Jug for holding fresh water for the tea ceremony, called mizusashi. Wheel thrown, thin stoneware of slightly irregular beaker shape (slightly bulging belly towards the bottom and straight sides going up). The mouth is slightly oval. Black-brown iridescent glaze. Custom made black lacquered fitted wooden cover. Seto ware, or black Oribe...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire...

Modern, large roundish bamboo flower basket Hanakago Material: Madake bamboo, rattan, lacquer. It comes with the original lacquered bamboo water receptacle Otoshi. Artist’s inscription to bottom: CHIKUHOUSAI. H 27 x D 29 cm. Perfect condition. **** Okasaki Chikuhousai was born in Beppu in 1933; Kyushu. Studied under his father Chikuhosai I...

Shino Ware: The Beauty of Whiteness and Organic Irregularity...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household...

Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.

Size
Height 7.5cm
Width 13.8cm

Very good condition with no damage
Supplied with wooden box signed by Hamada Shinsaku

Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement...

Magnificent and rare Ken Fujiwara Bizen Chawan

Size
Width 12.5cm
Height 8.5cm


Condition
Excellent
Supplied with signed wooden box

Fujiwara Ken (1924-1977) holds a significant position among the distinguished artists of Bizen ware, despite his relatively short career. His creations have garnered substantial attention and remain highly sought after by collectors...

Introducing a Commemorative Takatori Tea Bowl, skillfully crafted by Takatori Hassen 13th (b. 1934) and used in the esteemed Tokugawa Art Museum Tea Ceremony of 1975...

A finely crafted lobed basin, supported on three feet in the shape prunus branches extending up the sides. For use in Ikebana flower arrangement. Signed in the bottom: Keishu ( Inami Keishu) . Original kiri-box fully signed. Showa, Mid 20th century. H 5.5 cm, D 29 cm. Condition: Excellent.

Rare Chawan crafted by the eminent Hamada Shoji (1894-1978), showcasing the exquisite use of iron pigments.


Size:
Height: 7.9cm
Width: 15.1cm

In excellent condition.
Comes with a signed wooden box.

Shoji Hamada was a key figure in Japanese ceramics, famous for his involvement in the Mingei (Folk Craft) movement...

Splendid Japanese incense container, also known as kogo, used for tea ceremony. The persimmon has a small lady bug sitting near the head of the persimmon. The incense container contains an inscription reading: Rakushisha, which is a small hut in the Sagano district of Kyoto. The hut was the summer home of Matsuo Basho's disciple, Mukai Kyorai. The hut was given the name when a hurricane blew all the persimmons off the trees planted in the estate...

A fine Japanese lid rest or futaoki as it is known in the tea ceremony. The lid rest is done in a technique known as karakane or bronze and has been hammered. The tachizuru or motif of standing cranes is often seen in various tea accessories representing the rise of auspiciousness. The lid rest comes with a tomobako with the name of the lid rest and the artist, Seishu. Age: Late Showa Period Size: diameter 2.1" height 2.1"

A finely done Japanese bamboo basket used as a flower container made by the second Shochikusai. The handle is done in a way as if the vine appears to grow out from the basket and fine strips of bamboo are woven throughout the vase. Fine woven bamboo baskets require the highest skills to create the rhythmic geometric patterns and form. Age: Showa Period Size: length 10" width 6.5" height 18.75"

Egg shaped vase with a black-red patina. Signed on the bottom. H. 18 cm. Showa period (1926-1989). Good condition, original tomobako. Master casting artist Kazan Yokokura continued to enter contests, mainly centered on Nitten Exhibition. 1915 Born in Yamagata Prefecture, northern Japan 1951 Won for the first time a prize at the Nitten Exhibition (and won many prizes at later exhibitions). 1959 Won special commendation "Hokuto Prize" at the Nitten Exhibition...

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th. Chozaemon Ohi. His name is inherited from the Edo era.

The Ninth Chozaemon was the son of the Eigth Chozaemon who had been making tea utencils from age sixteen until his death at age eighty-six. At 26,he received his title of Ninth Ohi Chozaemon following after his father. In...

This attractive e-Shino bowl (“e†meaning picture) bears a pine-needle motif on the front surrounded by fields of dazzling ochre and white.

Fired in the kilns of Kato Kageaki (1899-1972), this Shino bowl is from one of the oldest traditions in Japanese pottery. Kageyaki was the 12th generation of Mino potters known for their distinctive styles of Shino and Oribe pottery. He was a great potter in his own right who was designated as a Human Intangible Cultural Treasure...

This magnificent Shino-yaki chawan, done in a rediscovered Momoyama period style, came from the kilns of one of Japan’s most celebrated and talented potters.

Arakawa Toyozo (1894 - 1985), designated in 1955 as one of but a handful of National Living Treasures, is best known for rediscovering lost techniques of pottery from the Momoyama and early Edo periods. In 1930 he discovered shards at the site of the ruins of an ogama style kiln at Mutabora proving that that Shino and Oribe g...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age. Tozan III received many prestigious awards during his years as a potter and has the distinction of having his pottery held by the Imperial Household. Tsutsu chawan have an especia...