Buddha in gilded lacquered wood. In the middle of the forehead is inlaid in mother-of-pearl the eye of the spirit. Le buddha is placed on a lotus-shaped plinth and leans against a glory sculpted with volutes. The base and the glory are from the Edo period.The Buddha is probably older, it is constructed differently,having a thick solid layer of reddish-brown lacquer visible where the worn gold powder has gone and is much more worn.The face and torso are atypical of those of the Edo period...

Small statue of the face of Okame. Her round, full cheeks and Heian period hairdo give her head the silhouette of a penis. Her open mouth is in the form of a stylized vagina. Shunga of sorts.
Cast bronze with dark brown patina. Good details.

H 3 x D 2.25 in.

Few casting flaws, otherwise excellent condition

This type of erotic statues are regarded as funny rather than erotic. In Japan they are called waraimono, ‘something (or someone) that makes you laugh’.

The bronze has a fine dark patina. Very fine, expressive sculpture in naturalistic style characteristic of human representation in the Post-War period. - Signed: Yoshiaki. Japan, ca. 1960–1970. H 22.5 cm. Condition: Excellent. *****Tachikawa Yoshiaki (1918 - 2017). He began his training as a sculptor at the College for Fine Arts in Tokyo in 1940 where he remained for a period of 4 years. He received the Japan Fine Arts Exhibition Membership Award in 1978...

Buddhist shrine containing the deity Uga Benzaiten surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and the snake god Ugajin. Hidden between the jugodoji is the tiny figure of Amida Buddha.

In this shrine Benten appears in her eight-armed martial form holding various weapons (wheel, bow, spear, sword, club, lock, and arrow) and the wish granting jewel (all of them missing)...

Zushi, Buddhist shrine, containing a highly complex deity. On an eight-tiered lotus throne sits beautifully carved and decorated Dainichi Nyorai, his hands folded in his lap in meditation mudra. On his head he wears a cap in the shape of a lion head. He sits in front of a disc-shaped mandorla.

From the ceiling of the zushi hangs a drapery, decorated with of two phoenixes in fine gold on a lapis blue ground.

Wood with mineral colors, gofun, and fine decorations in gold...

Buddhist lion in gilded bronze. Japanese work from the Edo period (17 ° -19 °) difficult to date with precision. However the style of the round patches of the coat does not seem to me to be 17 °, it is more reasonable to think 18 ° -19 °. The cast iron is of good quality and very thick which makes it very heavy (18 kilograms). The bronze was hot gilded with mercury and then covered with translucent lacquer which gives an orange color...

Very rare bronze sculpture of Daiitoku, one of the five Myoo. He is represented with six heads (three large, three small), six legs and six arms that are holding the different attributes, while he is sitting on the back of a reclining long-horned buffalo. Here, Daiitoku holds his main hands clasped together. In the others he holds a staff, chakra, sword and trident. A flaming mandorla has been inserted in the back of the buffalo and is held in place by a metal strip on the back of Daiitoku ...

A charming Okimono made of fine grain wood, probably cherry wood because it is too light and wide rings to be boxwood. It represents a couple of cats or martens dressed in kimono. Very nice sculpture, neat details, hair, whiskers. Inlaid eyes. Two other sculptures of this subject are known but much smaller and are housed in the Metropolitan and the other in the Fine art of Boston. They are announced as netsuke. Good condition, nice patina. Worn of uses for a sculpture of the 19th century...

Antique Japanese figure of the seated Amida Nyoria (Amitaba) Lord Buddha. He is seated on a lotus throne, his hands in his lap in Dhyan Mudra (meditation). Carved of wood with gilt lacquer and traces of pigments on the lotos throne...

Sambaso dancer with the typical high hat (striped eboshi) with a sun disc (round circle) on each side. In his left hand he holds suzu jingle bells; his right hand, on his back, holds a fan. Single block carving (ichiboku); keyaki (zelkova) wood, carved in a faceted way, resembling ittobori, and stained dark brown.

Japan, Taisho era, 1910s-1920s.
H ca. 18 inches.
One repaired crack from the bottom going up into his left shoulder, some scuffs and chips at edges, several tension ...

The figures are expertly carved and depict members of the Buddhist pantheon, unidentified by the writer. The material used has a marine origin and is most likely walrus tusk. They are darkened from age and have achieved a pleasing colour. The lotus stands are separately constructed and as they have been produced from a cross-section of the tusk they exhibit the dentine found within. At the least 19th century.

PLEASE NOTE THAT DELIVERY CAN BE MADE TO THE UNITED KINGDOM ONLY.

App...

Very small portable shrine, zushi. The figure of Amida Nyorai is standing on a lotus base with intricately carved curled lotus petals. His slender body covered in a finely, gold ornamented garment, his left hand pointing down in mudra, his now missing right hand would be held up in mudra, as well.

Soft wood stained dark brown, with gold painted decoration and some red.
The insides of the doors decorated in reddish brown with meandering flowers over gold foil on black lacquer.

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Antique Japanese standing figure of Bishamonten, chief of the Four Heavenly Kings (Shitenno) and protectors of Buddhism. He is the distributor of treasures and wealth, protector of warriors, healer of illnesses and guardian of the north. Dressed for war, he stands on the back of an evil spirit. He holds a Buddhist staff in his right hand and a small pagoda representing the divine treasure house in his left hand. Made of lacquered and gilded wood. With glass eyes.

Bishamonten is...

Small and shallow (thin) shrine. Inside are the figures of Bishamonten (right) and Kongoyasha Myoo (left), both standing. Bishamon holds a pagoda and a halberd. The three-headed Kongoyasha’s two hands are empty.
Both are standing on a rock which is placed on a pedestal and both have a small mandorla behind their heads.

Soft wood carved and decorated with mineral colors. Mandorlas, attributes and helmet ornament in gilt metal.
Case is lacquered black on outside with gilt co...

Daruma standing tall, wrapped tightly in his garment, the tips of his feet just peeping out. This pose is associated with the episode in which Daruma travels to China, crossing the river Yangzi, while standing on a reed.
The figure was molded in a cast in two halves and joined before firing. A hole in the back functions as a vent and prevents the statue from exploding while fired in the kiln.
Stoneware with gomma. Details are beautifully worked out, showing best in the expression on h...

Richly decorated Buddhist shrine containing the deity Uga Benzaiten flanked by Daikoku and Bishamon and surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and jewels and a cart laden with something related to harvest and riches. The group is surrounded by choppy waters, imaged in makie gold lacquer on the inside and outside of the shrine.

The esoteric trinity of Benten (defender o...

A pair of antique Japanese Baku corbels hand caraved from solid Keyaki wood. Rare flaming mane design adds a dragon-like fear to wore off evil spirits. Used under the eaves of Japanese temples and shrines, they devour dreams and nightmares as they protect against evil. The open mouth Baku expels all evil while the closed mouth Baku retains the good spirit.

Age: Edo Period (1750-1800)

Dimensions: Approximately 25" Long by 16" High by 10 1/2" Wide

An antique Japanese Jizai (hearth hook) used above an Iron (fire hearth) and hung beneath the house rafter to support a rope and hook or a Jizai Kagi (adjustable hook) to hold a kettle or large teapot above the burning charcoal. The main body is carved from one solid piece of Keyaki (Zelkova) wood. It was designed in the style of the hat worn by the Shinto God Daikoku (God of Agriculture) thereby being given the nickname of Daikoku Jizai.

Age: Meiji Period (1868-1912)

Dimensions:...