Antique Japanese book of 24 delightful woodblock prints, all with beautiful ladies in kimonos in various court scenes. The book can be read front or backwards and is covered by woven blue fabric with orange flowers. Most likely a gallery collection from the meiji period. Size : 9.5" x 7" x 1"

Two prints placed under glass, representing two young women, one feeding her little pet, a rat and the other practicing Ikebana, composing a bouquet of irises which will be presented in the vase placed next to her. The hairstyle is typical of women drawn by Suzuki Harunobu, but also by other artists of this period. As it would seem that the Chinese characters simply describe the scenes represented and not the name of the artist, only specialists will be able to know who it is...

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Japanese framed print depicting a noh mask of a young woman, in monochrome colors. Attributed to artist Kimora Kosuke (b. 1936), title "Noh Mask Red". With an attractive black and silver frame.

Kosuke was born 1936 in Osaka, and graduated from Kyoto City University of Arts in 1956. His works have been featured in the collections of The Museum of Modern Art, New York, San Francisco Museum of Modern Art, The National Museum of Modern Art, Tokyo, and others...

This is a beautiful and rare original antique Japanese Polychrome Woodblock Print "Itsutomi" Ukiyo-e by Utagawa Toyokumi dated 1793 or 1795, Edo Period, depicting a beautifully dressed and elegant Lady with her Shamisen instrument on the floor. Calligraphy markings/seal. Overall in very good condition with very small inconsequential tear on the outside (right frame, see photo). Size: 15.5" x 10.25" (39.5 cm. x 26.5 cm). This Woodblock has now been framed under glass.

Japanese Edo period woodblock depicting the poetess Gon Chunagon Atsutada (906-943) gathering sea shells from the series "Lessons for the Young from Thirty-six Poetic Immortals" by Kuniyoshi (1797-1861) dated circa 1842. Vertical oban size (14"V x 9 3/4"H). Very good overall condition. A few tiny wormholes and a few slightly thinned areas in the paper. This series is illustrated in plate 106 of "Utagawa Kuniyoshi," an exhibition catalogue based upon the Raymond A...

Japanese shin hanga woodblock print titled “Senshun” (Early Spring) depicting a moga (modern girl) wearing a fashionable fur stole and knit hat, her hair cut in a short curly bob, from the series “Showa Bijin” by Shinsui Ito (1898-1972) published as a newspaper insert in 1931. Shinsui’s black ink signature and red seal are at the upper left. Paper: 14 1/8" x 9 9/16" (frame: 21 5/8" x 17 1/4"). Framed with archival materials and UV glass or Plexiglass...

A complete set of four Japanese woodblock prints in the original presentation folder by Sadanobu III Hasegawa (1881-1963), published around 1950 by Uchida. Carefully printed with embossing and shomen-zuri, laid down at upper corners. Condition: fine, only paper mats with few short tears. Dimension: sheet: 27.8 cm x 21 cm, image: 25.7 cm x 19.3 cm, folder: 35.5 cm x 26.2 cm.

First edition Japanese shin hanga woodblock print by Shiro Kasamatsu (1898-1991) titled "Tea Ceremony" (Chanoyu) dated " Showa 29" (1954). The seal of the publisher Unsodo, and the seals of the carver Nagashima, and printer Shinmi are in the left margin. The artist's black ink signature and red seal are at the upper right corner of the image. The Unsodo (“Un”) watermark is faintly visible at the lower left margin corner. The paper measures 15 7/8” x 10 3/4” (image: 14 5/16" x 9 1/2")...

Antique ukiyo-e woodblock print of a woman with a look of frustration on her face, wearing a black kimono, decorated with light pink and blue sakura blossoms, and a salmon pink under robe. Behind her are several cottages with trees and mountains, and stylized signatures in the top right corner and middle left side. Ukiyo-e is a genre of woodblock print that was popular during the 17-19th centuries in Japan...

Antique ukiyo-e woodblock print of an anxious person in a brown checkered kimono, with light blue trim and obi with black flowers, assisting a rather bored looking woman in a gorgeous, long black kimono with pink and blue blows, blue trim, and a pink under kimono and obi. By artist Ichiyosai Toyokuni Okada. Size: (entire frame) 21.5" height, 17" width (artwork only) 14.75" height, 9.5" width

Japanese woodblock print of a young, beautiful robed woman kicking off her geta (traditional sandals) and holding a parasol outwards. Soft, rosy colors have been used which are calming to the eyes. By Utagawa Kunisada (1786-1865) which signature and title. Framed. Size: (entire frame) 18.75" height, 14" width (woodblock only) 14" height, 9.5" width

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared...

Small shunga book (vol. 1) with indistinct title in oblong format. 14 colour prints with erotic motifs and texts, five scenes in black ink and other pages with text only. Japan, late Edo, early 19th century. H 8 cm, L 18 cm. Condition: Good impressions and bright colours. Some wear to paper.

Japanese woodblock print of a beauty and child from a series depicting powerful individuals by Ichiyusai Kuniyoshi (1797-1861) published by Hayashiya in 7/1852. The image is signed at the right side "Ichiyusai Kuniyoshi ga" (used circa 1850) within a gourd shaped cartouche. The red Yoshi Kiri seal is beneath the signature...

Japanese woodblock print depicting a beauty lighting a floor lamp titled “Kakinomoto no Hitomaro” (image no. 3) from the series “One Hundred Poems by One Hundred Poets” (Hyakunin-isshu Emyo) by Utagawa Kunisada (1786-1865) published by Sanoya Kihei in 1844. The image is signed “Kunisada changing his name to Toyokuni II” with the red Toshidama seal below. The two cartouches in the shape of playing cards at the upper left hold a picture of a poet and his poem. The scroll-shaped cart...

Japanese Edo period woodblock print titled "Four" (yon/shi) depicting the actors Onoe Kikugoro IV and Ichikawa Kodanji IV in the roles of Oiwa and Izaemon from a series titled "After The Seven Iroha" by Toyokuni III (also known as Kunisada) dated 8/1856. This series was published the same year as "Seven Variations of the Iroha." The title cartouches of the prints in this series feature ciphers written seven different ways. "Iroha" refers to a distinct form of Japanese poetry. The publisher's s...

Antique ukiyo-e woodblock print of a woman in a blue checkered kimono, standing with her back to her front doors and a beautiful mountainous scene behind her. By artist Kunisada, signed under his assumed name Toyokuni II. Set behind glass in a large frame. Back of frame states "censor's seal between 1859 and 1874". Size: (entire frame) 22" height, 17" width (artwork only) 14.25" height, 9.5" width