Antique Japanese set of 4 wagon wheels. The smaller wheels have 12 spokes while the larger ones have 14. The central hub and outside edges of each wheel is lined with iron.

Meiji Period (1868-1912)

Size: 21.75-24" L x 7" H

An attractive and rare group of rootwood ducks. Partly carved from the natural root with the legs attached. The gander with a natural stone around which the root has grown. Meiji, ca. 1850. Size: . H 15 cm, H 12,5 cm., H 10 cm . Condition: Excellent and with great age patina.

Miniature shrine with inside the sitting figure of Dainichi Nyorai. He sits on a lotus base, in front of an open-worked halo. Written on top, probably in red lacquer, underneath a thick layer of soot: Dainichi. Height 2 ¾ in. (6.8 cm). Japan, Edo period, 19th century. Outside: some tiny lacquer chips at edges of one door. Inside: some of the outer lotus petals missing, otherwise very good condition. Very finely carved.

Small and shallow (thin) shrine. Inside are the figures of Bishamonten (right) and Kongoyasha Myoo (left), both standing. Bishamon holds a pagoda and a halberd. The three-headed Kongoyasha’s two hands are empty.
Both are standing on a rock which is placed on a pedestal and both have a small mandorla behind their heads.

Soft wood carved and decorated with mineral colors. Mandorlas, attributes and helmet ornament in gilt metal...

Travel shrine, or zushi, with sitting figure of Kukai, carved in wood. The founder of the Shingon sect sits on a low pedestal, his shoes put underneath. In his left hand he holds the rosary, in the right he formerly held a vajra. Figure carved in plain wood, the pedestal decorated in gold and the typical red, white, green and blue. The inside of the doors decorated with lotus flowers in dull gold lacquer on shining gold lacquer...

Antique Japanese natural burl root stand or stool. Interesting natural burl form shape with bold woodgrain surface.

Dimensions: 17" x 18" x 15.5" H

Miniature shrine, or zushi, with figure of Bishamonten, carved in wood.
Bishamon stands on a demon that is lying on a rock. In his left hand he holds a pagoda and in the right a short staff or stick. Behind his head a gilt metal flaming mandorla. The garment of Bishamonten is decorated in gold paint, the crown and mandorla made of gilt copper.
The inside of the doors decorated with waribishi (diamond) pattern...

The epitomy of wabi-sabi is on display with this Edo Period Ca.1860 wood Kannon Bodhisattva carved out of cypress. In its original box, the lovely patina and equanimous, buddhist compassionate expression is a treasure. 38cm tall x 13cm wide x 8cm deep. Ask for shipping quote. great condition.

A traveling wooden shrine “zushi” or "Nenjibutsu" with enclosing a finely curved wooden sculpture of shichimen Daimyojin (Heavenly Lady from Mount Shichimen). The wooden case is decorated with red lacquer and metalwork. Some loss of lacquerer and pigments are visible, otherwise it is in good condition.

H 2 7/8” x W 1 7/8” x D 1 3/8 (H 7.0cm x W 4.5cm x D 3.2cm)

Very old wood statue of Buddhist goddess Sho Kannon Bosatsu (one of the many forms of Bodhisattva Avalokiteshvara), wearing formal robes, and a diadem with bronze decorations on the two sides, standing on a lotus, her left hand holding a vase, her right hand in abhaya mudra. The goddess face reflects a profound meditation. Remnants of the original gilding. Fine age patina. Japan, early Edo period. Height: 25.2 cm. Good condition.

Japanese 20th century wooden carving OKIMONO of KANZAN, a hermit, carrying his signature rolled hand scroll in his right hand and pointing up with his left. Kanzan means "cold mountain" so he is sometimes called the recluse of cold mountain. He was a recluse in the Taoist tradition. He is almost always associated with JITTOKU and the two of the were suppose to have spoken in gibberish to each other...

Japanese 20th century wooden carving OKIMONO of USOBUKI in a seated position and telling a lie. The OKIMONO measures 8" tall, 7 3/8" wide and 6" deep.

A Kannon Bosatsu wooden statue from the early Meiji Period (19th century) with rests of its original paint.

It is a unique peace of buddhist art, as it bears on its back a writing with black ink from a Samurai. The charakters mean Saikoku Sanjusansho (The Saigoku Kannon Pilgrimage), made by 'Yasukuni Joza' in the status of Bushi (Samurai) in Bungo area, Oita Prefecture.

There are no similar pieces to find. It is really matchless and singular...

Sculpture of Fudo standing in front of a flaming halo from which three phoenix heads emerge. Fudo holds his sword in his right hand, his rope in his left. His flaming halo is curved, surrounding him in a dramatic way.
Exquisite carving in very soft wood, probably cryptomeria (sugi), lightly stained with a shade of darker brown.
Japan, Meiji period.

Height 10.6 in. (27.6 cm).

Excellent condition

Very small portable shrine, zushi. The figure of Amida Nyorai is standing on a lotus base with intricately carved curled lotus petals. His slender body covered in a finely, gold ornamented garment, his left hand pointing down in mudra, his now missing right hand would be held up in mudra, as well...

Vintage Japanese wood carving of the face of Bodhidarma with his fly whisk. Also known as Daruma, the legendary intensity of the monk is expressed in his downturned mouth and heavy eye brows over wide eyes. A popular sign of good fortune for any business. Lacquered details in red, white and black.

Age: Showa period (early-mid 20th century)

Dimensions: 23 1/2" high x 19 1/2" wide x 2 3/4" deep

Antique Japanese small zushi, a shrine made for traveling. Carved of wood and lacquered black on the outside, the tiny doors open to reveal the figure of a praying abbott standing on a lotus pedestal. The interior of the shrine as well as the abbott himself are all lacquered gold and he holds a tiny strand of glass prayer beads. There is a tiny metal hook on the top of the zushi.

Age: Edo Period 1603-1867

Dimensions: 4 5/8"H x 2"W x 1 3/8"D

An antique Japanese Daruma wooden mold used for making paper mâché dolls. Likely retired from duty and lacquered to preserve its years of production and service. The worn lacquer is a testament to its display and use that extended beyond its useful life and paid tribute to the former artisans that supported the craft. The bottom reveals the three holes used to connect the mold to a turning wheel for ease of applying the paper mache...