Antique Izumo-Irabo Tea Bowl named "暁の月" (Akatsuki No Tsuki) with 7th Iemoto (grandmaster) of Edosenke tea school signed box.

Akatsuki No Tsuki means yellow moon which shines in the dawn.

Edosenke tea ceremony school was originated by renowned tea master Kawakami Fuhaku (1719-1807) who studied under Joshinsai Tennen Sosa (1705–51), the 7th-generation head of the Omotesenke tea school...

One of my personal favorite shapes for a chawan, the wa-nari (sometimes pronounced rin-nari) appears firmly grounded and balanced at all times. With round curving surfaces so natural in the hand—they conjure images of ripe fruit waiting to be devoured.

This piece was produced by Koizumi kiln in Aichi Prefecture, most likely by the head potter Kato Shineda—though it only bears the seal of the kiln and not the potter...

Antique Japanese Red Raku Tea Bowl (Chawan) made by Waraku during Meiji period (1868-1912).
The seal of the potter is stamped at the bottom.

Waraku started producing Raku wares around 1830 in Kyoto and now Motoo Kawasaki is the 8th generation of Waraku.
Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century.

Size
Width 12cm
Height 8cm
Weight 470g

Condition
Good, used...

A stunning delicate cup made from a hollowed egg-shell. Inside is matte-black with patches of gold gilding, while outside the silhouettes of pines and a soaring Hototogisu (cuckoo) are deftly brushed with shiny black lacquer. The imagery instantly calls to mind Japanese poetry, which extols the song of the cuckoo, a harbinger of Spring and warmer weather. There is also something melancholy about the cuckoo call, as they are always deep in the forest, out of sight and alone...

Kuro Hirosawa (1772-1840) Shino ware Chawan for tea ceremony with appraisal box. The name "Kuro" is carved near the foot ring.

Kuro Hirosawa was a samurai of Nagoya clan and a potter in the late Edo period. He enjoyed the tea ceremony and made tea utensils of Ko-Seto, Shino, Karatsu style in his free time. His works have a unique appearance and often called Kuro ware.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick...

Late Edo to Meiji period (19c) Kuro Oribe Chawan
The body covered with black dull glaze and geometrical Oribe style scenery, with unglazed foot ring and surrounding area.

Size
Height 8.3cm
Width 12-13cm


Condition
Good considering the age.
There is tiny gold repair of the rim.
There are scratches of the glaze due to age.

Supplied with the wooden box with appraisal label Kuro Oribe Chawan

Oribe ware is a form of Japanes...

A very elegant and mature tsutsu style chawan created by Ito Tozan III (1900-1970), third generation of the Ito Tozan line of potters. Tozan, who at one time worked in the kiln of Hamada Shoji, learned pottery from his father Ito Tozan II (1871-1937) and his grandfather Ito Tozan I (1846-1920) from a very young age...

Labeled as yu-Shino on the box or “evening†Shino, this recent composition by Ryouji Hayashi III displays wonderful textures and hues resembling the blazing sky at sunset. The front of the bowl is decorated with radiating fissures— boldly contrasting with the background while the kodai or foot of the bowl is unglazed showing the light-colored clay beneath.

Ryouji Hayashi (1940 - ) is the third generation potter of the Shozan kiln in Mino...

An early 20th century cloisonne obidome with a vibrant color floral design that can be worn as a pendant. Size: H. 4cm. W. 4.5cm. Condition: No repairs.

Graceful, sensitive, and with a distinctively feminine aura—this subtle work of ceramic art has an air of quiet days spent in the garden or of spending an afternoon brightening up an interior space. Using a technique known as 灰釉 (kai-yu) Terai uses the natural ash of various hardwoods to achieve a subtle textured matte glow which is unique to each piece.

Yoko Terai (b...

Ripples of light and dark pigmentation flowing on a background of sky-blue glaze—the description on the box reads 萩孔雀 (Hagi kujyaku) translating as “peacock Hagi” in English. With a distinctive wari-kodai (segmented foot) and unique glaze emulating the vibrant plumage of the notoriously flamboyant bird, this piece leaves a lasting impression.

Born in the illustrious potting town of Hagi, Yamane began his potter’s journey at the age of 35...

Japanese Seto Earthenware Tea Chaire, Tea Caddy with original Ivory Cap and Gold Foil inside, Ca. Edo Period, 1603-1868, 2 1/4" high include Ivory Cap 7/8" diameter-top rim, 1 1/4" Diameter-bottom rim, this beautiful old dark Brown glazed Tea Chaire or Tea Caddy kept original Ivory Cap, which is stained with dark brown tea between porous grains, some rough spot inside the top rim.

Rare and unusual flat undulating bamboo flower basket for Ikebana and the Tea Ceremony. Copper inset. 12" long by 8" wide and 5" tall. Ask for shipping quote.

This piece was grilled with burning red pine fire woods for 10days in "Anagama" kiln. This insence container is called "Garan" that means basement stone of big Buddhist temple. It seems as a natural rock. Size 5.5cm(W) 4.7cm(H) Accessary wooden box with signature

Meiji Period (1868-1912) Japanese Shino Ware Mizusashi (Fresh Water Container) for Tea Ceremony

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
5.7in. (14.5cm.) high;
5.4in. (14.5cm.) diameter;
1470g weight.
Condition
Good.
No chips, no cracks.

17th century Karatsu ware Tea Bowl (Chawan) made in Kihara kiln in Kyushu region

Kihara kiln of Kyushu region was operating during the transition times between the decline of Karatsu tea ceremonial ware and the raise of Shoki-Imari ware (approx. 1624-1671)...

One of the highlight in this piece is in the crystal of feldspar around the base, it's a charm of ido cup most of all. Size: 9.0cm(D) 4.8cm(H) Accessary: wooden box signed by the artist

Eiraku Zengoro XVI Sokuzen (1917-1998) Ninsei style Chawan for Tea Ceremony
The mark of the potter is stamped near the foot ring.

Rare excellent chawan that expresses the red sun behind the golden clouds skillfully using brush technique where the unseen areas are magnificent views of the mountains with a mild white glaze on fine white clay.

Eiraku Zengoro XVI Sokuzen was the head of one of the most influential pottery family in Japan for nearly 60 years and received nu...