Ash blasted and bursting with inclusions, this chawan comes with everything you could want from a perfect Shigaraki bowl.  It dates from the late Edo Period (1603-1868). Over a terracotta clay burnt ash gray a smattering of pale flying ash provides the backdrop for molten drips of foggy green and orange shizen yu glaze.  The shape conforms beautifully to the palm, showing the master skill of this important chawan.

It comes with an old wooden box with appraisal, a silk pouch (shif...

Vintage Japanese hibachi (brazier) made of beautiful Keyaki (elm) wood, with built in stand. The front features three long drawers with incised metal pulls. The interior is copper lined with natural patina.

Showa Period c1980

Dimensions: 33.75" L x 22" D x 19" H

Antique Japanese zenibako, or money box, made of heavy Keyaki (elm) wood. The piece uses a funnel top lid for collecting temple offerings, secured with a very large iron front lock. Original condition. With mortis and tenon joinery.

Meiji Period (1868-1912)

Dimensions: 10.75" W x 17" D x 12.5" H

A pottery box decorated in over-glaze enamels and precious metals by Kato Reikichi enclosed in the original signed wooden box titled Sengiri Jikiro.　It is a colorful and playful work a pleasure to look upon. It is 9-1/2 x 5-1/2 x 8 inches (24 x 14 x 20 cm) and is in excellent condition.
Kato Reikichi was born in 1953 the 22nd generation of an unbroken line of potters spanning back to the Keicho era in the Momoyama period. He graduated the art department of Tamagawa University and has s...

“I am here” she whispers as the bespectacled gentleman pours the last drops from his bottle and says “I am going home”…a lithograph by Kei Hiraga numbered 50/120 and signed Key Hiraga ’88 with the artist’s seal in red. The paper sheet, matted and framed, measures 50.5 x 42 cm (20 x 16-1/2 inches) and is in excellent condition. This is an superb example of his work, showing both his eros and playful nature in the abstracted figuration for which he is most remembered. Included is ...

Large and heavily potted porcelain body, decorated in an nice pale cobalt blue in Shunzui style and with medallions showing flying birds and wild gees, birds sitting on branches, sailboats and Fujiyama mountain. Japan, nineteenth century. Diameter: 42 cm. H : 33 cm. Condition: Broken at one area to the rim. This broken area would be absolutely suitable to ennoble the piece with a most beautiful Kintsugi repair ( Gold lacquer repair, please see the images ).

Chinese Qing dynasty "GE" type bowl, 18 cm diameter. Free from any repaired.

Burmese bronze Buddha sitting on a base, with very nice patina.

Age: Burma, Shan Period, 16th Century
Measurement: Height 15.6 C.M. / Width 9 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Burmese bronze Buddha sitting on a base, with very nice patina.

Age: Burma, Shan Period, 16th Century
Measurement: Height 13 C.M. / Width 7.6 C.M.
Condition: Nice condition overall (some expected degradation due to its age). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

A beautiful example of Oni Shino by world famous Tsukigata Nahiko enclosed in a wooden box signed by his student Ayukai Kogetsu. Wild glazing and a shinshoku fissure filled with glaze on one side define the work, showing reason for this artists great demand. Signed on the base it is 10 inches (25 cm) tall and in excellent condition.
Tsukigata Nahiko (1923-2006) was not only an accomplished ceramic artist, but also a painter, calligrapher, sculptor and musician. Born in Niigata prefecture, ...

Made of painted wood, depicting husband and wife, seated on a chair. Most probably from the Hunan Province. The lady still has a small parcel with offerings in her back. We opened it up and found a seahorse, pieces of stone and mica and other materials. H. 27 and 29,5 cm. Condition: heavily eaten by woodworms, which adds to the charme. The figures were treated by the former owner and are perfectly clean.

A pair of unusual late 19th Century relief moulded cylindrical shaped hat stands painted with panels depicting gentlemen with attendants in a garden landscape, the borders are decorated with Buddhistic precious objects and flower sprays reserved against a yellow ground. On the base is the four character iron red seal mark of the Guangxu emperor (1875-1908). These are probably Nyonya wares, made for export to the Malaysian "Straits Chinese" community . Condition - good - there are small rim chips...

A trumpeting form decorated with bamboo adorned with a single cicada by Matsumoto Sahei (Sabin) enclosed in a wooden box annotated by the current head of the family Matsumoto Sakio. It is 31 cm (12 inches ) tall and in excellent condition.
Matsumoto Sahei (1851－1918)　was born into the family of Matsuya Kikusaburo, a first generation Kutani porcelain artist. He studied under both his father and Tokuda Kansho, mastering Aka-e, Ao-kutani and other decorating styles of the era and realiz...

Korean metal oval shaped box, with copper lining and base. The top of the lid is incised with a mask and auspicious inscriptions, and its underside lined in dark stone or clay.

Dimensions: 2 1/2" x 3 1/4"

Japanese pair of hardwood pulleys, carved out of Keyaki (elm) wood with hand-forged iron hooks and hardware. Two wooden wheels on the inside are built to support a rope. Each pulley is branded with a signature on both sides.

Meiji Period (1868-1912)

Dimensions: 7" x 14" (each)

Japanese framed print depicting a noh mask of a young woman, in monochrome colors. Artist signature in pencil Kimora Kosuke (b. 1936), 28/66 titled "Noh Mask Black. With an attractive black and silver frame.

Kosuke was born 1936 in Osaka, and graduated from Kyoto City University of Arts in 1956. His works have been featured in the collections of The Museum of Modern Art, New York, San Francisco Museum of Modern Art, The National Museum of Modern Art, Tokyo, and others.