Startled to enlightenment, this is a large Edo period figure of a Rakan (Sanskrit: Arhat), a Buddhist saint kozutsucarved in the Yosegi-zaiku method of joined blocks of wood. Originally covered in polychrome colors, much has grayed and flaked away with time, a fitting aspect of the image. He has glass eyes which seem to burn violently with realization. The image is 43 x 36 x 51 cm (17 x 14 x 20 inches) and is in solid condition. The head is removable, slotted into the body at the collar...

Very rare Japanese comic demon Buaku Kyogen mask dating from the early Edo Period, the golden age of Noh Drama. The Buaku mask is a Kyogen version of the Noh Beshimi character. Kyogen were short, humorous skits performed between Noh acts to lighten the mood. The heavily knit brows and wide leering grimace are wonderful characteristics of this mask. It is covered in layered colored gofun (oyster shell lacquer)...

17th Century Early Edo Period Spectacular Japanese Temple Sculpture of Baku, a mythical beast loosely representing an Elephant with a combination of other animals, creating an original form. The Baku is the "Dream Catcher" of ancient Japanese Shinto mythology. It is inserted in the ceiling to watch over the temple. This Baku is a masterpiece sculpture of magnificent presence. It will surely be the focal point in any environment...

16th Century Japanese Momoyama Period Wood Sculpture of Nyoirin Kannon, widely worshiped by those who hoped to gain riches and fulfill requests, seated on a lotus flower on rocks. Nyoirin's pose was appealing to devotees: his relaxed pose is inviting and the hand raised against his leaning head, which signifies a meditative state, adds a human touch. The bodhisattva's pose, in fact, indicates that he is resting in his personal paradise on Mt...

Very Rare Early Edo Period (early 17th Century) Japanese Lion Mask for the Gion Festival. It would have been part of a two man costume, one man holding the mask and the other at the back covered by fabric to perform the traditional Lion Dance. To find this mask from such an early period is really quite an important find for the serious mingei collector. 12 inches (30.5 cm)h x 10.5 inches (27 cm)w x 11 inches (28 cm)d...

17th Century Japanese Standing Buddha. A rare and fine example from the early Edo Period. Carved of Poloma wood with a rich dark patina. Complete with Stand and Mandala. It has a spiritual presence and a beautiful face to contemplate. 15 inches, 38 cm tall. From a prominent and widely exhibited collection.

Japanese Buddhist Temple Carving of a Stylized Cloud Formation. This very early 16th to 17th Century carving is the oldest one we have seen, possibly from the Momoyama Period. Carved of poloma wood. A rare early work of art. 40 inches (101.5 cm) long x 12 inches (30.5 cm) high. Fine Condition. From a prominent and widely exhibited collection.

Very old and wonderful carved wood figure of the buddhist god Fudo Myoo, he stands with laso in one hand and sword in the other, made of wood with mineral pigments, glass eyes, metal details including sword, large and dramatic with fire nimbus, Muromachi Period, inscription on the back of nimbus says Yuwayadera (name of temple), nimbus is signed that it was restored by Minamoto Haruhisa April 16, 1560. Size: 62" high

Japanese Carved Wood Seated Figure of an Ascetic (fasting Buddha). This early Edo Period 17th Century piece is a magnificent work of sculpture with dry lacquer surface and some color with gold lacquer on the stand. He presents a haunting spiritual aura and has the desired sheen for carvings of this age. We are proud to offer this important museum quality masterpiece. 9.5h x 7w x 5d inches, 24h x 18w x 13d cm.

17th Century Japanese paloma wood carving of Buddha seated on a lotus leaf. A beautiful piece with a serene presence. It has a wonderful, warm aged patina. 10 inches, 25.5 cm.

Fine Edo Period Sho Bosatsu Kannon in Rare Excellent Condition, gilded wood sculpture seated on a lotus and holding a lotus in the left hand. The Bodhisattva of Compassion has never been more beautifully rendered. Height: 27 inches (68.5 cm), Width: 14 inches (35.5 cm).

This large and expressive sculpture is made, as expected, from joined segments, each separately carved. This technique is a diagnostic "telltale" which helps to date the piece. The figure sits in a devotional posture, leaning slightly forward with hands joined in a gesture of worship. Extensive remains of gesso and pigment. The piece measures 14-1/2" in height and is free of re-carving or repair. Kindly examine the photographs, as they are part of the description...

An antique Japanese gilt wood temple Ranma (transom). Hand carved depicting a pair of Kingfisher with 3 Swallows amongst Lotus blossoms and leaves. One Swallow has caught a small fish while one Kingfisher has caught the leg of a frog. Deep relief with inscription on left and partial inscription on right.

Momoyama Period (1573-1603)

Dimensions: 43" Wide by 11 3/8" High by 2 3/8" Deep

An antique Japanese temple fragment of the head of Amida Buddha in Hinoki (Cypress) wood. Hand carved in fine detail with a beautiful patina acquired over years of devotion and display.

Age: Edo Period (early 17th C)

Dimensions with stand: 11 5/8" High by 4" Wide by 3 1/2" Deep

A startling find! A Horned Demon mask dating from the Nanboku-cho to earlier Muromachi eras (14th to 15th centuries) carved from a single block of wood and enclosed in an ancient kiri-wood box. The visage would have once sported a lower jaw, likely suspended by chord, which is no longer extant. It is 21 x 15 x 9 cm (8-1/4 x 6 x 3-13/4 inches) and is in overall fine condition, exuding a great sense of age.
Oni Masks: Oni are a type of horned demon or ogre in Japanese folklore...

Very old wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with bronze decorations on the two sides, standing on a lotus, her left hand holding a vase, her right hand in abhaya mudra. The goddess face reflects a profound meditation. Remnants of the original gilding. Fine age patina. Japan, early Edo period. Height: 25.2 cm. Good condition.

Wooden figure of a lion, companion to Fugen bosatsu. On his back he carries a lotus base, on which Fugen used to sit (figure missing). The lion stands on high and slightly stiff legs, each foot positioned on a small lotus base.
The figure has been carved out of several blocks of wood that were subsequently assembled into the final figure. This technique is called yosegi saiku and was widely used for complex sculptures like these. The tail is stuck into the back, remaining loose...

The deity is represented seated surrounded by his multiple arms holding various attributes. Excellent quality of sculpture, on its skull multiple small heads (10+1) pegged, pretty draping, beautiful facial expression, the eyes and the third frontal eye in glass or rock crystal...