Japanese antique Thick hand-spun otton tsutsugaki Horse cover of the Edo period.(1800-1867)The string currently attached to this is shirakage-shibori-dye. It is very impressive and beautiful. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a thin stain. However, it is in a state good on the whole. size:190cm x 47cm (74.8" x 18.5")

This is a child kimono worn in the Taisho era. As for this, thin silk expresses a pattern in Shibori. Thin cotton is in this for thermal insulation inside. This does not have a stain and damage. The state is very good. Size 78cm x 70cm (30.7 "x 27.5")

A Japanese fascinating embroidered silk hanging tapestry depicting a flying Phoenix 鳳凰 and a Kirin 麒麟, the two most powerful and sacred beasts of all Japanese within a silk frame finely decorated with a dense pattern of stylized motifs. The central scene is very unusual and it represents a Phoenix in flight in the upper part and a Kirin looking at each other. Even the back is finely embroidered with a dense decoration of stylized motifs on a blue background. The kirin and the ph...

This is yusa sorihiki muneate sashiko beautiful textile of the Taisho era. There is all sashiko stitch in it by hand. It does not have a stain and damage and is in a very good state. size:70cm x 14.5cm (27.6" x 5.71")

It is woven with common hemp thread, indigo-silk thread dyed beautifully and a double cotton thread dyed black. It is a very rare textile made in Iwate. The dye of the silk thread is bright blue. However, you can feel that you leave it a little in green. It is Noragi thick beautifully made in the Showa era from the Taisho era. Size 94cm x 116cm (37 "x 45.6")

This is costume of Kabukino of the Taisho era. Sasani-tuyu of the pattern is bamboo grass and the dew. There are some a few stains of the aging, but does not stand out. There is not the damage, and the state is complete. Size 127cm x 119cm (50 "x 46, 8")

It is an item from the Taisho era when feminine beauty was praised by the Taisho Roman movement. Under the influence of "romanticism", a spiritual movement that developed in Europe mainly in the 19th century, it came to be called in this way because of the liberation of individuals in the Taisho era and the idealistic climate for a new era. .. It is Jyuban made at this time. It is an item of the era when I longed for Western culture...

This is the kimono which a girl wore for the Taisho era period. The pattern is ball and Spinning top and others. A color is pretty, and this is stylish. There are 2.3 places of small stains, but does not stand out. There is no damage. Size 92cm x 81cm (36.2 "x 31.8")

This is muslin Katazome kimono of the Taisho era. As for this, a pattern is a shadow picture. Children carry a child miniature shrine on their shoulder and enjoy the festival for children. There are a small hole and stain in several places. Size 75cmx64cm (29.5 "x25.1")

This is Sashiko used for a martial artist of the Taisho era. This is a natural indigo plant, and Kinari--colored lining cotton is put on the cotton of a dyed face. And it is done Sashiko. As for this, thick cotton cloth is performed Sashiko of by the white cotton thread of the W thread. Therefore it is very thick. This does not have a stain and damage. Size 82cm x 90cm (32.2 "x 35.4").

This is the most formal and elaborate style of obi called maru obi. The designs run through the entire obi from one end to the other on both sides. The dimensions: 12" wide x 12'5"(161") long. The cost of making one maru obi is substantially higher than a typical obi. The design here include chrysanthemums, wild flowering plants of autumn, fans and Genji wheel that implies the presence of graceful aristocrats from the Heian period(794-1185)...

A beautiful hand painted Uchikake kimono with pine trees and rocks in sumi-e black ink (dye) style, a symbol of winter, New Year and the longevity. The fabric is Shioze silk (thicker than regular silk), not shiney as satin silk. Very well preserved; no stains. It is evenly discolored to a creamy color and still wearable. Circa, late Meiji to early Showa, 1900 to 1940.

Dimensions: 51 inches (sleeve to sleeve) x 71 inches long

Koma Inu Shrine guardians decorate this unusually vivid Ako carpet dating from the early 20th century. The color combination is quite striking, especially when held up to the more standard subdued works typical of Ako. It is 95 x 195 cm (37-1/2 x 77 inches) and is in stunning condition. We found this wrapped in paper in the attic of a Kyoto home which had been sealed off during renovations in the 1950s...

Japanese Silk Temple Cloth, uchishiki, Phoenix Ho-o bird
Measurements:
Silk, woven, cotton liner
Condition: Never been used

This is an old Japanese man's obi sash (belt for a kimono) with designs on both side. Many of the sashes are found with some damages, so they are often cut out and used to remake something else. Top quality silk in new condition, no damages.

Long obi, woman’s sash for fastening a kimono. Silk with decoration in yuzen silk painting technique and silk and gold- and silver-thread embroidery. The story of Momotaro, Peach Boy, fully illustrated. The old couple, Momotaro’s foster parents, the boat that brings Momotaro and his friends the dog, the monkey and the pheasant to the island of the demons (Onigashima), the demons surrendering the treasures they stole. Momotaro, with the banner ‘Nihonichi’ (no...

Silk kimono decorated in yuzen technique with design of flowering stalks. Bamboo, cherry blossom and marigold. On the stalks small beetles crawl up. Outlines of flowers in silver. Inside partly lined with red silk. Japan, Showa period, mid 20th century.
Length 66 in. (168 cm), sleeve to sleeve 49 ½ in. (126 cm).
Few light stains, one torn seam at sleeve (ca. 2 in.), one small moth hole in seam of other sleeve, otherwise good condition.

Brown silk homongi formal kimono with dots in jacquard and with gold threads interwoven, so that the fabric sparkles when the light hits it. The upper part is undecorated, except for three crests of the Sakagami family on the back...