It is commonly said that beauty is in the eye of the beholder, yet, in the real world, there seems to be a fair amount of congruity about what people consider beautiful, with most arguments about particular instances being about degree, not direction. This chawan is pure beauty - no matter from which angle you look at it.

Slightly distorted cylinder shaped tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay in the early Edo Period around 1620...

A medium sized ido-gata (well shaped) tea bowl with exceptionally fine and beautifully crafted kintsugi gold repairs. One side of the bowl features a thickly applied ferrous glaze that pools generously near the base, while the pale green ashen glaze on the outside is decorated with impressed textured patterns...

This extraordinary mizusashi is a fine example of Oni Shino (carbon trap and natural ash glazing) that Tsukigata is so well-known for. Coining the term in the mid-50’s after countless failed experiments—which ultimately culminated in the discovery of this unique style of pottery—“Oni” translates roughly to demon or ogre...

Very little distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part and through the finger marks (rokuro-me) covered with an ash glaze inside and outside. The little iron oxide in the clay turned the glaze to light brown.

On two opposite sides, decoration has been applied under the glaze in iron oxide with a little white engobe...

Ninani Dohachi (1783 - 1855) was second in the long line of Kyoto potters that continue to this day to be held in high regard...

Impressive Japanese Kyo-yaki Chawan, hand molded by legendary Nin'ami Dohachi during the Edo Period. His signature is written on the bottom of the chawan.

It comes with an older wooden box. Size: 7,5 cm height x 14,8 cm in diameter.

Chawans of Nin’ami Dohachi are exhibited in the most important museums, for example the British Museum...

Antique Japanese Oribe mizusashi (water container) for use during the Tea Ceremony. Coil form body, glazed with thick deep green glaze with hints of a lovely deep red in areas. Custom fitted with a simple black lacquer lid.

Meiji Period (1868-1912)

Dimensions:5 3/4" high x 5" wide diameter.

With short neck and ovoid body, this beautiful Japanese copper ‘do-chu' vase is marked 'Hisayoshi' on the side. The brilliant rich color of this type of ware is achieved by adding smoked straw during firing and often deepens over time...

Very beautifully sculpted in the mass of bamboo, the decoration in gold lacquer and polychrome represents 2 Tengu (Japanese legendary creature or demon) under a pine pointing with a finger a vajra (ritual Hindu and Buddhist object, representation of the lightning and the indestructibility...). On the other side a decor of butterflies fluttering over a box in gold lacquer and a lance with at their feet are flowers in polychrome. The whole is very finely carved. Origin: Japan...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

One of the more innovative and international minded ceramicists on the Japanese pottery scene, Ryoji Koie’s interests and expertise are barely confined by this genre—as he often integrates non-traditional methods and materials...

Fabulous Kyoto ceramic Taisho Period C.1930 sencha tea set. Signed. Delicate flowers adorn the cups and tea pot. Great conditon. Ask for shipping quote.

With a design reminiscent of mineral deposits on Martian rock, this bold and visually captivating tea bowl is the creation of one of Japan's more controversial and revolutionary-minded potters. 

Nakamura Kimpei (b. 1935) was born in Kanazawa but later—after a period of residency abroad— made his way to Tokyo where he established a kiln...

A very interesting chawan (tea bowl) dating from the Korean Joseon period (Richo in Japanese; 1392-1897). This particular piece appears to date from the 16th/ 17th century and comes with a very old box which appears to have been furnished sometime in Edo. The light creamy crackled glaze is smooth in the hand and fine hairline fractures radiate along the sides of the bowl contrasting nicely with the gold repairs...

Graceful, sensitive, and with a distinctively feminine aura—this subtle work of ceramic art has an air of quiet days spent in the garden or of spending an afternoon brightening up an interior space. Using a technique known as 灰釉 (kai-yu) Terai uses the natural ash of various hardwoods to achieve a subtle textured matte glow which is unique to each piece.

Yoko Terai (b...

The image of the brush-drawn circle, known most commonly as the “enso” of Japanese Buddhism, has long been a symbol of strength, elegance, and the simultaneous being and nonbeing (mu) of the universe. A closed enso is associated with the idea of perfection while an open enso represents movement, fluidity, and attainment in the corporeal world...

Using local materials and traditional methods, the creator of this work Masahiko Imanishi, has brought a distinctively modern interpretation to the classical form of the tsutsu chawan. At the same time, he somehow manages to maintain the simple rusticity that Tanba-ware is renowned for. Stretching back over 800 years, Tanba is counted as one of Japan’s 6 ancient kiln sites and is known for making large pots with red ferrous clay and natural ash glazes with a distinctive greenish tinge. More re...

Reminiscent of the wildly popular avant-garde works of Suzuki Goro, this striking modern interpretation of the classic tokkuri (sake flask) was done by budding artist Ikeda Shogo.

Born in 1976 in the southern port city of Kagoshima on the island of Kyushu, from a young age Ikeda would have been exposed to a great variety of ceramic-wares from the numerous historical kilns native to the region including Satsuma, Arita, Imari, and Karatsu. Equally influential were ceramics from neighb...