This is an old Japanese silk purse, or a tissue holder in a wallet style with a silver clasp. It is truly a beautiful piece. The detail photos show the intricate weaving pattern, Sagara embroidery (Peking, French knot) and deep color of genuine gold. The light reflects on the silk in such a beautiful way. They bounce between the delicate indentions that were created from the weaving pattern...

This is a beautiful Japanese wedding gown (uchikake). Featured on brownish orange (when you looked at it where the gold does not take over, the basic color looks more like brownish red) silk are flocks of white cranes and stylized water in roundels of gold. The tone of the gold is rich but soft. The design is unique, elegant, artistic and well executed with excellent workmanship. The condition is almost new...

Gorgeous antique kimono in the best condition. Lined with red gauze silk, it is completely reversible. The color of the black silk has changed over the years to a very dark brownish gray evenly. The colors of the design are very classic Japanese colors as Imari red (brownish red) and same earth tone in every other colors. There is one tiny hole (1/16" in size) right by a family crest, Mon. There is no color loss inside.

A gorgeous Japanese framed silk hand-embroidered fukusa (gift-wrapping or tea ceremony cover), with the image of Jurojin, one of the Seven Lucky Gods. He holds his attributes, a staff and a fan. A crane, tortoise, and a deer accompany him, all of which are symbols for longevity. The detailing is very careful and breathtaking such as the glass eyes of the crane and deer...

This is a striking Japanese uchikake, wedding gown. The design on this gown is the sacred pine tree, “Yogo no Matsu”, and golden clouds. Pines in gold or gold clouds are often painted on silk screens or used as the background for a noh play stage. The wall paintings in the Kyoto Nijo castle, Kyoto, which were painted by Kano, Tanyu (1602-74) when he was in his mid 20s, are quite famous.

There is no visible image of God in Shinto religion, the oldest form of religion in Japan...

Japanese Kyoto Nishijin silk obi roll. This is a soft, medium thick, high quality silk fabric with genuine high grade gold leaves woven in. Stamped Kyoto Nishijin and nishiki with a couple seals for passing quality checks. Some stains at the end (very left edge) - not likely to affect. The base silk is cream color. 28 1/2" x 163".

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as the "Yui-noh" which is held prior to a wedding. The evergreen pine symbolizes the strength and devotion of men; the plum blossoms represent purity, subtle beauty and the inner strength of women. Bamboo is often used to describe the personality of men and women; for example, a person being as straight (honest) as bamboo could also mean flexible (bendable) to a large extent...

Antique Japanese man's silk juban, an undergarment worn under a kimono. We can find true works of art hidden in this type of old kimono. The term "Juban" comes from the Portuguese word "gibao" (sleeveless garment). The design of hyotan sake (rice wine) gourds is out-lined with hand tie-dye. Interesting patterns inside the gourds. This is an old gown but the condition is like new except that the tie-dye has stretched out over the years. Circa, early 1900s...

Beautiful black Japanese wedding (Uchikake) in new condition, basting stiches still intact along the sleeves and other areas. The design is from the Heian Era (794-1192AD), imperial cart in pine trees. The gown is particularly well made and look better than our old photos. The colors are beautiful (no color loss), vivid yet elegant.

A daimyo’s firefighting wool jacket with a Kiri-no-mon crest, chest protector baring the same crest. It has a silk liner decorated with old marble dye. Dated from late Edo period (1603-1868),

Japanese could not produce wool of their own during the Edo period. Totally depending on Nanban trading, wool was pretty rare and pricey commodity. The liner for this jacket is also unusual. This is our first and only antique marble dyed fabric ever...

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength...

A beautiful framed work of art, Japanese silk embroidery panel of a pair of Japanese Chin puppies playing with a tasseled floral ball. The imagery is reminiscent of fu dogs, in which the ball represents rule over the world. Hand-embroidered in gorgeously stunning condition, with very high-end and tasteful framework. Late Meiji period (1868-1912)

Provenance: Early Warren Imports collection

Size: (entire frame) 34.5" L x 30" H (artwork only) 23.25" L x 18.5" H

A very fine Japanese framed embroidery from the renowned Sozayemon Nishimura Silks and Embroideries, depiction of a row of cherry trees along the edge of a large lake with boats. Absolutely stunning condition and incredible hand-embroidered details with tasteful framing. Late 19th/early 20th century.

Size: (entire frame) 35" L x 1.5" D x 28" H (artwork only) 26" L x 19" H

Japanese Koto Cover featuring a magnificent Phoenix. The Koto is a traditional Japanese stringed musical instrument. This Koto Cover was for an important Koto player. A textile of this quality rarely comes along for sale. Beatifully hand painted with some embroidery on fine silk. Really a work of art. 96 x 13.5 inches, 244 x 34 cm. Excellent Condition. From a prominent and widely exhibited collection.

Old Kyoto Nishijin obi...

Framed 19th Century Japanese Late Edo Period Embroidery of a Phoenix. Wonderful and elaborate master needle work with beautiful use of soft colored silk threads accented with gold silk threads. This a rare find for the Japanese textile collector. This was part of the Morris collection, which is housed in the Peabody Essex Museum in Massachusetts. It is framed with a Victorian era frame. 26.5 inches (67 cm)w x 25 inches (63.5 cm)h. The textile is in Excellent Condition, the frame is in Very Go...

A finely embroidered silk River or Lakeside Landscape made in Japan for export during the late 19th or early 20th Century. This item was framed in the UK by Boots the Chemist's, circa 1910 - 1925 Condition: excellent. Frame: 37cm (14.5 inches) wide;29.3cm (11.5 inches) high.