We like to offer you this hand shaped Tanba Chawan with natural glaze cracks. It was made during Meiji Period and is 120 years old.

As shown in the pictures, it's in good condition for its age. The foot of the bottom has a small chip (Please refer to the last picture to check it), but it does not diminish its beauty...

Tani Seiuemon Shigaraki Tea Bowl (Chawan) Wood fired Natural Ash Stoneware Glazed Studio Pottery

Born in Shigaraki in 1913, Tani Seiuemon was the key person to revive old Ko-Shigaraki and Ko-Iga styles with natural ash glaze effects.
Tani Seiuemon works are exhibited in British museum and Cleveland Museum of Art.
Currently, his son Tani Q operates the family kiln in Shigarakicho.

Size
3.12in. (8cm.) high;
4.68in...

The mark of the potter is carved on the bottom.

Born in Shigaraki in 1913, Tani Seiuemon was the key person to revive old Ko-Shigaraki and Ko-Iga styles with natural ash glaze effects.
Tani Seiuemon works are exhibited in British museum and Cleveland Museum of Art.
Currently, his son Tani Q operates the family kiln in Shigarakicho.

Size
3.3in. (8.5cm.) high;
4.68in...

Antique tasteful Satsuma Chawan made and marked by Gyozan, one of the most famous Japanese Satsuma artists, circa 1905, during the Meiji Period.

It presents a wonderful hand painting on it with strong and shiny colours.

The typical Satsuma ware we most come into contact with is a yellowish earthenware usually decorated with a minute decoration with Japanese figures, expressive faces or detailed oriental landscapes, or sometimes embellished with vivid dragons in relief...

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six...

Mint and elegant tea bowl by one of the greatest potters, Rokubei Kiyomizu VI.

This Kyoto-yaki item was made 70 years ago. It has a tasteful painting of pine on it. On the bottom you find Kiyomizu's seal. The tea bowl will be delivered with its original signed wood box.

The Kiyomizu family potters managed one of the most productive workshops in Kyoto’s Gojozaka district throughout the second half of the Edo period...

TEA CEREMONIAL POT WITH DRIPPING GLAZE

Unique and rare find of an old Japanese double-eared pottery tea utensil ware for the use of flowering or incense made of the well-burnt blackish clay containing rich in iron in the traditional but more like organic forming by refined tebineri (hand-forming) finished with such wildly dripping glaze, 19th - early 20th century, approx...

Tea Ceremony Seto Chaire Tea Caddy of cylindrical form with slightly tapering sides, covered with a light chocolate brown and a running mottled black glaze. Ivory lid lined with gold leaf on the inside. Signed: Hikari. It comes with a silk shifuku storage pouch. Size: H 9,5 x 6 cm. Taisho -Showa period. Good Condition!

Small cast iron tea-pot. One side is decorated with lotus flowers, the other side is without any decoration. The spout is doubled in bronze, the handle is in copper as well as the lid which has a decoration of small rounds in light relief of different patina, perhaps formerly gilded. The grip button is in silver plated copper and shakudo. It is likely that this type of jug was also used for alcohol as specified on the invoice issued by the seller in Kyoto which dates it to 1850...

Ceramic "tenmoku" bowl of classical shape with thick rim and small base. Fine glazing of "hare fur" type, part of which has run down gracefully to the base. An old accident at a small area on the rim has been restored (see last two photos). China, Song Dynasty period. Height: 4,6 cm. Diameter: 10,7 cm.

This tea bowl crafted by one of the great masters of Japanese pottery depicts Meota Iwa—a famous Japanese landmark in Mie. Symbolizing the union between two divine deities, Izanagi (said to be the larger rock, though there is no consensus on this point) and his wife Izanami, the two are joined by a shimenawa (heavy straw rope used in Japanese Shinto ceremonies). This straw rope is quite massive and must be replaced several times a year in a special ceremony...

Tibetan yak butter tea “po cha” or barley beer “chang” bowl carved from burlwood, possibly Rhododendron circa 50 to 100 years old. D:11.8cm/4.6in and H: 5cm/1.9in, there is one worn chip on the edge. A charming old piece- difficult to find these days. This was not turned on a lathe, but entirely carved by hand.

The name “Tobe-ware” first appeared in historical documents in the mid-18th century, though the tradition itself dates back well over 1,000 years. Within this style can be found an abundance of fine porcelain and celadon works as well as works painted with dark ferrous glazes—such as the piece featured here.

The creator of this fine work Sakai Yoshito (b. 1931) has been the main figure in maintaining the Tobe-ware tradition in modern times...

Top Quality Korean Gohon Chawan made in the Joseon Dynasty (16-17cc)...

Hard to find nowadays: fairly shoe shaped (kutsugata) tea bowl, made of light, coarse, unrefined Mino clay. The expertly thrown body was covered with a potter's knife in its shoulder and around the foot ring.

The brim of this bowl covered with a green copper oxide glaze and the lower part was left unglazed and decorated in iron oxide with buddhist wheel of law on two opposite sides over which finally a transparent ash glaze was applied...

Ancient Iga pottery works had been made for a few decades since last Momoyama period from early Edo period. They were fired over 1250 degrees Celsius for 10 days and repeated 3 times and more with no glaze, they has natural glaze that is consist of melted ashes, burnt deposits and scarlet by fire. They are well known as dynamic style and loved by many tea ceremony master like as famous Oribe Furuta. However, they needed expensive costs, so they could not be continued. And Sadamitsu Sugimoto re...

Hard to find nowadays: slightly distorted shoe shaped (kutsugata) tea bowl from the early Edo Period with a rounded brim, made of little iron bearing, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.

The whole body was decorated with wide white parallel lines in a white engobe over which a thin line in iron oxide was drawn, over which finally transparent ash glaze was applied - really stunning.

<...

TRAY OF RYOKAN

Large wooden tray actually used at old 'ryokan' (Japanese‐style hotel), Showa period, early-mid 20th century, D 35.6-34.8cm (14.01-13.70in), H 5.8cm (2.28in). Aesthetic grain expression and calm comfort for use. Expected some fine scratches due to aging with use. *Only a tray is available to purchase, as the other stuff (cups) of usage example are not attached.


selected by ONEN




* Please...