique carved chairs with dragons, carved of very heavy hard wood with beautiful grain and medium brown finish, curved arms with dragon arm rests, back splat with dragon in swirling clouds, each chair has 4 dragon claws for feet, apron is carved grapes and vines, each chair has 10 dragons, made for export, circa 1900. Size: 33" high x 24" wide x 24" deep.

Japanese silver mounted Satsuma buckle painted with a traditional pavilion besides the water's edge with mountains in the distance, Meiji period, circa 1910. The painting on Satsuma is very delicate and condition excellent. All obijime are new condition. 1 5/8" x 2 3/16" x 3/16" thick (4.3cm x 5.5cm x 0.7cm)

This is one half side of a pair that can be used as an accent piece (necklace, belt, etc). We added a decorative string, obijime (a tie for Japanese obi) to make this into a soft...

Description:

A Zitan brush-licker was in vibrant form.
By traditional designs on the patterns of the sea waves, this wood scholar dish was surrounded on the rim with scrolling water.
Purplish oxidation was happened to the surface when grayish deposition was found within the crevices.

Date: Qing Dynasty, 19th Century.

Length: 11.3cm.
Width: 8.5cm.
Height: 3.5cm.

A CUSTOM-MADE SILK BOX IS INCLUDED.

Rare large wooden disciple-monk, gilded and finely inlaid with small colored mirror pieces, good condition. Origin: Northern Thailand, 19th Century. Size: H. 42cm x W. 32cm x D. 34cm. PAIR AVAILABLE, to see other matching disciple please go to our item # 569861 (search box Home Page)

From our Southeast Asia Collection, a fine and large pair of ornamental bronze Burmese gongsmen, early 20th century, crisply cast depicting two gongsmen carrying a large circular gong known as a "maung" suspended beneath a pole. During Burma's Konbaung Dynasty (1752-1885), official announcements were made to the townspeople by a King's Representative accompanied by two gongsmen, who would customarily alert the town to their announcement by striking the maung. Later, in the subsequent era ...

From our Southeast Asia Collection, a fine and complete Burmese Kammavaca Manuscript, late 19th - early 20th century, containing all 16 leaves and the original teak wood covers.

Kammavaca manuscripts are a quintessentially Burmese artifact that reflect the general reverence afforded to the monastic system in that country. To Western eyes, they are usually just highly decorative ethnic handicrafts from an isolated and exotic culture. But to the Burmese, they are a rather important and quit...

Japanese gosho ningyo (doll) from the Noh play "Shojo". 11" tall on 1/4" wood stand. The box: 8 1/2" x 13 5/8" x 5 3/4" deep, Kiri(boxwood) stand: 5 5/8" 7 3/4" x 1 1/4"

Description:

A rock crystal carving was well depicted as a Guanyin holding a baby.
By characteristically dated features on the faces of the deity and the baby, the figures were well carved on the robes with affluent lines.
The benign facial expression of the Guanyin and the smiling face of the baby were well rendered by excellent traditional craftsmanship.
The rock crystal here was not in pure transparent look. But it was what we can only expect of a pie...

A Chinese very pale jade plaque and a belt hook mounted as a mirror. These high quality translucent 18 Century stones are superbly carved : the plaque with Buddhist symbols of the Canopy ( symbol of monarchs representing spiritual authority and shelter) , the Knot ( denoting longevity and eternity), the Vase (holding water of life and peace), the Lotus ( purity).The handle which originally had been a belt hook is beautifully carved with a chilong holding the lingzhi and confronting a dragon's h...

A set of old hanging ornaments for Buddhist temples or private settings. Decorated with gold leaves (genuine) over the lacquered wood and paper (small ornaments). The color of gold is soft, one or two strings are missing. The last photo shown here is Azabu Dai-Kannon in Chokoku-ji, Tokyo. Approx. length 15 inches long, Meiji period (1868-1912).

Yuan/Ming Longquan Celadon Ewer. Length approximately 9 cm (the tipspout to the handle) and height approximately 7.8 cm. An old repaired at the spout. Good condition.

A Beautiful Ode to Longevity by Watanabe Gashin, born 1944. Watanabe Gashin is a renowned calligrapher who has won many awards for his Japanese calligraphy. In this unique work, he spells out the joys of each decade, from the age of 60 to the age of 111. Frame: 36.5 x 18 inches, 93 x 46 cm; Calligraphy: 25 x 12 inches, 63.5 x 30.5 cm.

Cement mortar block print pencil-titled "Poem 71-82" (indicating production in 1971) by Maki Haku (1924-2000). Limited edition print numbered 40/202. Pencil-signed in the lower margin. The artist's square red seal is at the lower left corner of the image. This print features the highly embossed ideographs characteristic of Maki's work. The designs were created by inscribing on wet cement. Paper size: 12"V x 8 3/4"H (image size: 10 1/2"V x 7 1/4"H). Very good overall condition. The top back margi...

Description:

A bronze sitting Buddha was well cast by well rendered carving craftsmanship.
In very good metal material, the ancient bronze figure was coated with darken patina and reflected with retrospective sheen.
He was preserved in perfect condition only with some casting holes on the back.
He was well depicted in details and showed a grandeur look despite the small size.
An old collection wood box is accompanied.

Date: Tang Dynasty, 8th/9th century.

H...