Height: 7 cm (2.8 in)
Width: 7 cm (2.8 in)
Depth: 2.2 cm (0.9 in)

Japanese metal (iron or bronze) inro with silver inlay; two section; lid modelled as a wolf; perfect condition

Length: 4.5 cm (1.7 in)
Height: 3.4 cm (1.4 in)
Depth: 1.6 cm (0.7 in)

Japanese seal converted to a netsuke; finely carved Foo Dog in natural material; this looks to have been converted very early; fine honey-coloured patina; good condition

Width: 5.5 cm (2.2 in)
Height: 5.5 cm (2.2 in)
Weight: 205 gm

Japanese Komai box; decorated with chrysanthemums and other florals; gilt interior; Fuji mark on the base; good condition

Aka Raku Chawan named "Hanshan" made by Matsuo Fushunsai (1792-1830) who was the 5th generation head of Matsuo-Ryu Tea Ceremony School in Higashi-ku , Nagoya.
The box is signed by Matsuo 6th generation Iemoto Gyosai (1820-1856).

The rim is gently undulated moving to the plump body...

Height: 31 cm (12.3 in)
Width: 14.5 cm (5.8 in)

Large Japanese Satsuma vase; heavily raised gilt decoration featuring two main panels, one showing a group of men and women in a lakeside setting, the other showing samurai in confrontation; the shoulders and neck feature fine diaper-work and paulownia leaves bordered by two dragon handles; the base rim also shows intricate diaper-work; signed to the base, Hododa; good condition

Takiguchi Kiheiji (b. 1937) Momoyama Style Aka Oribe Chawan.
Of irregular Kutsugata shape with unglazed foot ring.
The mark of the potter is carved on the bottom.

Takiguchi Kiheiji
Trained under the master of Mino ware Juemon Kato and became independent in 1965.
Also, after studying at Shinroku Tsuji pottery studio in Kyoto, he built a kiln in Ogaya, Mino. Moved to the U.S...

Magnificent and rare Ken Fujiwara Bizen Chawan

Size
Width 12.5cm
Height 8.5cm


Condition
Excellent
Supplied with signed wooden box

Fujiwara Ken (1924-1977) holds a significant position among the distinguished artists of Bizen ware, despite his relatively short career. His creations have garnered substantial attention and remain highly sought after by collectors...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan...

A very unusual basket made of pine cones bound together on edge enclosed in the original wooden box dated New Years of Showa Six (1931) titled Chiyo no Matsukasa (Cones of the Ancient Pine). The basket is 20 cm (8 inches) diameter, 33.5 cm (13-1/4 inches) tall and comes with the original bamboo insert. It is in overall fine condition. I have never seen another like it.

This is a fine old Japanese Porcelain vase from a rare Artist. The vase is very heavy and it stands 12 inches tall. The vase is decorated in underglaze blues and reds much like some of the Makuzu Kozan Pieces. There is an unknown impressed signature on the bottom. Maybe someone in Japan will recognize the signature of this fine studio artist. The vase was once a lamp and the hole has been nicely restored.

Here we offer another Japanese tea kettle from our collection. It is a cast iron relief tetsubin from the late Edo Period. It is signed by the unknown artist. It has a tasteful design.

Inside is some rust but no water leak. Great atmosphere. A real antique tetsubin.

Size: 8,9'' height x 7'' width, 1,74kg.

Shipping included

This is a very refined studio vase from the Meiji era. The subtle colors and detail are truly beautiful. It is signed by one of the Japanese porcelain masters, Nishiura Enji. The work on Mt Fuji is raised relief and give off a three dimensional look. The shape is elegant and the changing colors are vry elusive. The vase stands just over 6 inches tall and is in excellent condition.

This striking chawan is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

An armorer's iron tsuba, possibly for a wakizashi as it is somewhat diminuitive in size. Or perhaps more in keeping with its apparent age, an early example of a proportionately small tsuba used with an uchigatana as was first the fashion. Sukashi decoration of a conch (horagai) traditionally used for ritual practices and for signaling on the battlefield...

A superb bronze Japanese shishi with one paw on a pierced ball. Signed on bottom of statue. Includes wooden stand. Two holes were drilled on bottom of the fu dog to secure it to stand, see photos. Measures 4.25 inches high including stand. Bronze lion is 3.5" high. Stand is 3.5" square. Dates Meiji Era

A set of early wood panels, once doors on a votive shrine, painted with guardian shishi lions (Also called Fu-dogs) in polychrome colors, much worn with time. The doors are of clear grained hinoki (Japanese cypress) and have shrunk horizontally over the centuries, evidenced by the ari (wooden support) which is inset into them. On back one can see clearly the silhouette of the original metal-work...

One of the most attractive chawan by Ohi Chozaemon VIII (Choraku) (1902-1991) I have seen. It was made around 30 years ago in the style of Raku.

The Chozaemon family of potters has been associated with the world of the Japanese tea ceremony since the 17th century.

The Chozaemon lineage started with Hodoan (1631-1712), apprentice to the fourth heir of the Raku family of potters...

A rock textured Kurinuki tokkuri compliments this guinomi selected to match by Inayoshi Osamu enclosed in the original signed wooden box. The Tokkuri is 5 inches (12 cm) tall, the Guinomi 2-3/4 inches (7 cm) diameter and both are in perfect condition, enclosed in the original wooden box from the artist this summer.
Inayoshi Osamu was born in Aichi prefecture, the heart of Mino country, in 1976...