Mint Oni-Hagi masterpiece chawan with notched foot by star potter Seigan Yamane. This extraordinary tea bowl is covered by wonderful different shades of orange-red glaze on brown pottery. In my opinion it is the one of the most aesthetic chawans that he made. The seal of the artist is stamped on the bottom. We have a similar chawan with greenish glaze - same price.

Seigan Yamane was born in 1952, and started making Hagi ware in 1987...

An ancient MesoAmerican Olmec bluegreen stone hand axe tool mounted on a custom stand. Neolithic stone implement.

Date: 1150-550 BC

Dimensions: 6" X 2.5" including stand, stone is 4" X 2.25"

Surely an extraordinary confluence of circumstances must have come into alignment in order to bring this remarkable composition into existence. Done in the Korai style - referring to the heavy influence from Korean forms and glazing - this exquisite late Momoyama/early Edo period (1590-1620) Karatsu-ware tea bowl is really rare.

Regular formed wan shaped, showing fine finger marks from throwing...

Here is a really rare example of Ko-Agano-yaki from the early Edo Period (1600-1630) with a fine Kintsugi gold repair: regular wan shaped Ko-Agano tea bowl, showing very fine slightfinger marks from throwing.

The foot ring has been cut with a potters knife on a hand wheel. A glaze of rice straw ash has been poured with a laddle, while the potter held the bowl at the unglazed foot. Its unglazed finger marks show a fine, little iron bearing clay of a brownish color...

This is definitely the best work by modern avangarde artist Hiramatsu Ryoma and it demonstrates his creative imagination and challenges the traditional boundaries of what defines a tea bowl.

He surely needs no introduction. Ryoma is one of those once in 500 years' type of artists. He is a potter who goes beyond that usual appellation...

1930's Japanese Silver Inlaid Bronze Teapot Tetsubin with Relief Flowers and Shishi Finial

The teapot is 7 inches (17.8 cm) tall (handle up), and 5.5 inches (14 cm) wide. It is 1120 gram.

It has oxidation, loss of patina and surface scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A Japanese hand forged iron tsuba. A tsuba is an important fitting on a samurai's sword to protect their hands from the blade and provide balance. This tsuba has cast motifs of a 5 petal flower and oblong hole. The tsuba is from the Myochin school (1573-1867).

Date: Edo Period (1603-1868)

Dimensions: 2.75" in diameter

What a great Chawan! Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In 5 areas of the tea bowl are highlights in green copper oxide in the tradition of the Mino Ki-Seto...

Wonderful Tobe Chawan with a fantastic glaze, made by the great 3rd Rakuzan Tamai (1924-1990) about 50 years ago. Rakuzan Tamai was accepted several times at the Nitten Exhibition in Japan. His work is part of the imperial houshold as well.

In mid 18th century Tobe ware was started in Ehime prefecture, Japan, and in the end of the 19th century, there was an increase in the production of tableware for export to South East Asia. Nowadays such type of Chawan is hard to find...

Pair of Old (1900's) Japanese Mixed Metal Vase

Each is 4.8 inches (12.2 cm) tall by 2 inches (5.3 cm) wide. Total weight is 777.5 gram

They have rubbing of gold, oxidation, pitting, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Stunning set of ten art deco lacquered wood serving trays for pickles or sweets. Used in the tea ceremony. C. 1920 and in the signed original box. The back of each tray top is also signed. Great condition with just age wear. See pictures. (20 are available upon request). Ask for shipping quote.

The creator of this exceptional tea bowl is Koto Kenshi, a native of the town of Hagi in Yamaguchi prefecture who has been producing many fine works since opening his studio in 1970. This piece features a milky ashen glaze with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay beneath.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

An excellent example of Japanese minimalist aesthetic that transcends its humble origins, this mizusashi, or fresh water pot used in tea ceremony, displays a classic Hagi glaze contrasting nicely with a lacquered wood cover. It separates itself from most pieces of this type by the addition of a pouring spout, which is quite unusual for this type of tea-ware implement.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

This remarkable tea bowl is from the kilns of Yoshida Shuen (1940-1987)—an apprentice of Miwa Kyusetsu (1910-2012) who was awarded the status of Living National Treasure in 1983. It features a warm crackled glazing with a portion of the foot of the tea bowl exposed, displaying the reddish coarse clay that this piece is fashioned from.

Hagi-yaki has a tradition stretching back over 400 years and is a high-fired stoneware type of pottery...

This extraordinary cha-ire (powdered tea container) displays an excellent glaze that appears to have only grown more intricate and rich with time. Contrasting against a reddish brown background are flows and pools of darker glaze along with lighter textured speckles...

Another wonderful example of the beauty of Shino-yaki from the early Edo Period: Little deformed cylinder (hazutsu) shaped, in the style of shino ware - the bowl shows finger marks from throwing; foot ring and bottom have been cut with a potters knife. Typical for a Nezumi-Shino shino bowl, the light, unrefined Mino clay has been covered with an iron bearing engobe - with the exception of the bottom area.

A floral decoration on the wall and a circle inside near the brim has been i...

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

Yunomi, Tea Cup; by Isamu Tagami of Hinata Kiln, Mashiko. Kaki glaze with wax-resist pattern of bamboo leaves on snow. Nuka glaze interior. H.3.125"(8cm) x Dia.3"(7.5c.) Volume=7oz(210cc.) Tagami Isamu was born in 1947 in Mooka, a village neighboring to Mashiko. He married into the Sudo family and apprenticed under Sudo Takeo. He was originally trained as a Japanese chef and had his own restaurant before embarking on a career in pottery, giving him a unique perspective on functional wares. He is...