A Beautiful Modern Maki-e Lacquer Kogo, Container for Incense. The lid and sides are decorated with stylised rocks among waves rendered in low relief with different techniques: kirigane ( small squares of gold foil), fundame (mat gold ground), nashigi (sprinkled gold powder) and shakudo on a kuro roiro shiage (polished black lacquer) background A beautiful object for tea ceremony! Inscribed and signed wooden box tomobako. Size: Diam 7,5 h 2 cm. Showa Period, probably from the 60’s...

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

Antique Japanese tea bowl made by Sen Sosa VI, Kakukakusai Genso (1678-1730) who was the 6th Iemoto of Omotesenke school.
There is the "Fu-niko" mark and the inscription which says "with Shigaraki sand soil".

A museum quality masterpiece made by the head of one of the main tea ceremony school in Japan.

Kakukakusai Genso, the son of Soei Hisada, was adopted by the 5th generation Zuiryusai Ryokyu, and inherited the Iemoto title of Grand Master of Omotesenke tea ceremony ...

Rare Hamada Shoji (1884–1978) Summer Chawan with distinctive iron pigments.

Size
Height 7.5cm
Width 13.8cm

Very good condition with no damage
Supplied with wooden box signed by Hamada Shinsaku

Shoji Hamada (1894-1978) was a renowned Japanese ceramic artist and one of the leading figures of the Mingei (Folk Craft) movement...

Size
Height 9cm
Width 12cm

In excellent condition
Comes with signed wooden box

In 2010, Kato Kozo was bestowed with the esteemed title of Living National Treasure, a testament to his mastery in the realm of ceramics. His renown stems from the exquisite range of Shino and Ki-seto glazes, as well as his distinctive Tetsu-yu (iron glaze), cherished for its inviting tactile quality and subtly intricate surface textures...

The mark of the artist is carved on base.

Size
Height 9.3cm
Width 12.9cm


In excellent condition
Supplied with signed wooden box


Born in the vibrant city of Kita-Kyushu, Fukuoka in 1937, Sajiro Tanaka emerged as a shining star in the realm of ceramics through a lifelong devotion to his craft.

In 1971, seeking a profound spiritual awakening, he embarked on a transformative pilgrimage to the venerable Eihei Temple, known for its san...

Sadamitsu Sugimoto, a great master of the ceramic art scene in Japan, was led by Tachibana Daiki the great Zen teacher and has been producing a lot of masterpieces through over 40 years .He has been studying the world of “wabi, sabi, and yugen” as his life's theme. His new challenging work, this celadon piece has born at testing phase, so special price. Size: 11.7cm(D)/8.4cm(H) Accessories: wooden boxes(signed by the artist)

This Tea Bowl (Chawan) in the style of Kenzan is decorated in white slip and underglaze iron.

It is in excellent condition, there is a tiny chip on the lip but no other damage and no repairs. It dates from the late Edo Period.

The Tea Bowl is from the Dikran G...

We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.

Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.

This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men)...

Decidedly modern, Japanese, and minimalist; the textures, colors, and form of this fascinating tea bowl all suggest inspiration from natural objects. The grey, smooth, polished interior of the tea bowl contrasts nicely with the textured ferrous dark ochre ash glaze on the exterior...

The shape of the this tea bowl is known as “tsutsu” in Japanese and is regarded as being especially attractive. Tsutsu bowls are used mainly in the depths of winter to keep in the heat and prevent the tea from cooling too quickly. Though most tsutsu bowls are defined by their smooth, curved edges and contoured clay bodies, this piece is distinct in having more defined edges and straight sides...

A delightful Japanese wood tray in the shape of a lotus leaf. Chiseled Katabori with raised veins and stem and stippled leaf rolled back on sides. The back of the tray is as detailed as the top with an intricate pattern of veins and curved stem. The tray is used in the tea ceremony.

Date: Meiji Period circa 1890

Dimensions:12" X 9" X 1"

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first...

An ancient technique known as “haito” in Japanese was used to give this piece its distinctive look. Thought to have originated in neolithic times and commonly used during the T’ang and Song dynasties in China, an excess of fuel is added at the very end of firing which causes a thick layer of grey ash to adhere to the outside of the vessel...

Heavily influenced by Koryo potting styles and techniques, the Tobei lineage has been crafting exceptional tea-ware implements for 13 generations. The piece shown here was made by the 12th generation (Tahara) and, due to its excellent character, was endorsed by the 15th tea master of the Urasenke School of Tea, Hōunsai. The natural ash glaze gradates from a glossy lavender towards the top to a light tan nearer the bottom...

This is a rare Wan type chawan, around 400 years old in shape close to a tenmoku tea bowl. It is thrown on a wheel from coarse, unrefined iron bearing clay.

The grey ash glaze has been painted on the body with a straw brush as seen on Korean hakeme chawan. A stone in the wall has exploded in the fire - a very sought after effect ( see pic number 2 ), giving this type of Karatsu bowls its name: ishihaze (exploding stone)...

This is a tea bowl of Japanese OHI pottery ware, which was made about 50 years ago by famous Chozaemon Ohi (1901-1986).

It has a fantastic black glaze. The work and the box has the sign of the 9th...

Wonderful kutsugata chawan of the late Momoyama Period.

Distorted shoe shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay.

The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom, the roughly cut foot ring and window, which is decorated with a geometric pattern in black under a transparent Shino type glaze.

Circumventing lines and dots are scratched into the black glaze be...