Length: 4.5 cm (1.7 in)
Height: 3.6 cm (1.5 in)
Depth: 3 cm (1.2 in)

Japanese carved netsuke of a mare and foal; nicely carved overall; signed Gyokuzan; good condition

Length: 4.8 cm (1.9 in)
Height: 3.6 cm (1.4 in)
Depth: 3.2 cm (1.3 in)

Fine and rare Japanese carved netsuke of a reclining horse; natural material; superb hair work and patina; signed Masatomo on a rectangular reserve; good condition

Length: 3.7 cm (1.5 in)
Height: 2.9 cm (1.2 in)
Depth: 2.4 cm (1 in)

Japanese carved netsuke of a dog chewing on a sandal; natural material; inlaid horn eyes; some age lines present; good condition

Netsuke - A finely carved ivory netsuke of a cluster of various shells, some of them with an inner life reminiscent of the famous clam’s dream story. The himotoshi underneath is formed by one of the trumpet shells. Beautiful and glossy patina. LENGTH 4.4 cm. beautiful patina. Provenance: German private collection.

A Japanese patinated ivory netsuke depicting a group of eight dancing frogs on a lotus leaf with gilded bronze eyes. Meiju signature on mother-of-pearl and natural himotoshi over the stem of the leaf. Edo Period 19th century Sizes: 2,5 x 5 x 4 cm Condition report: Good condition

Small Kagamibuta, the walrus tooth bowl, the shibuichi plate decorated with an eagle. Restoration on the bowl. Edo Japan (1603 - 1868). Late 19th century. Diameter : 3 cm

Width: 4.8 cm (1.9 in) Height: 2.9 cm (1.2 in) Depth: 2.4 cm (0.9 in) Japanese carved netsuke of people in a treehouse; natural material; two samurai being served food; signed Ryumin on the base; good condition

Small figure in urushi lacquer. Unusual model of a doll wearing large dress with details of flowers in mother-of-pearl and gold leaf. It suggests the gosho ningyo, which may have served as a model. Techniques of lacquer : golden background kinji, gold lacquer, silver lacquer, kanagai, kirikane, maki-e , nashiji. Unsigned. Japan Edo (1603-1868) 18th century. Height : 5,4 cm.

Height: 3.8 cm (1.7 in)
Length: 3.2 cm (1.3 in)
Depth: 2.5 cm (1 in)

Quality wooden netsuke of peasant sharpening his adz on a grindstone; finely carved throughout with a wonderful patina; signed Tomokazu

Circa 1900 Japanese ivory netsuke of a Kappa creature on the back of a catfish. According to Japanese folklore kappa were the size of a small child, but with the strength of many men and lived in streams, ponds, and rivers. Hand carved and artist signed, please note this kappa's facial and eye details. He also features a dish type indentation on the top of his head for holding water when on land. Measures 2.75 inches long

Ivory netsuke representing a bamboo shoot (takenoko).

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

From imaginary animals to natural and domestic elements, the subjects represented in netsuke are varied. The netsuke could represent elements of daily life...

A Japanese unusual stag antler netsuke depicting the head of a swan in finely carved and engraved deer horn, himotoshi under the neck. Meiji period late 19th century Sizes: 2,4 x 6,3 x 1,8 cm. Condition report: Good condition

The falcon is represented resting on a branch. His expression is attentive and we can guess that he is hunting. The artist knew how to infuse him with all the ruthless savagery in his gaze. It is signed by Haru Mitsu. It is finely carved in wood, probably cherry,the pupils inlaid in black horn.I remember having read that this artist liked to exaggerate certain parts of the body of his subjects, here it is clear that the claws, eyes and beak are strongly exaggerated...

Wooden netsuke of the demon Oni hiding in a foot warmer (anka) in order to protect himself from the bean seeds that are thrown at him. The beans are represented by two inlaid stones. His right arm stands out, a part of his head is visible through a small hole in the foot warmer.

The Setsubun festival came from China it is introduced in Japan around the 8th century. Its celebrates the arrival of spring...

Height: 3.3 cm (1.3 cm)
Width: 3.3 cm (1.3 in)
Depth: 1.9 cm (0.7 in)

Japanese wooden netsuke of a seated nobleman holding his fan; excellent workmanship, patina and form; signed Masayuki; good condition

Height: 3 cm (1.2 in)
Width: 3.4 cm (1.3 in)
Depth: 2.2 cm (0.8 in)

Japanese wooden netsuke of a seated mask maker; shows a critical expression observing his work; excellent workmanship and form; signed Ryuraku, good condition

The immortal is powerfully carved in wood, probably cherry. Gama Sennin holds his stick in his hand and his toad on his shoulder. He is unusually tall. The sculpture is powerful, the folds of the dress are elegant and the expression is serene. Although Gama-Sennin is attested male there are rare examples of its female representation. The softness of the features make me think that this would be a woman...

The arquebuse is technically perfectly detailed, its mechanism works. The barrel of the cannon is made of iron inlaid with bronze silver and gold. The carriage is made of very dense black wood, probably ebony inlaid with mother-of-pearl. A small metal key allows it to be dismantled, leaving the incised signature of the artist to appear under the barrel Kuni-Tomo familly perhaps Sada-Hisa who liked to depict birds and flowers on his tsubas? Edo period 19th century or earlier...