Exquisite hand carved jewelry chest or ladies personal belongings-vanity chest with 6 drawers, teak wood with red patina and gilding, 19th/early 20th Century, Java, condition: good, as recently retouched including new gold leaf! Size: H. 37.5cm x W. 59cm x D.33cm. Rare item!

Rare Large Japanese Meiji Period Nashiji Makie Lacquer Jubako 5-Tiered Stack Box with Base/Stand. Fine Takamakie Gold and Cinnabar/brown/black Lacquer with some Raden/ Mother of Pearl inlay. Beautiful artistic Pine and Crane motif. Good condition overall, some minor mother of pearl inlays missing. The cover shows a restoration (see photograph # 6) and there are 2 inside hairlines not visible from the outside, due to age. Size H. 16" x W. 9.5" x D. 9.5" . Stand/Base: 11.5" x 11.5" x 3". Collector...

This is a genuine theater puppet kashira representing the character Osome. It is not a souvenir. As you can see it is quite clean, however there are three faint vertical cracks in the gofun covering, beside the nose and up the right cheek. The gofun is stable. She wears her hair in an immaculate coiffure held with one unpretentious comb and a ribbon of chirimen silk. Two silver ornaments accent the very simple and attractive figure. The head comes with the bamboo stand shown, as well as th...

Two round and one boomerang shape ancient glass beads. Two round ones are a pale sea green and the larger one aqua blue. Size: Small: 1.8cm. Middle: 2.8cm. Large: 3.8cm. Condition: Perfect.

Rare quality nobori Japanese banner for Boy’s day; beautiful hand-dyed work of the samurais on cotton. The nobori banners were originally used in the battlefields to shift the troops and to show the warriors the location of their generals. The designs on the banners were much simpler then and some were quite large. They must have had a scaring effect on the enemy when they saw so many flying banners in the sky approaching towards them.

When Ieyasu (Tokugawa) took a control an...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

Okutani Shuseki (1871-1936) was born in Osaka and lived in Kyoto for most of his life. His artistic lineage is among the very best. He, along with Yamamoto Shunkyo and others, studied under Mori Kansai, who was the pupil and adopted son-in-law of Mori Tetsuzan, who was one of Maruyama Okyo's best pupils. Like all painters of the Mori family school, Shuseki's nature paintings are remarkable for their unsentimental naturalism, showing his keen interest in the essence of nature. He won prizes...

19th Century hand carved wooden disciple praying, origin: Burma, both ears show some damage and left shoulder has a chip, otherwise very nice specimen with good patina. Size: H. 17cm x W. 6.5 cm x D. 7cm

Attractive Khmer Sandstone statue of Prajnaparamita (Goddess of transcendental wisdom), Bayon, 12/13th Century, condition: repaired below waist around flower area. Size: H. 29cm x W. 11cm x D. 7cm.

Mounted bronze torso of Buddha, 18th Century, Thailand, condition: good, size: H. 5cm x W. 5cm x D. 2cm

Mounted bronze torso of Buddha, 18th Century, Thailand, condition: good, size: H. 9cm x W. 9cm x D. 4cm

Attractive hand carved stylized wood with gilding, 19th Century, China. Mounted, condition: carving very good, base needs some fixing. Size: L. 20.5" x H. 10" x D. 3"

A rare 16th Century AVA Period Limestone Head of Buddha (Burma, 1287 - 1752) with sweeping eyebrows over downcast eyes, typical of Ava art-style, well modeled lips and elongated ears. Carved in high relief as most likely originally set against a back slab. Condition good, one small chip on tip of nose. This head has been nicely mounted on a black stand. Size: H. 20cm x W. 13cm x D. 12cm, excluding stand.

Attractive Burmese 18th Century AVA Stucco Head of Buddha with very gentle/serene expression, condition good, mounted on temporary base, size: H. 19cm x W. 15cm x D. 14cm. Rare collector's item!

An especially fine Meiji Period (1868 - 1912) Gilded and Red and Black Lacquered Butsudan (Japanese Buddhist Altar) with an endless variety of luxuriously designed details, hidden drawers within secret compartments behind hidden panels, marvelously rendered images and elaborately carved sculpture. All other butsudan pale in comparison with this rare, museum quality showcase piece. This piece would have taken the maker close to 2 years to complete. 65 x 44 x 27 inches (166 x 112 x 69 cm). Excelle...

In keeping with our tradition of bringing you Rare and Fine Japanese Antiques that you can't find elsewhere, we present this 19th Century Elm Wood Japanese Rice Mill, a striking conversation piece for any home or office. 51.5 x 70 x 29 inches (131 x 178 x 74 cm). Excellent Condition.