This is a finely hand carved, 19th Century Kurokaki Wood Netsuke depicting Tenaga "Long Arms" being carried on the back of Ashinaga "Long Legs"...

A framed etching and aquatint print by Tanaka Ryohei. Scene of a thatched rooftop with a large flock of birds flying and trees branching out from behind the house. Signed in pencil and numbered 19/120. Dated 1994.

Framed: 22.75" high x 26.25" wide

Size of artwork: 13.5" high x 17" wide

Appearing to capture an ocean inside a tea bowl, this particular work has been given the very fitting poetic name “Nami” or wave. Masterfully crafted by veteran potter Hideo Torazawa, the inside is painted with a special glaze known as heki-yu—prized for its pure aquamarine character with accents of sapphire and azure depending on the light...

Cyrus leRoy Baldridge (1889-1977)
Peking, 1925
Edition: Numbered 83
Publisher: Watanabe Shozaburo. 6mm seal.
Size: Oban. Approximately 15.25 x 10.5 inches.
Signed in pencil: "C. LeRoy Baldridge".
Medium: Japanese woodblock print.
Condition: Excellent.

Tsuchiya Koitsu
Nezu Shrine.
Date: 1934.
Size: Oban. Approximately 15.5 x 10.50 inches.
Publisher: Doi Hangaten. Doi watermark present at upper left corner.
Carver: Harada. Printer: Yokoi. This seal combination indicates an early post-war edition.
Reference: Koitsu catalogue no. TK-DH-16.
Medium: Japanese woodblock print.
Condition: Excellent. We've removed the print from its original folder.

19th century finely hand-carved Japanese boxwood netsuke depicting Three Monkeys that are squatting on top of Daikoku's Hammer. Very fine detail and harmonius form characterizes this superb miniature carving. Signed Koryu on an irregular red tablet inlaid of the barrel-like mallet. It measures 1.15 inches (2.9cm) wide, 1.94 inches (4.9cm) long, and 1.20 inches (3.1cm) tall...

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired my first tea bowl by this artist it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “Oni” Hagi which utilizes a rough textured clay and a milky translucent glaze...

Ohno Bakufu
Spiny Lobster
Great Japanese Fish Picture Collection (Dai Nihon gyorui gashu), Volume 1
Date: 1937-38.
Size: Approximately 15.5 x 11 inches.
Artist's signature and seal upper left.
Publisher: Nishinomiya Shoin
Publisher carver, and printer seals lower left.
Medium: Japanese woodblock print.
Condition: Matte line near image edge. A few faint foxing spots.

Cyrus leRoy Baldridge (1889-1977)
Coal Hill, Peking, 1925
Publisher: Watanabe Shozaburo.
Size: Oban. Approximately 15.25 x 10.5 inches.
Signed and dated by the artist.
Edition: "X49" noted at lower left corner.
Medium: Japanese woodblock print.
Condition: Excellent color. Fugitive green and mauve on rooftops are preserved. Tone line in margin. Reinforced margins.

Early edition Japanese Edo period woodblock print titled “Snowfall at Shimasaku in Iki Province." The image is No. 68 from the series “Views of Famous Places in the Sixty-odd Provinces” by Utagawa Hiroshige (1797-1858) dated 1856. Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Koshimuraya Heisuke is at the lower right. This is one of Hiroshige's most sought-after snow scenes with a bokashi cloud in the sky...

Japanese satsuma Earthenware Vase, signed "Kinzan" on the bottom in gold in the black background, Ca. Meiji period, 1880's, 6 1/4" high, 3 1/8" wide-widest part, with brilliant gold accent on finely overglaze hand painted figures under the Pink Flowering trees around the entire vase. Gold diaper design in black on the neck and repeated wide leaf pattern border in overglaze enamel on the bottom, signed "Kinzan" in gold on the bottom. The condition is good.

Stunning tall pair of Japanese rabbits with a rich bronze patina over metal. Very heavy, they have the weight of solid bronze and the underlying metal may possibly be white bronze. A terrific decorator item, they are in very good condition with only minor abrasions underneath. Standing rabbit measures 9.75 inches high and 9" long. Reclining rabbit measures 9.5" at ear tip and 11" long. Dates 2nd half 20th C

Japanese sosaku hanga woodblock print titled “Shop Girl” by Kiyoshi Saito (1907-1997) dated 1960. Signed in black ink at the lower right. Paper size: 15 1/4" x 10 1/2" (image: 15 1/8" x 10 1/4). Very good overall condition and color. Trimmed margins. A color illustration of this print can be found on page 111, plate 338, of the 2003 catalogue produced by the Kiyoshi Saito Museum of Art, Yanaizu.

An antique Japanese Ko-Giri Tansu from the Taisho period. Made of all-kiri wood with two round locks, "c" shaped handles, original copper hardware.

Date: Taisho Period (1912-1926)

Dimensions: 16' tall X 23.5" wide X 12" deep

Paul Binnie
Snow at Asakusa (Shitamachi Snow, Moon, and Flower) Date: 1998
Size: Oban. Approximately 16.5 x 11.5 inches.
Edition no.: 36/100
Medium: Japanese woodblock print.
Condition: Excellent. Circle in lower foreground is fiber within the paper.

Katsuhara Shinya (Tatsuhara Inuki) (1951-2015)
A woman with mirror in art deco style
Size: 16.25 x 7.25 inches.
Medium: Japanese woodblock print.
Date ca.: Late 20th century, pre-1995.
Edition: 72/200 numbered in pencil on back.
Signed "Shinya" in the image and sealed.
Enlargement 2 shows the upper part of the print in which the black background features a checkerboard pattern that only becomes visible in side light.
Condition: Excellent.

Ohara Koson
Wading Egret With Reeds
Size: Shikishiban. Approximately 11.25 x 10.5 inches.
Date: 1930s.
Koson signature and seal at lower right.
Publisher: Daikokuya (Matsuki Heikichi). This edition published by Kawaguchi.
Reference: AK14.15 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
"Made in Japan" and "No. 25" stamped on verso.
Condition: Excellent with faint dot of foxing on bird's back...

This is a finely hand-carved netsuke in Kurogaki (Black Persimmon) wood of a large Seated Hotei with a wide Smile, by an unknown artist from the Iwami Province, carved sometime during the late 18th and early 19th centuries. The carving exhibits similar material and carving characteristics of the region...