A large tsubo in gold and white slip by Miyashita Hideko enclosed in the original signed wooden box titled Haku-a Kaki Rin to Shite Yo. The title speaks of standing up alone, and the artist told me it was a piece she created when she came to terms with the grief of her husband passing away and had decided to make a fresh go of life. The form was influenced by ancient Chinese maternal sculptures, thus the forward, broad stance. An image of one of the sculptures can be seen on a ticket stub fro...

A rare and authentic neolithic vase with a series of progressive painting of squares ending with four squares on the last panel. Age: 3500-2200 BC. Size: H. 31cm. W. 25cm. Condition: Very good except for a small repair at the mouth of the vase. See photo eleven.

Antique Chinese ink stone in the form of a lotus leaf with a small crab. The underside is signed with calligraphy inscription. With a hard stone inlay hardwood storage box.

Dimensions: 8" x 9" x 1.75" H

This is a special piece of Meiji Era Cloisonne Art. The jar is covered with colorful butterflies flying against a very dark blue/black enamel background. The jar measures 4 1/4 tall by 3 5/8 inches wide. Condition is outstanding but not perfect due to a very tiny blemish. The blemish can be seen in the first image next to the flash reflection.

Framed Chinese 18th Century, mid- Qing dynasty Qianglong period kesi 5 claws dragon cushion cover. This rare, delicate red ground gold threads kesi cover is decorated with a 5 claws dragon surround by sea waves, clouds, auspicious symbols and pair of bats. Dimensions: 70 x 62 cm without frame, 95 x 85 cm with frame. Condition: no repair, threads loose at forehead of the dragon, a few wear overall in good condition as shown due to the age. Shipping from Taipei, Taiwan via EMS at actual cost. More...

A rare and beautifully built silver inlaid zitan wood tray with silver frame/base. The inlaid picture depicting four geese playing at a reed marsh. Late Qing Dynasty. Condition: Age cracks on wood; missing inlays. Please see photos for detail, additional photos will be provided upon request. Dimensions: 14-1/8"L X 10-1/4"W X 1-1/4"H.

A large and well potted porcelain brush washer with Guan type glaze (仿官釉). 18th century. The washer is in perfect antique condition. Diameter:11-3/8", height: 6-1/2".

On behalf of a Dutch collector

Here is another stunning chawan, a Nogime (hare's fur) Tenmoku tea bowl from the Jian Kilns - made in the Southern Song era (Chinese: 南宋; 1127–1279). Such tea bowls were one of the first tea bowls in Japan, which came together with the first tea from China.

Little refined iron bearing clay, with iron oxide, thrown into the typical tenmoku shape. The bowl was tilted a little in the sagger so the flat pool of glaze inside is a little til...

Height: 19.1 cm (7.8 in)
Width: 18.6 cm (7.5 in)

Fine Chinese Kangxi blue and white porcelain Children’s or Boys’ jar; shows children playing in a garden setting; minor scratches; very good condition; email for more pictures

This magnificent Oni Azami chawan is a perfect embodiment of the tradition of Japanese pottery by legendary master and modern avangarde artist Suzuki Goro, mint condition and enclosed in its original signed wood box and a hand painted cloth by the artist himself.

Oni means demon, in Japanese, and azami is the name of a famous flower in Japan (thistle in English) with an explosive charakter. Oni Azami.

Suzuki Goro surely needs no introduction. Suzuki is one of those once in...

Extremely rare dish decorated in blue white, china late 18th century for export to Japan. The design is of high quality and the cobalt blue is perfectly fired. Deep blue color. The quality of the design is far superior to what we usually see on Chinese export porcelains and equals that of some imperial pieces. The decoration of the marli is particularly complex. The presence of 2 Japanese Mon allows us to think that it is a Japanese order. Probably a service for a wedding? Excellent condition. ...

An antique Japanese Kanazawa Mizuya Tansu in two sections made of Keyaki (Zelkova) and Hinoki (Cypress) woods. Original Bengara Urushi lacquer finish and hand made bronze hardware including the stylized Mokko handles. Sliding doors all open to spacious storage areas with removable shelves as well as five organizing drawers.. A trick lift-up and out door hides an area for additional storage. Side ribs for visual design and additional strength.

Originally used in the kitchen of a Japane...

A delicate white flower blossoms on the pink surface of this exquisite vessel by Kiyomizu Rokubei V which comes wrapped in the original stamped cloth sack and enclosed in the original signed wooden box titled Taireiji Kabin. The vase is 22.5 cm (9 inches) tall and in excellent condition. Taireiji was the most important development by this innovative artist, and pieces are exceedingly rare.
Kiyomizu Rokubei V (Shimizu Kuritaro, 1875-1959) initially studied painting and decorating techniq...

Dripping with gold, this artist really takes things to the extreme, challenging and yet incorporating something of the idea of Wabi into his outlandish works. Here is an exceptional (and rare) large tsubo by Ichikawa Toru enclosed in the original signed wooden box. It features a surface of raised white bumps like ray or sharkskin. The form is rough, more a natural growth than some plotted design. Brilliant gold flows over the textured white. It is quite overpowering, and would become centra...

Antique Himalayan ritual dagger, phurba, carved of bone with skulls, makara and nagas. Phurba usually have three sides while this one is unusual in that it has two. The purpose of the phurba is it's ritual use to subdue the powers of evil and transform them into positive forces. The various elements of the phurba are symbolic - the lower part (or blade) represents "Method" and the handle represents "Wisdom". The bone material of this phurba is especially significant for it's power to drive ...

Japanese lacquer tray with a mountain stream and cranes in a raised landscape scene. This small/medium tray is about the best as they come in displaying many types of lacquer techniques including Maki-e, Hiramaki-e, and Takamaki-e with superb colors and fine gold nashiji work having shaped corners with concave edges. The cranes, pine trees, and mountains are all done in raised relief with the cranes showing incredible details. The stream flowing down from the top is rendered in several finely ...

A large exquisite vessel by Miura Chikusen III enclosed in the original signed wooden box titled Hakuji Chokoku Unryu-e Kabin (White Porcelain Vase Carved with Clouds and Dragons), the box signed by both Chikusen and the woodworker (Sashimono-shi) Hosai. It retains the original rosewood stand, presumably made by Hosai. The vase is 37 cm (14-1/2 inches) tall and in excellent condition. It dates from between 1921 and 1931.
Miura Chikusen I (1854-1915) was apprenticed from a young age und...

Height: 25.5 cm (10.3 in)
Width: 26.7 cm (10.8 in)
Weight: 4 kg

Fine Chinese pear-shaped vase; applied overall with a lustrous lavender-blue glaze embellished with a purple-reddish splash on the shoulder cascading down the body, the thick glaze stops just above the high foot ring to reveal the body beneath; fine crackle overall; minor scratches; email for more photographs