A pair of Japanese Edo Period scroll paintings by the painter Sumiyoshi Hiroyuki (1755-1811) , one of a dragon in the clouds and another of a tiger in a bamboo thicket, skillfully painted in sumi ink on silk and signed by the artist. The painter, Hiroyuki was as disciple of the painter, Hiromori and a of successor of the Sumiyoshi School which worked primarily for the Shogunate of Edo Period...

This playful image of a Japanese raccoon dog (tanuki) enjoying a flask of saké was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

This soulful image of a Japanese hamlet in the depths of winter was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above...

A symbol of health and prosperity, these ripe eggplants were painted by Hasegawa Gyokuhou (1822 - 1879), a disciple of one of Kyoto’s leading Shijo school artists, Matsumara Keibun (1779 - 1843). The attached stylized calligraphic poem, which speaks of accomplishment and being productive in one’s endeavors, was done by one of Japan’s most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875)...

A pair of gold screens with bold shishi on genuine gold leaf. It is signed Miyauchi Gohogan Shinsai Fujiwara Morimichi sei and stamped Hogan Morimitsu no In. Each panel is 37-1/4 x 68-1/2 inches (94.5 x 174 cm). The screens have been restored, with some old repairs visible. These appear to be remounted from what is likely a different composition, possibly a set of fusuma doors...

Original Japanese 4-panels screen. Painting on silk representing Buddha surrounded by bodhisattvas, Kanon and Hiten and Hoho twins among the clouds in a mountainous landscape. Good condition considering its age. Origin: Japan. Period: 19th century. Signed and 2 seals : Akihura. Size: 51 (x4) x H163 cm (20"x4xH64").

Signifying strength and resilience, bamboo—together with pine and plum (sho chiku bai)—is an auspicious symbols running through the heart of Japanese art and culture. The young bamboo depicted here—sprouting from a patch of rocks—were composed by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Rengetsu was born into a Samurai family but was soon after adopted by the Ōtagaki family...

This poem, inscribed with Rengetsu’s unmistakeable flowing calligraphic script, is set on a backdrop of colored washi paper decorated with gold flecks and intricate renderings of magical forest spirits. The spirits are drawn using “gofun”—a calcium carbonate powder obtained by heating and grinding oyster shells collected around the Inland Sea coast...

Japanese Meiji period painting on silk finely rendered with three birds perched on a tree branch set against a rising full moon. Signed “Gokyo” (artist unidentified) with a red seal below. Appears to date from the 19th century to circa 1900. Measures 47”V x 19 3/4”H. Very good overall condition with minor discoloration from foxing and a faintly visible horizontal soil line at the mid-section. The painting is executed on fine silk gauze...

A pair of 19th century screens by important artist Mori Kansai. Ink and applied gold flake on paper in a patterned silk border with black lacquered wooden frame featuring fine brass hardware. Each is 376 x 171 cm (148 x 67-1/2 inches)...

Japanese scroll painting depicting a scene from the Genji Monogatari (Tale of Genji). A nobleman and a young man sit on tatame mats and look out onto a garden setting. They are surrounded by painted byobu screens and clouds of gold mist. The painting is rendered in traditional Tosa School manner with flattened over head perspective and fine lined brushwork. Painted in mineral colors, sumi ink and gold leaf flecks on paper. Edo Period. Size of scroll: 47" high x 19 1/2" wide...

A late winter scene picturing a majestic white hawk alighting on a plum branch in full bloom. Hawks—which were used for hunting during the Momoyama and Edo periods (takagari)—are considered symbols of nobility, strength, and are thought to embody the samurai spirit...

A rare antique scroll depicting 2 Japanese TANUKI RACOON DOGS (mangut) in their natural environment. Signed and with Seal bottom right. Good condition. Size: H.45.75" x W. 24.5" ( 116 cm. x 62 cm.). 19th Century

A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu...

Important Edo Period C.1850 scroll painting of Kannon holding `Yatagarasu` the divine crow and messenger to the gods. Symbolizes the sun and like the sacred phoenix resides in the celestial realm. A mark of rebirth and rejuvenation. Yatagarasu as a crow-god is a symbol specifically of guidance. This great crow was sent from heaven as a guide for Emperor Jimmu on his initial journey from the region which would become Kumano to what would become Yamato, (Yoshino and then Kashihara). It is general...

Based on a classical tale adapted into a popular Kabuki performance in late Edo, the story of the Fuji Musume or “Wisteria Maiden” is an often employed motif in Japanese art. In the story, the Wisteria Maiden is depicted in a painting holding a wisteria branch, until one day she becomes smitten with a young man passing by and steps out of the painting in an effort to capture his attention. Unfortunately, her attempts are futile. Her love goes unrequited, and she sorrowfully steps back into ...

A finely painted water colour , with gold leaf overlay, depicting a scene from the 11th Century classic "The Tale of Genji" written by noblewoman and lady-in-waiting Murasaki Shikibu. This item was made in Japan in the 19th Century during either the late Edo or the Meiji period (1868-1911). Condition: there is very minor "foxing" to the paper which probably predates the framing of this picture during the 1920s or 1930s. Frame: 32.5cm (12.75 inches) wide; 29cm (11.4 inches) high. Painting: ...