A pair of miniature wood sculpture of Ebisu and Daikoku which are two of the Japanese Seven Dieties believed to bring good luck. Ebisu is a diety of fishery which brings plentiful catch and Daikoku is a diety of agriculture which brings good harvest. Both are in excellent condition with an original wood box. 20th century. H:5cm each, w:3.6cm each.

Miniature shrine, or zushi, with figure of Bishamonten, carved in wood.
Bishamon stands on a demon that is lying on a rock. In his left hand he holds a pagoda and in the right a short staff or stick. Behind his head a gilt metal flaming mandorla. The garment of Bishamonten is decorated in gold paint, the crown and mandorla made of gilt copper.
The inside of the doors decorated with waribishi (diamond) pattern...

An antique Japanese Jizai (hearth hook) used above an Iron (fire hearth) and hung beneath the house rafter to support a rope and hook or a Jizai Kagi (adjustable hook) to hold a kettle or large teapot above the burning charcoal. The main body is carved from one solid piece of Keyaki (Zelkova) wood...

A pair of antique Japanese Baku corbels hand caraved from solid Keyaki wood. Rare flaming mane design adds a dragon-like fear to wore off evil spirits. Used under the eaves of Japanese temples and shrines, they devour dreams and nightmares as they protect against evil. The open mouth Baku expels all evil while the closed mouth Baku retains the good spirit.

Age: Edo Period (1750-1800)

Dimensions: Approximately 25" Long by 16" High by 10 1/2" Wide

Richly decorated Buddhist shrine containing the deity Uga Benzaiten flanked by Daikoku and Bishamon and surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and jewels and a cart laden with something related to harvest and riches...

Small and shallow (thin) shrine. Inside are the figures of Bishamonten (right) and Kongoyasha Myoo (left), both standing. Bishamon holds a pagoda and a halberd. The three-headed Kongoyasha’s two hands are empty.
Both are standing on a rock which is placed on a pedestal and both have a small mandorla behind their heads.

Soft wood carved and decorated with mineral colors. Mandorlas, attributes and helmet ornament in gilt metal...

Antique Japanese standing figure of Bishamonten, chief of the Four Heavenly Kings (Shitenno) and protectors of Buddhism. He is the distributor of treasures and wealth, protector of warriors, healer of illnesses and guardian of the north. Dressed for war, he stands on the back of an evil spirit. He holds a Buddhist staff in his right hand and a small pagoda representing the divine treasure house in his left hand. Made of lacquered and gilded wood...

Very small portable shrine, zushi. The figure of Amida Nyorai is standing on a lotus base with intricately carved curled lotus petals. His slender body covered in a finely, gold ornamented garment, his left hand pointing down in mudra, his now missing right hand would be held up in mudra, as well...

Sambaso dancer with the typical high hat (striped eboshi) with a sun disc (round circle) on each side. In his left hand he holds suzu jingle bells; his right hand, on his back, holds a fan. Single block carving (ichiboku); keyaki (zelkova) wood, carved in a faceted way, resembling ittobori, and stained dark brown.

Japan, Taisho era, 1910s-1920s.
H ca...

Antique Japanese figure of the seated Amida Nyoria (Amitaba) Lord Buddha. He is seated on a lotus throne, his hands in his lap in Dhyan Mudra (meditation). Carved of wood with gilt lacquer and traces of pigments on the lotos throne. His hair atop his subtle ushnisha is arranged in sweeping striations instead of the tight curls more commonly seen...

A charming Okimono made of fine grain wood, probably cherry wood because it is too light and wide rings to be boxwood. It represents a couple of cats or martens dressed in kimono. Very nice sculpture, neat details, hair, whiskers. Inlaid eyes. Two other sculptures of this subject are known but much smaller and are housed in the Metropolitan and the other in the Fine art of Boston. They are announced as netsuke. Good condition, nice patina...

Zushi, Buddhist shrine, containing a highly complex deity. On an eight-tiered lotus throne sits beautifully carved and decorated Dainichi Nyorai, his hands folded in his lap in meditation mudra. On his head he wears a cap in the shape of a lion head. He sits in front of a disc-shaped mandorla.

From the ceiling of the zushi hangs a drapery, decorated with of two phoenixes in fine gold on a lapis blue ground.

Wood with mineral colors, gofun, and fine decorations in gold. The crown of t...

Buddhist shrine containing the deity Uga Benzaiten surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and the snake god Ugajin. Hidden between the jugodoji is the tiny figure of Amida Buddha.

In this shrine Benten appears in her eight-armed martial form holding various weapons (wheel, bow, spear, sword, club, lock, and arrow) and the wish granting jewel (all of them missing). On h...

Buddha in gilded lacquered wood. In the middle of the forehead is inlaid in mother-of-pearl the eye of the spirit. Le buddha is placed on a lotus-shaped plinth and leans against a glory sculpted with volutes. The base and the glory are from the Edo period.The Buddha is probably older, it is constructed differently,having a thick solid layer of reddish-brown lacquer visible where the worn gold powder has gone and is much more worn.The face and torso are atypical of those of the Edo period. Only a...

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Likely retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The bottom reveals the three holes used to connect the mold to a turning wheel for ease of applying the paper mache. Knife cuts and natural cracks from wear show how the mold w...

Large toad in Japanese cedar (Cryptomeria japonica, in Japanese sugi).
Black and gold painted glass eyes.
In the Japanese bestiary, the toad has a special place, carrying positive values. The toad as well as the frog, both called Kaeru (蛙) return every year and regardless of the distance to the pond where there were born. The word kaeru is a synonym for "coming home". It is the protective animal for travelers and the symbol of hospitality. Its effigy is present on door hammers or ...

A masterpiece by one of Japan's preeminent artists, Seiko Sawada b.1894-1988. This signed piece was executed out of keyaki wood in his younger days in the 1930's depicts Ebisu, one of the seven lucky gods, riding a fish and a wave spouting out of the fish's mouth. Daikoku, the god of abundance, is riding his treasure bag holding his hammer of magic. The Sawada Museum is in Atami, Shizuoka. Sawada was awarded the Order of Merit in the 1970's.

CANDLESTAND

Old Japanese mingei wooden shokudai (candlestand) that applies the original spiral form created by natural forces to its main body attaching with pedestal, Taisho-Showa period, 20th century, approx. H 41cm (16.14in). Expected aged deterioration as is as seen. Slightly unstable at the joint of pedestal.


selected by titcoRet




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