An ornate tubular skirt, worn by wealthy women in Lampung, Sumatra. Woven in one piece, the striped cotton fabric decorated with couched gold-wrapped thread work and few sequins. Condition: fine, probably missing sequins. Dimension: 116 cm x 60 cm (double).

A framed Indonesian sarong, a long cloth worn as a wrap skirt, hand-woven with bands of intricate scrolls and medallion repeats. Made of warp ikat, with natural dyes of blues and browns. Originating from Flores Island.

Early 20th century

Dimensions: 60" x 51"

A framed Indonesian sarong, a long cloth worn as a wrap skirt, finely hand-woven with bands of geometric figures and repeating patterns. Made of warp ikat, with natural dyes of blue, rust, and brown. From the eastern outlier of Lembata Island.

20th century

Dimensions: 41" x 79"

A framed Indonesian tapis, a woman's ceremonial skirt hand-woven with striped and scrolling motifs. Warp ikat, supplementary weft weave, and embroidery with silk thread, gold thread, and mica chip composition.

Late 19th / Early 20th century

Dimensions: 48" x 47 1/2"

Rare Javanese hand fan, made circa 1890 - 1905. The fan portion is a made of water buffalo hide that has been very ornately pierced, painted, and gold gilt. The delicate looking frame is made from water buffalo horn, which has been finely carved and curved. There are no condition issues save for a loose thread or two that can be clipped or reattached. Measures 10.25" by 9" across.

Rare woman’s skirt (pukhang) from the Kachin/Jingpo ethnic group, Northeast Burma. This is two panels with supplementary weft trim on the ends made of dog hair. Mostly natural dye and indigo. It is quite a durable weave with denim like feel. There is some staining, one small hole as well as a bit of dye bleeding. I could only find examples this in “Textiles of the Hill Tribes of Burma”: Michael C. Howard (plate 107) and the Metropolitan Museum of Art: Accession Number: 2002.312...

A Pwo Karen woman's tunic completely embroidered with lozenge-shaped and zigzag pattern, accentuated with Job's tears seeds. Condition: few loose threads, clean. Dimension: c. 65 x 53 cm. Please refer to "Peoples of the Golden Triangle: Six Tribes in Thailand" by Paul and Elaine Lewis, pages 76 - 81. Provenance: Private Swiss Collection.

A Pwo Karen woman's tunic embroidered with lozenge-shaped and zigzag pattern, accentuated with Job's tears seeds. Condition: few loose threads and two lost seeds, clean. Dimension: c. 64 x 63 cm. Please refer to "Peoples of the Golden Triangle: Six Tribes in Thailand" by Paul and Elaine Lewis, pages 76 - 81. Provenance: Private Swiss Collection.

A Sgaw Karen woman's tunic embroidered with yellow, red and white yarn, accentuated with Job's tears seeds. Condition: few loose threads, clean. Dimension: c. 62.5 x 68 cm. Please refer to "Peoples of the Golden Triangle: Six Tribes in Thailand" by Paul and Elaine Lewis, pages 76 - 81. Provenance: Private Swiss Collection.

A Pwo Karen woven unmarried woman's attire with embroidered diamond-shaped pattern . Condition: partially little stained. Dimension: c. 132 x 59 cm. Please refer to "Peoples of the Golden Triangle: Six Tribes in Thailand" by Paul and Elaine Lewis, pages 74 - 75. Provenance: Private Swiss Collection.

Ikat sarong from the upland Karen (Pwo or Sgaw) ethnic group in Northern Thailand. This is woven from all handspun cotton thread and natural dyes. Acquired in the 1980s, it has never been used and as such may be described as being in pristine original condtion. The cloth coming these people nowadays, are nowhere near this quality. W: 87cm/34in and L: 152cm/61in.

Woman’s breast cloth from the Chin or Rakhine States, Myanmar- from the Khumi, Khami or Mro- Chin subgroup. Good condition- there is one tiny pin hole and a couple of stains. Circa 1950. L: 70cm/27.5in and W: 34cm/13.2in.

Old Chin skirt, circa 1950, from the Khumi subgroup in Burma. The design is called “amtosa” although deceptively simple is really extremely complex; please note in enlargements that the reverse side of this textile does not show any of the pattern on the front. This is made on a backstrap loom of very fine homespun cotton with a beaded open work border along the selvedge. Three small repaired holes. L: 1.8m/6ft and W: 40.5cm/16in.

Large textile from Laos with a “void” silhouette deer pattern . The colored threads are silk, while the field and border are all handspun cotton, the border may be some sort of bast fiber as it is quite coarse. This piece is approximately 30 to 40 year old- I picked up it up in 2000, Vientiane, Laos. The border and backing has some staining but the embroidered panel is clean...

Good silk textile with tiger embroidery- all the threads are silk except the black. This was acquired in 1991 and has been sitting in a box ever since then. W: 69cm/27in x L: 149cm/58.5in

Large Oushak Turkish hand knotted angora wool carpet with lovely color and deep luxurious pile, made with rich color vegetable died palette of rust gold reds and various blues with charcoal and apple greens.

Size: 14.4' x 15.9'

Age: circa 1920s

350.00 Wearable, rare Northern Chin, woman’s, ceremonial, embroidered skirt circa 50 to 80 years old, Chin State, Burma. All hand woven in two panels with a silk warp and cotton weft, and natural dye. There is some minor fading in a few places (doesn't look in real life as the photos indicate) but the condition and quality of the cloth is outstanding...

Beautiful old classic Lao shoulder clothe, all natural dyes with hand spun silk threads. I picked this up on my first trip to Laos in the mid 1990s, at the Talat Sao Market, Vientiane and would date this to the 1970/80s. The fabric is incredibly soft and supple and may be worn (it is amazingly warm) as a scarf or hung as wall art. It has a few loose threads on the selvedge but otherwise in excellent condition with no holes or tears. W: 38cm/15in and L: 243cm/8ft...