Antique/Vintage painting depicted kannon bodhisattva seated on the rock. Painted with ink and light pigments on silk. Signed and sealed.The inscription above is written:

慈眼視衆生 (Jigen shi shujo)
Kannon always looks at all of us, all living beings, with a kind and compassionate gaze.

福聚海無量 (Fuku Jyu Kai Muryo)
The world we saw and felt in that way, it is said that the blessings are as endless as the sea.

Some marks are present on the painting itself...

Spring Landscape. Painted with ink on silk. Signed Chokugai and sealed. It is dated as painted in 1924 on the painting.

Tanomura Chokugai(1905-1997) was a Japanese painter born in Kyoto. Great-grandson of Tanomura Chokunyu(1814-1907). He studied under Tanaka Hakuin(1866-1934). He was a member of the Kyoto Japanese Painters Association and chairman of the Kyoto Shogain.

Some insignificant marks and foxing are present on the painting itself, and some marks, very light...

Landscape. Painted with ink and pigments on silk. Signed Suiu and sealed.

Some insignificant light marks are present on the painting and the scroll mounting, otherwise the piece is in fine condition with the age. It is accompanied by a paulownia wood storage box.

Painting: W19 5/8” x H50 3/4” (W50cm x H129cm)
Scroll: W25 3/4"x H79 1/2” (W65.5cm x H202cm)

Mountain waterfall. Painted with ink and pigments on paper. Signed and sealed.

Yano Kyoson(1890-1965)was a Japanese painter from the Taisho(1912-1926) and Showa era (1926-1989)...

Autumn Landscape depicted autumn leaves and the mountain river. Painted with ink and pigments on silk. Signed and sealed.

Kawabata Gyokusho (1842-1913) was a Japanese artist active during Meiji – Taisho period, early 20th Century in Japan. He learnt painting under a prominent artist from maruyama school, Nakajima Raisho (1796-1871). Gyokusho's works combine the Maruyama style with Western realism...

Unique Zen ink wash painting depicts scroll and bamboo broom representing Kanzan and Jittoku. Kanzan and Jittoku were Zen eccentric monks thought to have lived at a monastery on Mt. Tendai in China during the Tang period (618-907). They had a thorough knowledge of Buddhist philosophy. Kanzan often depicted holding a scroll, presumably of his poetry, while Jittoku holding a broom, indicating his position as a scullion at a monastery...

This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district nestled at the foot of Kyoto’s eastern mountain range), 2) “Kyomizu-dera” (One of Kyoto’s most iconic temples located in the western foothills), and 3) “Tatsuta” (An area west of Kyoto on the edge of Lake Biwa, known for its expansive fields of lotus flowers)...

ARUGULA

Japanese kakejiku hanging paper scroll abstractly tore off by hand, 52 x 184.5 cm (20.47 x 72.63in)...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father...

This scroll is an excellent example of the early Showa era style of Shirakura Niho centering around 1930 enclosed in the original signed wooden box titled Teishu Sotai. The painting features two persons in a boat contemplating a precipitous waterfall which extends up through the clouds. The phrase Teishu Sotai in old Japanese translates to "meeting of moored boats" in English...

The size of Scroll: 56" Long x 25 3/4" Wide without scroll end. Painting size 17 1/4"Long x 20"Wide. The scroll was painted on paper. The beautiful Sansui, Landscape by Artist name. Gendo. The subject of painting with Country house with man working in his yard...

A collaboration piece between the famed poet/ nun of the late Edo period Rengetsu and her younger protege Tessai, this scroll depicts a frightened cricket making his way to the top of a stalk of grass on a windy day. Set in the fall season, the viewer can imagine a message of frailty, loneliness, and possibly the feeling of trepidation that accompanies the turning of the seasons towards the colder months. Melancholic though it may seem at first glance, there is the deeper, more hopeful message o...

Autumn in the Mountains by Shirakura Niho Pigment on silk in a fine brocade border extended with beige and featuring ivory rollers enclosed in the original signed double wood box (nijubako). It is 26 x 56 inches (66 x 143 cm) and is in excellent condition. This is signed with his later art name Kanyu. We can see in the style as well, here he has adopted a very western watercolor approach, that this is one of his post-war works.
Shirakura Kinichiro (Niho or Jiho, Kanyu, 1896-1974) was ...

This poetry and artwork, done by one of the most renowned and loved waka poets of the 19th century—Ōtagaki Rengetsu (1791-1875), tells the story of a personal moment of joy and contemplation upon returning home one autumn evening accompanied by the brilliant moon above.

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly gr...

A superbly rendered image of a golden-eyed monkey with prehensile tail curling upward in a fine mounting of golden striped brocade by Ota Issai. The scroll is 34 x 59 inches (86 x 150 cm) and is in excellent condition, completely remounted using quality materials without overpainting. Ota Issai (1892-1979) was born in Nishio city, Aichi prefecture near modern day Nagoya. He graduated the Kyoto E-ga Senmon Gakko (future Kyoto U of A) where he studied under Kawai Gyokudo, specializing in anim...

Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke made with sweeping yet calculated motions to evoke nostalgia for sultry summer days and tropical climes. Traditionally in Japan the leaves of the banana tree are used as a wrap for cooking or for carrying food for a picnic—adding to the imagery of lazy summer afternoons spent with friends, family, or perhaps lovers out in nature.
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Long a symbol of longevity, good luck, and support in many parts of Asia; in Japan the turtle has the added symbolism of being one of the cardinal protectors of Heian, the ancient capital city of Kyoto. This rendition of a turtle basking on a sunny riverbank was done by one of the most renowned and loved Waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875).

Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Re...

This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city. Over time he came to paint almost exclusively birds in various landsc...