Mid Edo period Hagi Chawan in the stylish shape of modest slight distortion. It is roughly coated in slightly glossy white slip and bears beside a wari-kodai (splitted foot) a fantastic 'landscape' on the inside.

But the highlight is the old gold restoration, a fantastic gintsugi (kintsugi) which makes our Hagi tea bowl so valuable and outstanding.

The chawan comes together with a good wood box and a blue shifuku for a perfect protection...

Little distorted half cylinder shaped tea bowl made of light, coarse, unrefined Mino clay. The expertly thrown body is covered with the typical shino glaze inside and outside with a fine dark greyish triangle design. This is a typical late Momoyama design. The somewhat irregular foot is typical for the late production of the 1620-ies at the Motoyashiki and Kamagane kilns.

Wonderful Kintsugi (gintsugi) Gold Restoration, which makes this chawan unique and more precious...

Little distorted half cylinder shaped (tsutsugata) tea bowl made of light, coarse, unrefined Mino clay.

The expertly thrown body is covered with the typical, glossy black iron oxide glaze inside and outside.

The window is decorated with three concentric squares and twigs in iron oxide glaze has then covered with a clear ash and feldspar glaze. This is a typical Momoyama design...

This is really a rarely seen example of antique Japanese ceramic art: impressive Katakuchi Chawan (tea bowl with a spout), made of unrefined Mino clay. Katakuchi chawans of that age are barely available on the antique market. It is the only one in our collection. So take your chance.

A good wood box is included. Shipping included, too.

Wan shaped tea bowl made of light, refined and soft Mino clay, which contains a little iron oxide. The fastly but expertly thrown body inside and outside, with the exception of the bottom (including the finely thrown foot ring) is covered with a transparent ash glaze, which turned to yellow due to the iron oxide in the clay.

In two areas at the rim are highlights in green copper oxide in the tradition of the Mino Ki-Seto...

Let's continue with another treasure: rounded wan-shaped tea bowl with high foot of the bamboo node style. The body pinched in at the middle to a shape called tojinbue (Chinese flute). The light, little coarse clay with enclosures is expertly thrown and full glazed - incl. the foot - with a transparent glaze of wood ash with some feldspar over a white engobe in hakeme style. The glaze shows a fine little crazing over the engobe, which is just amazing...

Here we present a real old Ko-Karatsu Tenmoku Chawan with a wonderful yobitsugi repair. It dates from the early stages of the Japanese Azushi-Momoyama Period (1573-1603).

A yobitsugi repair is not just a simple repair, it is a recreation by using laquer and some fragments of broken pottery of the same or a similar kiln. The result is a breathtaking consistency of 'landscape' (keshiki)...

Very little distorted cylinder shaped (hanzutsu) tea bowl with a rounded brim, made of little reddish, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part and through the finger marks (rokuro-me) covered with an ash glaze inside and outside. The little iron oxide in the clay turned the glaze to light brown.

On two opposite sides, decoration has been applied under the glaze in iron oxide with a little white engobe...

What an atmosphere, this is what the Japanese call wabi-sabi. Full cylinder shaped (Tsutsu) tea bowl with a rounded brim, made of light, very coarse, unrefined Hagi clay. The expertly thrown body was roughly trimmed with a potter's knife in its lower part. The rather high foot is traditionally cut in one place (so called 'wari kodai').

Our chawan was covered with an opaque glaze, which is a mixture of ash and feldspat. It shows a beautiful fine crazing from many years of careful us...