Arai Yoshimune
The Imperial Palace, Tokyo (penciled title, "Old Tokyo")
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.1 cm)
Not signed (acquired with our artist-sealed Yoshimune053).
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned.

Arai Yoshimune
The Temples in Shiba Park (penciled title, "Shinto Shrine)
Date: ca. 1910s-38.
Size: Approximately 5.5 x 3.5 inches (14 x 9.2 cm)
Artist's Yoshimune seal at lower left.
Publisher: Hasegawa Takejiro.
Medium: Japanese woodblock print attached along its top edge only to an unused holiday card.
Condition: Print is excellent. Card is toned and has lower left corner bend.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

Arai Yoshimune
Fishing Village Under Snow
Date: ca. 1910.
Size: Chuban. Approximately 23.5 cm X 15.8 cm. 9.25 x 6.25 inches.
Artist's signature and seal at lower left.
Publisher: Matsumoto (No. 376).
Condition: Excellent. Light waviness in paper where the original publisher's tag is applied to the back.

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Arai Yoshimune
Sailing Boats at Anchor Under the Moon
Date: ca. 1910.
Size: Approximately 25.8 x 12.5 cm. 10.125 x 5.875 inches.
Artist's Yoshimune seal at lower left.
Publisher: Matsumoto. Catalog No. 385 tag on back.
Medium: Japanese woodblock print.
Condition: Small white surface marks in sky. Verso has a couple of faint foxing marks near top. Margin mark.
Compare with our Yoshimune036 "Sailing Boats and Moon (1)."

Arai Yoshimune
View of Miyajima
Date: ca. 1910.
Size: Chuban. Approximately 23.2 cm 16.2 cm. 9.125 x 6.375 inches.
Artist's signature and seal at lower right.
Publisher: Matsumoto (No. 377).
Condition: Excellent. Very slight crease near top margin.

Shizuo Ashikaga
Sparrow on Bamboo
Date: 1950s.
Size: Koban. Approximately 7.75 x 5.25 inches.
Bears the artist's seal.
Medium: Japanese woodblock print.
Condition: Excellent. Smudge in margin.

A Very Fine Haku Maki (1924-2000) Japanese Woodblock Print with Persimmon This print is a striking reddish orange persimmon with leaves tipped with a special Japanese lacquerand the thin and thick contrasted dark back ground. Title: 81-10, Persimmon, Signed Haku Maki, sealed Haku Maki in red seal Edition: 86/190 on the bottom margin. It’s in very good condition with full margins and a frame without any lay down with glue.( it just has been made a frame with a cardboard back with a ...

Title: Rainbow hair. Silkscreen print. Year: 1973 Edition no 49 / 200 Picture size: L 56 x 38 cm; Frame size: 65 x 50 cm. Very good condition, fresh and vibrant colours! ***** Ay-O (b. 1931) is the artist name of Takao Iijima, born 1931 in in Ibaraki prefecture Ay-O has become famous in and outside of Japan as "Rainbow Man" for his serigraphs and etchings in strong rainbow colors, used in all kinds of shapes and with an abundance of creative imagery - sometimes with a subtle humour...

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Bertha Boynton Lum (1869-1954)
Junks Wei-Hai-Wei
Date: 1922
Size: 9.5 x 4.5 inches.
Pencil signed and copyrighted 1923 by the artist.
Edition: "44" noted at lower right.
Reference: Gravalos/Pulin No. 63.
Medium: Japanese woodblock print.
Condition: Toned paper areas primarily in margin.

Biho Takahashi (Yoshikuni) (1873-)
Bee and Pink Hollyhock
Date: 1900-1910.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Chipped corner and light creasing.

Biho Takahashi (Yoshikuni) (1873-)
Butterflies and Blooming Mustard
Date: 1900-1910.
Size: Shikishiban. Approximately 9.75 x 9.5 inches.
Signed and sealed by the artist.
Medium: Japanese woodblock print.
Condition: Left and right edges bumped and slightly toned.

Rare "Buddha Asuka (B)" woodblock print by Kiyoshi Saito, 1955, number 40 of only 50 printed, signed in white ink and sealed in red ink both on the image area. Signed and sealed printed label "self-carved self printed" also included (attached to paper backing removed to inspect condition.)

We were not able to find a recent auction record for this image with data available...

TITLE: Carl Schraubstadter and Japanese Prints: The Robert Louis Mueller Family Collection EDITORS: Claudia Brown and Laurie Petrie Rogers 8 1/4" x 10", 60 pages, 35 color plates, Hergerger College of the Arts, Arizona State University, 2007 ESSAYS: "The World of Carl Schraubstadter: Collector of Japanese Prints," "The Elegant Craft of Japanese Woodblock Prints, "Social and Historical Foundations of Ukiyo-e," "The Art of Kabuki," "The Katsukawa School of Print Design," "Hiroshige: Life and Ar...

Charles W. Bartlett
Ushibuse (aka. Sleeping Buddah)
Date: 1916
Size: Oban. approximately 14.75 x 9.75.
Signed in red by Bartlett. Monogrammed and well-sealed.
Very good condition. On the verso, so thinning of paper in sky and top and bottom margin. A few small light brown spots.