Antique painting of a scene from one of the poems in the Kokin Wakashu or "Collection of Japanese Poems of Ancient and Modern Times", dated from the Heian period (794-1185 AD). It was invented and published by Emperor Uda and his son, Emperor Daigo in the year 905, and was compiled by four of their court poets: Ki no Tsurayuki, Ki no Tomonori, Oshikochi Mitsune, and Mibu no Tadamine...

A fine 18th Century Kano school painting depicted peony flowers. Behind the scene is a stream. It is painted with pigments of green (rokusho), which has been richly used. The combination of red and white flower symbolizes good fortune. This subject was painted in life size and a very good example of Kano school peony painting.

It is in good condition with patina...

The painting depicted a samurai met an old man at night. In Japan there are many legendary tales of ogre extermination where samurai fights with ogre to protect people and their town. Some folklore says that the ogre turns into human and attacks people go around. Here, the samurai was prepared for the fight by the torii, which is a traditional Japanese gate commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the profane to the sacred...

A samurai and his retainer helping his load to dress in armor. Painted with ink and pigments on silk. During Warring States period (sengoku period), samurai had a specialist retainer who can put armors on them before going to a war. The specialist stylists were familiar with armor and well aware of the order of dressing up so that samurai did not waste their time to join the war. Signed Hogan Eishin and sealed...

A group of samurai won a victory in a battle. Hanging scroll Circa Edo period, 17th century. Painted on paper with ink and pigments. The samurai on the far right is holding a stand with the head of their enemy’s general. In Japanese history the enemy's head was to prove the samurai's feat in a war. If the opponent defeated was in a higher position, the better rewarded. There is an inscription on the scroll reads Tosa Mitsuoki hitsu, means painted by Tosa Mitsuoki...

A Japanese painting of a pair of songbirds perched atop a Peony Tree. Mounted single panel using a colored Sumie technique. Silk bordered on a silver leaf background.

Age: Taisho Period (1912-1926)

Dimensions: 70" High by 28 5/8" Wide

A beautiful image of a massive swimming carp - a noble fish. Finely painted on silk with ink. The signature reads shikibuno sato yusen hironobu. Kano Hironobu(1778-1814) was active in the late Edo period. He inherited the hamacho kano family and became a court painter. In 1808, he granted an important title Hogen, which was given to extraordinary artist.

There are some light marks and crease present, otherwise the piece is in good condition...

A tiger sits tensed on a pine tree. The fearsome advance of the beast is suggested by the powerfully hunched shoulders, the placing of its feet, which all emphasize the animal's size and strength. Painted with ink on silk. The signature reads Ganryo and sealed. Kishi Ganryo (1798-1852) was a Kyoto based painter active during late Edo period, 19th century. He was trained under Kishi Ganku, who was a noted Japanese painter of the late Edo period and founder of the Kishi school of painting...

Japanese Buddhist scroll painting of a deity seated on the back of a fu dog, contemplating a scroll of calligraphy. With chop and signature.

18th century Edo period (1603-1868)

Size: (entire scroll) 43" H x 16.25" W (artwork only) 20" H x 12" W

Kamikaze, the Divine Wind decimating the Chinese fleet as fearless warriors brave the tempest to drive off the attacking hordes. Uenaka Chokusai, enclosed in the original signed wooden box. Pigment on silk in a pale silk border with ivory rollers. 19-1/2 inches x 7 feet (49 x 214 cm) in fine condition...

An unusual Japanese six panel screen of Ducks, Egrets, and Pheasants. Painted with rimpa paint on an unique mix of gold and silver leaf gofun paper, which gives the screen an incredible look and balance of cold and warm tones, depending on lighting. The painting composition shows influences of natural history and the importance of empty space.

Date: Meiji Period (early 19th Century)

Dimensions: 67” high X 147 1/2” wide

A comic scene in ink on paper of boys herding oxen by Nagasawa Rosetsu spreads across these two low screens. The central characters, one in the lead the second astride one of the behemoths crossing a bridge is distracted by a butterfly floating by above while the beast in front steps on its own rope, pulling his head back to the viewer with a quizzical expression. Other oxen and boys populate the background. All is performed in very soft gray tones with abbreviated detail as if viewed through...

A 19th Century Japanese six panel screen of Nara preparing for the Matsuri Wakakusa Yamigaki festival. This elegant bird's eye view of the city of Nara in the Edo period depicts a scree of village life in preparation for the traditional rice festival. Dancing and drinking are on display and the excitement fills the air with anticipation. The Nara temple is the major sponsor of the activities. The temple is open to patronage and veneration. This festival celebrates the rice harvest for the city. ...

An antique Japanese 4-panel screen painting. Each of the flowers shown has a meaning known as the Language of Flowers, depicting Love, Loyalty and Family. Painted with mineral pigments and raised gofun on gold leafed paper.

Date: Taisho Period

Dimensions: 67 1/2” high X 96” wide

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds. The exaggerated foliage and scale of the courtly figures are dynamically composed with tranquility and balance.

The Tale of Genji is a masterpiece of Japanese lite...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment. He is able to find an ...

Antique Japanese hanging scroll attributed to Kano Chikanobu, painting of Hotei resting on his bag and holding his fan, painted with sumie ink on paper, beautiful scroll mounting and condition. Age: Edo period (1600-1868). Size: Length: 52" Width: 22.1", with ends: 24.5".

An early work featuring white walls in Autumn foliage by Kitamura Seigyu enclosed in the original signed double wooden box. The box appears to be titled HakuryuJi no yu (evening around Hakuryuji). There are many places named Hakuryuji in Japan, so it is difficult ot be specific, but near his home of Hokkaido, and a place he would have passed through is a Hakuryuji in mountainous and rural Akita prefecture. This work is performed with pigment and powdered silver on silk, and dates from very ea...