An antique Japanese scroll of a recumbent cat gazing into the foreground amongst the blooming Peony flowers. Hand painted on silk using opaque pigments. Subject was painted in the style reminiscent of the Sung and Ming dynasty images of cats with the unusual exception of its gaze towards the viewer rather than looking up or at the flowers. Both the cat and the Peonies are auspicious symbols in the Japanese culture and often depicted in its art and poetry...

Japanese scrolled painting on paper by Okutani Ichiyo, also known as Okutani Kazuyo, depicting a leafy vine with petunia flowers under the sliver of a moon. Signed Ichiyo with the red artist's seal below. Elaborate silk brocade scroll mounting with lacquer scroll ends. Early 20th century. Scroll: 75 1/2” x 12 3/4” (painting: 50 1/4” x 11 7/8”). Very good clean overall condition with only minor buckling and soiling evident.

Japanese scrolled painting on silk by Kikuchi Yosai (1788-1878), also known as Kikuchi Takeyasu, depicting the sun rising behind Mount Horai. Signed in black ink at the lower left and with the artist's red Takeyasu seal below. A symbol for Japan, Mount Horai (Treasure Mountain) is a lofty mountain covered in pine, prunus, and bamboo on a mythical island of immortals in a distant sea...

"Yacchimatta!" the lost soul seems to say as he slaps himself on the head, a sake cup and Tokkuri wine flask in front of him. Ink on dark paper with patterned dark cloth boarder with wide gray piping and featuring bone rollers. The skeleton and or skull have long been featured in Japanese art, both secular and Buddhist. It is used as a symbol of impermanence and as a Zen teaching tool...

Japanese scroll painting by the Nanga School painter, Rai Sanyo. Calligraphy and a large ink painting of a gourd covered with individual signature seals on paper. Mounted with silk boarder and wooden rollers.

Rai Sanyo (1780-1832) was born to a samurai family of the Hiroshima Domain. He entered into a training school for government bureaucrats in Edo but decide to devote himself to writing instead...

This tranquil winter scene showing a group of birds taking shelter in the snowy boughs of a tree was done by well-known Edo painter, poet, and tea ceremony devotee—Baiitsu Yamamoto.

A native of Nagoya, a bustling Japanese center for shipping and trade in Late Edo, Baiitsu was heavily influenced by works of Chinese art, especially the naturalistic landscapes that made their way into Japan through this port city...

Chinese scroll painting of a beautiful maiden. She stands in a loosely draped salmon colored gown with red chording, a transparent shawl around her bare shoulders. Atop her head is a bright pink peony flower. At her feet, is an exuberance of wide leaves, the over all appearance is that she is part of the blossoming plant. Dramatic calligraphy dominates the left hand side of the painting. Signed by Wu Fan...

Japanese Edo Period scroll painting of a yamabushi, a mountain ascetic hermit or holy man. Often believed to be endowed with supernatural powers, the yamabusi follow the Shugendo doctrine, a religion that places heavy emphasis on feats of endurance. Throughout history, they have participated in battles along side samurai. In this painting, the warrior/sage is leaning on a walking stick. He is dressed only in leaves and animal skins...

Seated in meditation with open and compassionate heart, this bodhisattva is on a spiritual journey, postponing his own salvation in order to remain on earth to help others achieve enlightenment. In contrast to some images of the Japanese Bodhisattva (Bosatsu), often depicted as austere and inward looking, here, Kimura depicts the Bodhisattva as playful, carefree, and decidedly ornate...

This masterful rendition of an idilic landscape done in the Nanga style of Chinese painting is spread across three canvases titled 1) “Arashiyama” (A district nestled at the foot of Kyoto’s eastern mountain range), 2) “Kyomizu-dera” (One of Kyoto’s most iconic temples located in the western foothills), and 3) “Tatsuta” (An area west of Kyoto on the edge of Lake Biwa, known for its expansive fields of lotus flowers)...

Hanging scroll. A dragon shoots upwards through the clouds. Its head clearly visible, pointing straight up, the tail faintly disappearing in the darkness of the sky. Black ink on silk. Very skillful use of many shades of black and gray. Signed and dated in the lower left: Bunka year of the dog (1814), Fuyu and artist’s red seal Rintai.
Japan

Image: H 52.5 x W 20 in. Mounting: H 81.5 x W 25 in. (lower roller 27.25 in. wide)

Mounting in excellent condition, painting too.

Japanese sumi on paper—this piece by well-known Meiji/ Taisho artist Tomita Keisen depicts a lone banana tree. Deceptively simple in style, each brush stroke made with sweeping yet calculated motions to evoke nostalgia for sultry summer days and tropical climes...

Japanese woodblock print mounted as a scroll. Showing Amida in the Pure Land Ink on paper with printed surroundings, wooden rod at top and bottom. Title at top and bottom. Overall size 122x61 cm. undated,estimated to be early 20th century. Can be viewed in central London and shipped worldwide.

Hanging scroll. Black ink, light colors and gofun on paper.
Painting of the demon of Rashomon stealing back his severed arm from Watanabe no Tsuna. Excellent use of dry-brush technique.
Signed: Yoshimitsu saku, seal Hoko. Japan, Taisho/Showa era.
Newly mounted with original embroidered brocade.
Image: 24 x 12.5 inches...

Hanging scroll. Shoki holds Futen’s wind bag which balloons around him and protects him from a very light rain. While Shoki has his hands full trying to control the wind bag, his bulging eyes are rolled in defeat and annoyance towards the right, where a little demon who has a Chinese mortar on his head and holds the pestle in its hand jumps in front of him.
Ink and color on silk.
Signed and red artist’s seal.
Japan, Taisho or early Showa era, 1920s-1930s.

Image: H 43.25 x...

Very small hand scroll showing five erotic scenes. High quality painting in the style of Katsushika Hokusai (1760-1849).

Black ink, colors, gofun, black lacquer on silk. Gold flakes (now oxidized) on the backing paper. Glass or crystal scroll ends.

Japan, Meiji era, 19th century.

L 82.5 x H 2.5 inches

Gold flakes oxidized, otherwise excellent condition.

Antique Japanese small scroll painting for a shrine depicting the goddess Benzaiten (Benten). One of the 7 Lucky Gods, Benten is the goddess of good fortune, wealth, music and knowledge. She originates from Saraswati, goddess of music. Here in this painting, she is in her 8-armed form called Happi Benzaiten. Each hand holds a specific buddhist attribute. She stands atop a dragon which hold a precious magic pearl in it's claws. On her crown is a small torii gate. Below, each on their...

Birds take shelter for the coming of night as the mist rolls in on the bare branches of a stand of trees huddled along a stream, all dyed with the colors of late autumn in this exceptional work by Hashimoto Kansetsu enclosed in the original signed wooden box. Seen in silhouette against the moon, are these crows, the stalwart creatures which hunker down through winter, or are they Sagi (herons) harbingers of the cold to come? This painting is a superb example of his mature style. It is mounted...