Serene Bronze Buddha subduing Mara, SHAN STATE Burma, 18/19th Century, very nice smooth patina, seated on a high-stepped throne, which tapers off towards the top and is a noteworthy characteristic of Shan artists, very good condition, no restorations, Size: H. 15.5 cm x W. 7.5 cm x D, 5 cm.

Modern Hagi Chawan By Miwa Kyusetsu X (Kyuwa) (1885-1981)

The rough white Hagi clay with fairly big enclosures is expertly thrown into half cylinder shape (hanzutsu); The light feldspatic hagi glaze turning to yellow beige; inside the foot ring stamped Kyusetsu.

Many of Miwa's chawan have a split cross footring called a warekodai that was favored by busho chajin (warrior tea men); it traces its origins to Korean chawan. This chawan has a rare warekodai with only one spli...

This is the kimono which the child of a rich merchant's family wore for Edo period. This is dyed in local Yuzen dyer. Basics are dyed by 80% in Tsutsugaki, and be colored in a freehand drawing successively, and this is added. The Yuzen dyeing is very rare with the kimono for children. As for this, hemp yarn spun by hand is used. As for this, the part on both sleeves is sewed. It is because the balance of the pictorial representation of this child kimono was thought about. This has several places...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces. Due to her rumored great beauty, she soon married but after the death of her husband in 1823, ...

Rare 58 page accordion album of Japanese chirimen-e (creped) woodblock prints by Toyohara Kunichika (1835-1900) dating from the 1860s (late Edo/early Meiji). Included are two triptychs and one oban print by Kunisada (signed Toyokuni III). The album consists of seven triptychs, one two-panel composition, and 35 oban images, for a total of 43 individual prints. Included are prints from the following series: "Famous Places of Edo," "Twenty-four Likenesses of Actors," "Contest of Riddles with Thi...

Large Japanese limited edition lithograph with hand-applied paint and red sumi-e brush stroke by Toko Shinoda (b. 1913) titled “Through the Ages.” This early undated image is pencil-signed, titled, and numbered 32/35 at the lower left. Paper: 35 5/8”V x 24 7/8”H (image: 22 x 32 ¾). Excellent condition (never framed). This print is from a Phoenix, Arizona estate.

A Chinese silver gilt box set with two fine jade rings and decorated with semi precious stones and enamel details. The jades are of very pale hue and translucent whilst the gilt is in very good condition. Stamped " silver" to the base. Age: late Qing to early Republican period. Size: ten cm. high X 8 cm diameter. condition: very good, no restoration, no breaks.

A very Fine Korean Peony Incised Celadon Cup-Stand-12th C.: Korea, Koryo dynasty, 12th century. Finely potted cup stand with flaring saucer is on raised ring foot, decorated with four large single delicately incised peony and are each other around the saucer bordered by bands of key-fret patterns beneath a rich translucent celadon glaze evenly whole body, three spur marks. It’s in very good condition without any damages at all, and measures 13.5cm d. x 5.2cm h.

A Chinese white jade carving depicting a boy playing on a "money tree on a mountain, and above a Lingzhi fungus. Late Qing Dynasty to early Republican period. Condition: Extensive brown inclusions, age cracks, small chips, please see photos for condition details. High with hardwood base: 6-7/8", without base: 5-1/2".

Japanese Silver Teapot with gemstone green agate mounted on lid's finial Description & size: 16.5 cm height x 15 cm length x 12 cm wide (6.25 in x 6 in x 4.75 in) Weight: 457 grams Production: A beautiful Handcrafted & forged silver grayish tone patina made teapot with a green agate gemstone mounted on top of lid's finial. Signed & stamped

Japanese Silver Teapot with greyish tone patina Description & size: 17 cm height x 16 cm length x 13 cm wide (6.6 in x 6.25 in x 5.2 in) Weight: 471 grams Production: A beautiful Handcrafted and forged with a greyish tone patina in hand hammered & eleongated patterns. Stamped with Jungin 'pure silver' mark.

An incredibly large vase showing a blend of art-nouveau and traditional design motifs by Miyanaga Tozan I enclosed in the original signed wooden box. It is 46 cm (18-1/4 inches) tall and in excellent condition. This is perhaps one of the great examples of this artists work, blending elements of traditional Chinese, Japanese and European concepts into one breathtaking work.
Due to size the cost of shipping will be accrued separately
Miyanaga Tozan I enclosed in the original signed ...

Four wonderfully executed oval Indian paintings of Mughal rulers in gouache and gold on paper. Framed behind glass in a gilt wooden frame, in France in the 19th century. The passe-partout with handwritten titles as: "Shah Ichan" (Jahan?), "Shah Alum" (Alam), "Azime Shah" and "Miran Shah". Reverses with the label of the framer. Condition: the frames with traces of usage and age and small losses, one frame damaged. Dimension: portraits: c. 9.5 x 7.5 cm, frames: 24 x 20 cm.

A finely carved boxwood image of a standing Luohan (Arhat), one of Buddha’s disciples. The figure is shown turned slight to one side while holding a wish-fulfilling scepter (ruyi) in the crook of his right arm. The carving is coated in a deep, transparent reddish lacquer. Qing, 18th cent. H 18.5 cm. With fitted, old Japanese storage box. Condition: Excellent with only one minor age crack caused by the drying wood.

Large vintage Chinese ink and color on paper painting depicting a mountain village in the mist by Wu Gu-hung signed and dated 1974 in black ink with the artist's red seal above. Custom framed with Plexiglas and a pale gray silk-wrapped mat in a deep hand-silvered wood moulding. Framed size: 33" x 50." This painting is from the former collection of an elderly American expatriate to Asia in the 1970s and his Taiwanese wife. They purchased the painting in the 1970s at an exhibition of the artis...

This is very rare tasutasugaki noren at the end of shogunate of Edo period(1860-1868). Design of freehand paste resist dyeing with kyara (fragrant wood) oil shop. It began to sell kyara oil in the Edo style period and Kyoto. bintuke abura(oil put up to hair)¡ The sumo wrestling taking uses it in modern days. This handsome tsutsugaki doorway hanging freehnd paste resist dyeing with cros¡. It consists of the indigo dye of the hemp spun by the hand. The indigo dye is indigo of nature...

Ink and polychromy on silk. Charming kakemono of a musician on horseback holding her samisen. A child holds out a side of her richly decorated kimono. Courtesans seem to relax. One with a fan has lost her sandal (zori) while the other 2 are preparing to enjoy a tea. A poem at the top of the painting describes the scene. It is signed by 2 stamps which can attribute this painting to Kitagawa Fujimaro (1760-1850). Dimensions of the painting: H112 x W45.5cm.

Small cast bronze vase. Creature mask decoration in relief, probably a tiger. The metal is very thick and this small vase is very heavy. Although very simple, it is venerable and powerful. It is very old for several centuries. The patina of the bronze is sublime. Certainly a Chinese work. I don't think it's from the Ming period, the drawing is too simple. It could be Song or before... Only a specialist could determine a precise dating. Very nice respectable object. Height: 123mm. Good conditio...