A reversible leather firefighter's hanten 半纏 (heavier weight coat made popular in the 18th century). At this time in Japan, fireman were vollenters and carried other professions. In this case, The inside logo represents that the wearer would have been a high ranking carpenter for roof making.

Features tsutsugaki 筒描 (resist dying process) using the smoke of pine needles to produce the light patterns, and ink to dye the black side...

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer...

This Japanese antique tsutsugaki textile fireman coat Sashiko Edo era(1800-1867), has a beautiful and dynamic drawing of a hawk that spreads its wings and flaps powerfully on the bold waves. This powerful hawk movement is a painting that is rarely seen in the firefighter Sashiko. And the sharp eyes of the hawk are very impressive. There is a light stain on the bottom wave, but it is not noticeable...

It is the design of Ryuo Shikai. The figure that protects sea fishes from evil is represented by dragons and anchors. This is a very rare firefighter Sashiko jacket. And it has a very large size. The condition of the painting is in very good condition, as it is rarely used.　 In this item, the anchor is drawn large in the center to calm the anger, and the octopus and fish at the gate of Ryuo are very attractive...

This is a Kake-fukusa in this Edo period( 1646-1710)is very excellent in the museum Item class. It is konbuin kake-fukusa of the Kyoto museum and the one of the same class. All embroider it by the hand with silk. The colors are all dyestuff of nature.There is a very thin stain. There is a very little rubbing. However, the state is very excellent. It is made by the technology of workman's highest class in Edo period. It is original of Edo period. Please add to your collection...

This is Shibori Kimono produced in Akita Asamai area for Edo period. As for this, a pattern is Eba-gara. A carp swims in spray like a brick. The lower part is expressed in dark indigo dyeing Shibori in Shirakage-Shibori at the upper part. This cotton is spun by hand...

This is Tsutsugaki Noren used in the rich merchant's family of the Shonai, Yamagata district for Edo period. It is a characteristic of Edo period that a motif has dynamism. Good cotton spun by hand is used. The characteristic tortoise expresses Edo period well. This is dyed with a very good-quality indigo plant very densely. The movement of a crane and the tortoise. The movement of a wave and the cloud. The expression of the trees and plants. All these lines were created by good creativity...

Japanese indigo cotton fireman's coat, with sashiko stitching and freehand paste resist decoration (tsutsugaki) of a cherry blossom, overlapping rings and striations. The front of the coat has four kanji characters on the lapel, and the inside of the coat is resist dyed with geometric designs and a round central emblem.

Late Edo Period (1603 - 1868)

Dimensions: 47" w x 37" h

A beautiful Japanese hand-embroidered silk wall hanging with a scene of two elegantly fighting roosters. Each one surrounded by nicely detailed dandelions and chrysanthemums. Forbidden stitch work used in the center of each flower. Pine tree branches overhang the scene with interesting fine detail. The bottom left is embroidered with a red jar bearing artist's signature.

Early Meiji Period (1868 - 1912)

Size: 70" H x 45" W

Antique Japanese Buddhist temple banner made of silk and woven with gold gilt paper weft (ginran or kinren) in a dynamic design of a pair of water dragons each facing the center where a burning pearl (woven with silver leaf) floats on a golden cloud. Dragons and pearls together in Buddhist art symbolize the endless cycle of transformation. The flaming pearl is one of the Eight Treasures and represents pure intentions as well as the sacred wish-granting pearl of the Buddhist faith...

This is hemp Umakake used in Iwate for meiji period.A cover for horses at weddings and festivals. As for this, hemp is spun by hand and is thick. This item is dyed twice from the front and back. It needs to be dyed so that both sides do not shift, and it is dyed with a very advanced technique. An impressive, vibrant and beautiful item of pine, peony and waves. Recommended for room displays and collections of ntique textiles...

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867). This is a very advanced technique. And the entire surface is stitched with sashiko. The lining is indigo dyed. Song dynasty in the early 12th century Water Gate Break is a famous scene in "Suikoden".　Chou Jun, who appears in Chinese biography stories, has the best swimming talent among biographic characters and is famous for breaking e...

This is a Japanese antique Edo Period tsutsugaki fireman sashiko coat textile. It is an item with the long and thickness that is very firm. Sashiko-cloth is sewn on the back and collar to represent affiliation and status. His position is sub-chief. It has a taste of the Edo period's long-term use.A bold rain dragon design. It is said that the dragon summons rain and extinguishes great fires. There are light stains ,fading and scuffs from age, but they are not noticeable. There is no big damage...

This is a Edo Period Natural indigo Cotton Umakake Tsutsugaki antique textile.Impressive design of dynamic rabbits and waves. This is a cotton of good texture in the Edo period is used. This texture is characteristic of Edo cotton. Pictures of rabbits and waves are expressed quite stylishly. This is impressive Kyogen style picture of the Edo period Tsutsugaki.It has several small repairs. There are no noticeable stains. It is a very valuable Edo period textile. I recommend it to your collec...

Japanese Needle Work Rozashi Technique Embroidery of the Interior of Asakusa Temple. Rozashi is embroidery using silk canvas and silk thread. A picture is created and outlined on the canvas and comes alive with the thread and stitching. The difference between Rozashi and other forms of embroidery is the use of the silk canvas called "Ro". The "Ro" is a special, uniquely woven fabric. Common embroidery stitching technique utilizes threading through holes but Rozashi stitching must always be s...

A large Persian textile "Suzani" which literally means "needlework". The cotton cloth is hand-embroidered with complex floral medallions and scrolling work with brightly colored silk thread. These traditional Suzani would be used for headscarves, ottoman covers, prayer mats, wall hangings, and many other uses.

First Quarter 20th century circa. 1920

Dimensions: 135" L x 81" H

Antique Persian Baluch rug, 100% hand woven wool in rust brown, light red, and indigo hues, with repeating geometric motifs throughout. These rugs are hand-knotted by the nomads of Baluch. Baluch or Baluchistan is the area between the borders of Iran, Pakistan, and Afghanistan-- this is why Baluch rugs are said to be a mixture of three different regions.

Circa 1930

Dimensions: 3' 10" x 11' 8"

This is Safflower dyeing sarasa katazome somewake(dyed with separate design)cotton textile kimono of the last part of Edo era(1800-1868). It is very rare, and it is a precious item.Please watch somewake(dyed with separate design) of the part of the sleeve. It is very impressive, and it is beautiful. It does not have a stain and damage. And it is very excellent condition.It is made of hand-spun and hand-woven and natural Safflower dyeing cotton. size:Length 133cm (52.3") sleeve to sle...