A pair of small gold doors depicting Asian Civets (Jakoneko) in a flower strewn garden dating from the early to mid Edo period (17th to 18th century) reminiscent of the famous pair of screens heralding the same image by Kano Yukinobu (Utanosuke, active Muromachi period). The handmade bronze handles are in the shape of hollyhock leaves, intimating connection to the Tokugawa clan, head of the Shogunate...

Scratches of ink form a precipitous landscape of jagged mountains on the paper surface of this scroll performed by Fujii Tatsukichi enclosed in a wooden box titled: Painted by the elder Tatsu, One Scroll, Mountain, Annotated by Eichi. It is framed in a silk border terminating in black lacquered rollers. It is 13-1/2 x 59 inches (34 x 149 cm) and is in excellent condition.
Kato Eichi (1899-1987) was a potter from Seto who trained under Tatsukichi...

Beautifully painted pair of herons amidst willow trees and embankment. Soft color palatte with gold leaf background. Black lacquered wooden frame with bronze embossed metal hardware. Good Condition

Circa 1950s

Dimensions: 71"L x 36"H

The village headman aims his arrows at the moon to dispel the evil brought on by a solar eclipse, the village women in the background standing in prayer. This scene was painted by Higuchi Tomimaro for show at the Seikosha Exhibition held in Osaka in 1938. It is an excellent look into the world of the Ainu, a native culture to Northern Japan now lost to history...

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A Japanese Tsukioka Yoshiyoshi tryptch "Toin no Akinotsuki" from the "Legend of the Hero and Warrior" series. Autumn Moon at Toin: Flute Player Yasymasa. The print is signed by Toshiyoshi (1839-1892)who is considered one of the last great masters of ukiyo-e. The triptych is a woodblock print with Katada Chojiro, the publisher hand stamped in the left hand corner.

Date: 1894

Dimensions:13.25"h x 27.25"w

The golden orb shines out like the light of Buddhism from between the dark clouds on this exquisite 19th century image by Wada Gozan, priest of Jinko-in Temple. Ink and gold-pigment on silk in a patterned silk border with wood rollers in a period kiri-wood box titled Tsuki no ga Yokomono Ippuku (1 wide painting of moon) Wada Gozan koto (of Wada Gozan), annotated by Kuten. It is 25 x 48-1/2 inches (63.5 x 123.5 cm) and is in overall fine condition, with a minor wrinkle in the lower border...

A rare pair of original Japanese six panel screens depicting the four seasons of Ginza. The panels are painted in the traditional Kano school. Using exceptional technique, the images are hand painted with natural rimpa paint and ink and gold leaf ground on gofun paper. The six panels depict the seasonal landscape of a Ginza garden. Excellent overall condition.

Date: Edo Period (Early 19th Century)

Dimensions:41 1/2” high X 110 1/2” wide (Each screen)

An unusual Japanese six panel screen of Ducks, Egrets, and Pheasants. Painted with rimpa paint on an unique mix of gold and silver leaf gofun paper, which gives the screen an incredible look and balance of cold and warm tones, depending on lighting. The painting composition shows influences of natural history and the importance of empty space.

Date: Meiji Period (early 19th Century)

Dimensions: 67” high X 147 1/2” wide

An antique Japanese six panel screen depicting a quiet pool with birds taking a rest amongst the grasses and flowers. Ink and light colors on paper. Silk boarder. Condition consistent with age.

Date: Taisho Period (early 20th Century, 1912-1926

Dimensions: 65” high X 148” wide

An antique Japanese 4-panel screen painting. Each of the flowers shown has a meaning known as the Language of Flowers, depicting Love, Loyalty and Family. Painted with mineral pigments and raised gofun on gold leafed paper.

Date: Taisho Period

Dimensions: 67 1/2” high X 96” wide

A truly stunning Japanese six panel screen hand painted with raised rimpa paint on gold ground leaf gofun paper. The subject matter is a view of a natural overgrowth of hollyhock, sweat peas, and morning glories cascading and creeping over the bamboo fence.

The Hollyhock flower in Japan represents is fertility and fruitfulness...

Antique Japanese 6-panel byobu screen painting depicting a noble woman's carriage (gosho-guruma) parked under a blossoming cherry tree (sakura). The tassel cords are untied. The yoke rests on a black lacquered stool. The cart is decorated with irises and peonies with raised rimpa paint. The sudari is shut closed with chrysanthemum pattern curtains billowing out. Painted in mineral colors and raised gofun on gold leaf...