Autumn Landscape depicted autumn leaves and the mountain river. Painted with ink and pigments on silk. Signed and sealed.

Kawabata Gyokusho (1842-1913) was a Japanese artist active during Meiji – Taisho period, early 20th Century in Japan. He learnt painting under a prominent artist from maruyama school, Nakajima Raisho (1796-1871). Gyokusho's works combine the Maruyama style with Western realism...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks...

Antique Kano school ink painting depicted ukiyoe landscape with a rising dragon over Mt. Fuji. Painted with ink and gold pigments on paper. Signed Tatenobu, which is the artist name of the Kano Eitoku(1815-1891). There will probably be lightning and a storm raging in the scene where it depicts a person desperately holding onto a torn umbrella as he rushes forward across a bridge that looks like it is about to overflow with river water...

Japanese ukiyo-e style ink and color on silk scrolled painting of a standing bijin (beauty) by Ohara Donshu (1792-1857), aka Ohara Tonshu and Ohara Kon. Signed in black ink “Donshu” and with two red artist’s seals “Donshu” and “Hara kon no in.” Ohara Donshu was a follower of Shijo-style painter Shibata Gito, who was in turn a follower of Matsumura Goshun. Although best known for his Maruyama-Shijo style landscape paintings, Donshu also produced fine figure paintings...

A woodblock print by the artist Karhu. The print is labeled "Avoiding Stepping". The full narrative is "As You Would Avoid Stepping In Shit, Ignore Fools". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 17/100 Date: 1976

Dimensions: 26" X 9.25"

A woodblock print by the artist Karhu. The print is labeled "Bigger Fool". The full narrative is "The Bigger Fool is a Fool Who Hires a Fool". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 37/100 Date: 1976

Dimensions: 24.5" tall X 9" wide

A woodblock print by the artist Karhu. The print is labeled "Negligance". The full narrative is "Fight the Enemy, Negligance". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. The print is signed and numbered 23/100. Date: 1976

Dimensions: 25.75" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Hurry to Study". The full narrative is "Hurry to Study wih Age the Spirit Slows". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 12/100 Date: 1976

Dimensions: 25.75" X 9"

A woodblock print by the artist Karhu. The print is labeled "Fish of Fortune". The full narrative is "Don't Let Go of the Fish of Fortune". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style. Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society. Print is signed and numbered 41/100 Date: 1976

Dimensions: 26" X 8.25"

A woodblock print by the artist Karhu. The print is labeled "Wealth & Happiness". The full narrative is "Wealth & Happiness come to Those Who Don't Deserve Them". Clifton Karhu became one of the most successful contemporary Western artists working in Japanese woodblock style.
Karhu lived permanently in Kyoto, Japan, where he was the head of the Kyoto branch of the renowned Japan Print Society...

Antique hanging scroll. A dragon dressed in kimono and apron stands on hind legs, and holds up high a jewel, as if offering to an invisible celestial divine creature. Above them is a swirl.

Signed: Shoto …utsutsu. Seal: Moroku sensei.

Black ink and mineral color on paper.

Japan, Taisho era, 1910s, perhaps 1920s.

Painted area: ca. 52 x 13.5 in. (132 x 34.5 cm).
Total length ca...

Calligraphy haiku poem depicted with strawberry and loquat. Painted with ink and pigments on paper. Signed and sealed.

Ogiwara Seisensui (1884 – 1976) was a Japanese haiku poet active during the Taishō and Shōwa periods of Japan. Although he attended Seisoku Junior High School, Ogiwara was expelled after publishing a student newspaper criticizing the school's educational methods and administration...

Edo String Puppetry. Painted with ink and light pigments on paper. Signed and sealed. Circa 19th C.

The origins of Japanese string puppets date back to the early Edo period (first half of the 17th century). In the first half of the 17th century, during the reign of the third Tokugawa shogun, Iemitsu, the first generation, a man called Yuuki Magosaburo, built a string puppet theater troupe tower (*now called a theater) in a corner of Nihonbashi, Edo...

Antique Japanese small two-panel screen painting of Kiyomizu-dera temple...

Bird and flower painting depicted tit birds in the cotton flower. Painted with ink and pigments on silk. Signed Gyokkei and sealed.

Mochizuki Gyokusei(1900−1951）was a Japanese painter born in Kyoto. He was a pupil of prominent artists Nishiyama Suisho (1879-1958) as well as his father Mochizuki Gyokukei (1874-1938). Gyokusei graduated from and taught at the Kyoto Municipal School of Arts and Crafts and the Kyoto Municipal Special School of Painting for further art education in Kyoto. H...

3 robed figures appear decidedly relaxed on the edge of a rock-strewn river lost in dark mountains. Above a poem reads:
Furusato ha Arukiteyukeru Tokoro ni-te, Yama ari, Mizu ari, kataru yuujin ari (Walking through my home(town) I find mountains, water and friends for conversation).
Ink on paper bordered in patterned silk with bone rollers. It is 59 x 129 cm (23 x 51 inches) and is in overall fine condition, with some toning due to age. Shimizu Hian (1883-1975) was a popular poet...

A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

Kakemono (kakejiku), black ink (sumi-e) scroll painting on paper of a bamboo whose top is lost in the clouds evanescently. The power of the line, as traced by a single brushstroke, gives a strength synonymous with permanence in the face of the vagaries of time. Bamboo, a symbol of prosperity, is one of thte three auspicious plants, pine-bamboo-plum (shochikubai). Height approximately 2meter.